Leading Bollywood actress Kangana Ranaut, filmmaker Karan Johar and producer Ekta Kapoor have been honoured with Padma Shri by the government of India on Saturday, the eve of the 71st Republic Day. Padma Shri is the fourth highest civilian award of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan.
Elated Kangana, who can be currently seen in Fox Star Studios’ Panga (2020), dedicated her award to the women of the country. She said in her statement, "I am humbled and I am honoured. I thank my country for this recognition and I dedicate this to every woman who dares to dream. To every daughter... to every mother... and to the dreams of women who will shape the future of our country."
Congratulating the actress on the prestigious win, Ashwiny Iyer Tiwari, the director of her film Panga, said, "There are very few humans who have the ability to be visionaries not for just themselves but also for others. Kangana has risen on her own through her dedication and hard work despite many challenges and limited support. This recognition empowers many more women of our beloved country to walk their own chosen path fearlessly.”
Karan Johar also expressed his happiness on getting the award. The filmmaker said in his statement, “It is not very often that I am at a loss for words, but this is one such occasion... The Padma Shri. Such an honour to receive one of the highest civilian awards in the country. Overwhelmed by so many emotions right now. Humbled, elated and also thankful for the opportunity to live my dream every day, to create and to entertain. I know my father would be proud and I wish he was here to share this moment with me. Blessed.”
Ekta Kapoor, known for revolutionizing the Indian television industry, said that the timing could not have been more perfect as the news arrive two days before the first birthday of her son.
Not only Kangana Ranaut, Karan Johar and Ekta Kapoor, but well-known singers Adnan Sami and Suresh Wadkar have also received the honours. The Padma Shri for this year has been awarded to a total of 118 eminent personalities from various fields.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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