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Karan Johar to shelve much-delayed actioner Drive?

When Karan Johar announced that he had signed Sushant Singh Rajput and Jacqueline Fernandez to headline the first instalment of his action franchise Drive, fans were really on cloud nine because Dharma Productions is not usually known for producing high-octane action movies.

However, three years on and the film is yet to see the light of day. The project has faced several delays in the past and the latest we hear that producer Karan Johar is planning to scrap it forever.


Drive has just not shaped up well. It’s as simple as that. Karan Johar, being a kind-hearted producer, didn’t want the film to be announced as ‘shelved’ as this would damage director Tarun Mansukhani’s career,” a source in the know reveals.

According to reports, Karan Johar was not happy with the action sequences because they were not of high standard. However, that was not the only reason behind the film being delayed. There is more to this story than the public is made to believe.

“It was meant to be Bollywood’s own’ The Fast and the Furious (2001) with never-before-seen car chases that would give Indian audiences a new high. Sadly, there is nothing ‘fast’ about the way the project has developed, although Karan Johar is certainly ‘furious’ at the end product,” the source adds.

Well, the fans of Karan Johar, Sushant Singh Rajput and Jacqueline Fernandez will be extremely disappointed after hearing this.

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TroyBoi’s latest EP bridges generations by fusing South Asian heritage sounds with global trap and electronic production

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TroyBoi returns to his Indian roots with Rootz EP using Lata Mangeshkar’s voice to redefine British diaspora music

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  • TroyBoi’s five-track EP Rootz is a personal return to the sounds of his childhood, released via Ultra Records in September 2025.
  • The single Kabhi uses an officially cleared sample of Lata Mangeshkar’s vocal from Kabhi Khushi Kabhie Gham.
  • Collaborations with Amrit Maan, Jazzy B and BombayMami plug Punjabi, Bhangra and south-Asian textures directly into modern trap and bass production.
  • This EP is part of a wider wave: British artists born into diasporas are using heritage not as garnish but as foundation.

Some albums hit you in ways you don’t see coming. Rootz is one of them. Not just another trap EP. TroyBoi, the London-born producer known for global bass and trap, has made something that’s also deeply personal. He didn’t just want to make music that bangs in clubs; instead, he wanted to reach back to the India of his childhood. And he did it with Rootz.

The track everyone’s talking about is Kabhi. Because it’s not just sampling Bollywood. Lata Mangeshkar’s voice was officially cleared for use on a non-Bollywood release, a milestone reported by multiple outlets. It’s history. It’s memory. And it’s a bridge.

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