Skip to content
Search

Latest Stories

Kamal Haasan Interview: New blood is flowing freely in Bollywood and that’s very important

With a bunch of National Film Awards and hundreds of successful movie credits to his repertoire, Kamal Haasan has established himself as one of the biggest acting greats in the world. Apart from making his foray into politics, the actor is also in news these days for his upcoming movie Vishwaroopam 2, which is a sequel to his 2013 offering Vishwaroopam.

As the film approaches its theatrical release on 10th August, our Mumbai correspondent, Mohnish Singh, meets the thespian for an interaction. In this interview with Eastern Eye, Kamal Haasan opens up about his latest role in it Vishwaroopam 2, the state of the Hindi film industry and why most of his films have a political undertone.


Were plans for Vishwaroopam 2 always there from the start, or the sequel was developed later on?

It’s a full story that I conceived of. I thought the movie would be of around 3 hours 30 minutes or 3 hours 40 minutes but I was not in the mood to edit. The idea was to tell a story and what if you say it in parts. It’s been done in novels where the story is written as a series. So, I was thinking and this was my concept even 7 years back. That’s how we started.

Is there any political message that you want to give through your film, just like Rajinikanth’s Kaala (2018) did?

I have always given political messages. It is wrong to compare one filmmaker or actor to another as each has their own individual style, like even though they play the same game of cricket, each player has a style of delivering the same result. So, I have always been different and I always dared make politically relevant films. Making political comments, mimicry, make a laugh out of the matter is what a satire is, but I have gone beyond that. I have gone beyond that and made a point that I strongly felt as a citizen. As an artist, I sensitize my audience. I have done things that are necessary.

Almost all your recent films have a political undertone. Do you take up projects keeping your views in mind?

You can see it from the time of Thevar Magan (1992). Most of my films have a geopolitical thriller attitude to them. It started with let’s say Dasavathaaram (2008) but it became even more serious of a voice, almost akin to Hey Ram (2000), in Vishwaroopam (2013). It is not like Dasavathaaram - light-hearted - but the insertion of my ideas. It is a direct impartation of what I felt is troubling me globally.

Is there a particular reason you decided to convey political messages through your films?

It has to be done. I have given the largest portion of my life to cinema and it is not an exaggeration, except for the first three years of my life. Now I think whatever is left, I’ll have to give what made me what I am and what is everybody’s duty to be.

Reportedly, you are planning to stop working in films after venturing into politics. Would you still be producing movies under your home banner?

You mean if I take a position politically, if I take an office? MLA MGR has done 15-20 films after becoming an MLA, but he was not a party president then. From the moment he became a party president, everything changed. That might happen to me also because it’s a bigger responsibility. We are not just talking about entertainment anymore; we are talking about the business of Tamil Nadu. How it has to be done? And we have been critics. When critics are asked to make a film, they invariably fail. Very few critics actually prove a point like true to good art. They walk the talk, they came and did it. That’s what we want to do, aspire to do. We don’t want to be an armchair critic, complaining and commenting. We don’t want to be a commentator. We want to be a player.

What, according to you, are the advantages and disadvantages to a person who acts writes and directs in his movies?

There are more advantages as compared to the disadvantages because, during the old times when the cinema was a new industry, everybody was multitasking. One person did almost everything. And what do you call a director like Guru Dutt Saab? How many hats did he wear, including acting? He wasn’t that keen on acting but when he didn’t get Dilip sir’s call sheet, he started acting.

What is your take on the current situation of Hindi Film industry?

It’s better than what it was. New blood is flowing freely and that is very important. It wasn’t like that before. There was a deadly divide before between art and commercial cinema. When you sell tickets, it’s commercial. When you make a film, it’s art. So why divide that? This has been my saying for the past 40 years. It became a kind of caste system - one doesn’t touch the other, a parallel of sorts. I didn’t like it at all. I wanted great filmmakers. That bond is happening slowly but not to my satisfaction yet. I want more speed.

Any Hindi film that you watched of late?

Because of my busy schedule and the misfortune of digital cinema, you can stop going to the ticketed cinema. So, that is the misfortune I am suffering now. I was watching Raazi. I wanted to watch it and because of my connection to the person involved in the film, but I couldn’t watch it fully. Though I am trying to do my best with the reschedule. Most filmmakers don’t have time to watch other films. Now, I am not only a filmmaker but also a politician, so time is a concern.

What political message would you like to give in this current state of being?

The elections are coming and what is your part in it? We always distance ourselves from it. Politics should not be treated like lavatory cleaning, Gandhi Ji took both with equal seriousness. That’s where it starts and that is what we have to do. Politics is not below, it is our toilet, it has become a toilet because we have delegated it to too many people and thought we have everyday things to do and we thought this is not part of our responsibility. We think a creature named politician will come and take care of it. We forget that we are that politician, we make that politician, we could be that politician. We were all politicians when we were struggling for independence.

There were many controversies when Vishwaroopam was released, especially in the form it was said to be released. Can you comment on that?

The story behind was not fully perceived. What is wrong with bringing DTH? How was it so wrong? How is that a film had to be banned because some filmmaker is thinking of using a new methodology of dispersing his material to the public? You must understand the politics, the corrupt politics and the mafia behind it because those involved in the government were involved in investing in the cineplexes around Tamil Nadu, they were purchasing theatre. So, they thought this will be a disruptive situation. They wanted this movie stopped to further their gains. When there was a difference of opinion on a very legitimate thing, they started punishing the film by banning it. To find the reason for banning, they used the community. It’s ugly, tyrannical politics which the nation didn’t understand because the subversive technology of DTH and theatres were whipped up by politicians and business also interested, that new technology might hurt, it will not. It has come now. It didn’t even take 10 years. It’s already here. There are many platforms now, many of the big companies are now involving in it.

