The unfortunate demise of Sridevi has left the country in shock. Many actors and actresses are paying their tributes to Sridevi by recalling their memorable times they spent with her. Veteran actor Jeetendra who had been her co-star for many years is shocked by the tragic news and spoke to a leading Indian daily about their film Himmatwala (1983) which marked the 35th anniversary on February 25, 2018.
Jeetendra revealed, ”We all know how it changed both our fortunes. Not many know that Rekha was the original choice for Himmatwala. But I guess Sridevi was destined to do the film - she bagged the role and the film became one of the biggest grossers of the year. And with it, Bollywood woke up to the magic of Sridevi. Today [February 25] marked the 35th anniversary of the film's release and it's tragic how she passed away just a day before... I was terribly shocked when I heard about her demise.”
Recalling his first meeting with the legendary actress, he said, "I first met Sridevi at the 100th-day jubilee function of one of her Tamil films. I walked up to this bright-eyed girl and congratulated her on her performance. Little did I know that we would be working together in a few months' time. I was going through a low phase after Deedar-E-Yaar (1982) - the film suffered heavy losses and brought me back to square one as an actor and producer. Sridevi, too, was coming out of Solva Saawan (1979), her debut film as a full-fledged heroine in Bollywood. The film didn't fare well and almost put her out of the Hindi film industry. So Himmatwala, directed by K Raghavendra Rao, was a turning point for both of us."
Jeetendra mentioned that Sridevi is one of his closest co-stars. He said, “Sridevi was one of my closest co-stars and we did 15 movies together. She was an actor par excellence. What was even more admirable about her was her dedication to the craft - she would keep rehearsing a scene until she was fully satisfied with it. I had deep admiration for her discipline towards her work.”
Recounting about his nervousness around Sridevi when it came to dancing, Jeetendra said, "I remember I used to be nervous whenever I would have to dance with Sridevi. She was a fabulous dancer who would get the steps perfectly, right at the first attempt while I had to keep doing rehearsals to match up to her. I have so many beautiful memories of Sridevi. It's still so difficult for me to come to terms with the fact that the woman, who ruled over everyone's hearts with her shy smile and bright eyes, is no more."
Jeetendra’s son Tusshar Kapoor took to his official Instagram account to commemorate 35 years of Jeetendra-Sridevi’s Himmatwala and also mourned the death of the late actress.
"Ironically, today is also the 35th anniversary of #Himmatwala! Mam u will be missed! Huge loss for the audiences that welcomed her back to films!" he wrote.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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