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Kannada actor Sudeep joins Salman Khan on the cast of Dabangg 3

Buzz has it that Kannada megastar Sudeep, who has also appeared in a couple of Tamil and Telugu movies in his over two-decade-long acting career, has been finalized to feature in superstar Salman Khan’s forthcoming film Dabangg 3.

According to reports, Sudeep will be seen as an antagonist in the third instalment of the hit cop franchise Dabangg. A source adds that Prabhudheva recently narrated the basic premise of Dabangg 3 to the actor who liked what he heard and gave his verbal nod to the film. He will sign the project on the dotted line soon.


“Sudeep and Salman have been planning to team up on a film for a long time and things have finally fallen in place. The two will engage in Tom and Jerry kind of skirmishes in Dabangg 3. Sudeep’s character has shades of grey,” a well-placed source reveals.

Dabangg 3, which is being directed by actor-choreographer-filmmaker Prabhudeva, is set to start rolling in the month of April. If the source is to be believed, the film will be wrapped up within 90-100 days. There are also reports that Salman is planning to release the cop-drama around the festivities of Christmas later this year.

Dabangg 3 is being bankrolled by Salman Khan’s younger brother Arbaaz Khan who also directed Dabangg 2, the second instalment of the franchise.

The much-awaited film is rumoured to be a two-heroine project. While Sonakshi Sinha, who played the female lead in the first two instalments of the franchise, is almost confirmed to return to the sequel, no official word has come on the actress who plays the second female lead in the high-profile project.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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