You host Bigg Boss Tamil, have you ever thought of participating yourself?

I went on a bigger show, there is no escape from it, there is no running away from it. Everybody is watching and they will put me on the docks. In Bigg Boss, when the season is over you are out. This political journey whatever right or wrong I’ll do will live after me. That’s the show I have entered and I am anchoring the Bigg Boss show. The reason I took on that is also a part of my political plan in a way that I address 3.2 crores tuners. Every Saturday, I address that kind of crowd which is an enormous opportunity.

More For You

Gigi Hadid reveals co-parenting secrets with Zayn Malik and romance with Bradley Cooper

Gigi Hadid’s journey: Co-parenting with Zayn Malik, finding love with Bradley Cooper, and embracing motherhood with Khai at the centre of it all

Getty Images

Gigi Hadid reveals co-parenting secrets with Zayn Malik and romance with Bradley Cooper

Gigi Hadid recently opened up about her personal life, talking about how she’s navigating motherhood, her career, and her relationships. In a candid conversation, she reflected on co-parenting her daughter Khai with ex-partner Zayn Malik and shared insights into her romance with actor Bradley Cooper.

Hadid and Malik, who were together for about six years, have been co-parenting their daughter since their split. While their breakup was widely covered at the time, Hadid says they’ve moved forward with mutual respect. “Zayn and I plan our schedules ahead of time,” she explained, adding that although changes come up, they make sure to support one another. For Gigi, the focus is simple: raising their daughter in a way that honours their shared history and maintains a respectful partnership. “People will always have something to say, but our priority is Khai,” she said. “We’re not here to explain everything.”

Keep ReadingShow less
'Santosh' review: Feminist police drama confronts harsh truths

A scene from 'Santosh'

'Santosh' review: Feminist police drama confronts harsh truths

POLICE corruption, caste politics, and dangerous interfaith liaisons are at the heart of Santosh, a feature by British Indian filmmaker Sandhya Suri. She turns the title on its head – Santosh, regarded more widely as a male name, is the protagonist, played by the versatile Shahana Goswami.

Santosh’s husband, a police constable in a north Indian village, is killed in the line of duty. Or so it appears.

Keep ReadingShow less
Scarlett Johansson

Scarlett Johansson recalls feeling ‘so gross’ after hearing SNL’s viral joke backstage

Getty Images

​Scarlett Johansson slams SNL’s 'gross' vagina joke: ‘It was intense. I felt like I’d pass out!'

Scarlett Johansson has finally addressed the jaw-dropping joke about her that aired during Saturday Night Live’s holiday episode in December. Her husband, Colin Jost, was made to deliver the punchline live on air, and Johansson, watching from backstage, was left stunned. In a recent interview with InStyle, she described the moment as “so gross” and admitted she couldn’t believe the show went that far.

The joke was part of the show’s annual “Weekend Update” tradition, where Jost and his co-host Michael Che write outrageous jokes for each other to read without any prior warning. This time, Che handed Jost a line that compared Johansson to a Costco roast beef sandwich in a joke about their sex life. When Jost read it aloud, the audience gasped. Meanwhile, cameras backstage caught Johansson’s reaction mouth open, clearly shocked.

Keep ReadingShow less
Amitabh Bachchan

The veteran actor invests in a 54,454 sq ft plot, just 10 km from Ram Mandir

Getty Images

Amitabh Bachchan buys prime land near Ram Mandir in Ayodhya for father’s memorial

Amitabh Bachchan has purchased a second plot of land in Ayodhya, this time a large 54,454 square foot piece, located roughly 10 kilometres from the newly consecrated Ram Mandir. The land was bought through the Harivansh Rai Bachchan Trust, an organisation set up by the actor in 2013 to honour his late father, the renowned poet Harivansh Rai Bachchan.

This latest purchase adds to Bachchan’s earlier investment in Ayodhya. In January 2024, he bought land in a premium township called Haveli Avadh for ₹4.54 crore. Reports suggest that property was meant for residential use. Now, sources indicate the newly acquired land could be developed into a memorial dedicated to his father’s life and literary legacy.

Keep ReadingShow less
Stan Lee’s

A new documentary sheds light on the lesser-known struggles Stan Lee faced behind the scenes

Getty Images

Stan Lee’s tragic final years: Shocking new documentary exposes elder abuse and exploitation

Stan Lee spent his life bringing superheroes to the world—Spider-Man, the X-Men, Iron Man, and so many more. But behind the joyful cameos and conventions, his last years were marked by serious exploitation. A new documentary, Stan Lee: The Final Chapter, talks about the dark, uncomfortable truth about what really happened.

The film is being put together by Jon Bolerjack, who worked closely with Lee during his final four years. Bolerjack wasn’t just an assistant; he was a witness to what many believe was the mishandling and manipulation of an ageing legend. According to Bolerjack, Lee was constantly pushed to sign memorabilia and make public appearances, despite his poor health. In video clips already shared, Lee appears exhausted while being shuffled between events.

Keep ReadingShow less