Actor Karan Wahi, whose film Hate Story 4 released yesterday, talks about what led him to come on board, what he loved about the script and the experience of shooting the film abroad.
What is so special about Hate Story 4, what is your role?
I think the most special thing about Hate Story 4 is the franchise. It's a very successful franchise. I don't know about the other stories because I haven't been part of them, but when they (the makers) came to me with this story, their entire perspective was just not to sell sex. It’s a thriller and there is a quotient of sex in it but we didn’t want to make it look like an erotic thriller. We wanted to make it look like a thriller, which has a story. I think that is special because whenever we think of a film, we feel that it has to have a love story between the actor and the actress. That is the flip side of the film. It is literally a hate story. The songs have been done by T-Series and they make it a point to have their actors look good. The story looks good and the songs are great. In the film, I am playing the son of a very affluent tycoon, basically, a very rich guy who works with his father. His name is Rajveer and he is in his mid-20s and is more flamboyant, more expressive than probably his father or his brother.
What do you think when you think of the title Hate Story 4?
I think it's apt because every Hate Story revolves around the hatred of the characters. Whenever any part of the franchise has released, you know it's a revenge story. I think it's an apt title. It's great I just hope people love this Hate Story too.
Have you hated anyone in real life?
Hate is a very strong word and I think I did when I was young. But as I grew a little older, I realised that hate is not the word I would use to express. I think disliking is the term I would associate myself with. I might like or dislike someone but I think very rarely now I hate somebody.
Hate is the opposite emotion of love. People, who love someone when things change, may hate the same person they love. What you have to say about that?
I think you hate the circumstance more than you hate the person. I think anyone that I have loved in life or anyone who was close to me and is not anymore, I don't hate them. I feel with time those people, who you loved the most or you were closest to, don't matter to you as much as they used to.
Films or television, which medium you enjoy more and why?
I think both mediums, films are TV, are equal for the viewers. This hierarchy has been created by us. And now, we have put another medium in the race, that is the web. I have been here for a long time and I have done web, fiction and non-fiction. I have realized I give my best to all projects, irrespective of the medium they are aired on. I do the same thing I can if I have to act on television. I will put as much effort when I do films. At the end, I am an actor. It's just that the medium keeps changing and that doesn't make my efforts become less.
'TV actor' is a tag a lot of TV actors don't like when they start doing films. What's your viewpoint on that?
I don't have a problem with being called a TV actor because that's where I started my journey. There is a classic example of Shah Rukh Khan. We still say he is from television but we don't call him a television actor. But when we have to give an example of actors making it big we say, Shah Rukh Khan, Sushant Singh Rajput. I think that will always be there and it is not good or bad. It's there because it is what got you in the limelight. So even if I do one film or many films, people will call me a television actor and I'm okay with it.
How much is too much bold in films? How comfortable are you doing bold scenes? If you are asked to do full monty in a film or a TV show, will you do it?
I am very comfortable. I shot for a few web shows in the last one year, where there were bold scenes. There are bold scenes in Hate Story IV too, but not too many. It depends on what is bold to everybody. To me what is bold, may not be for others. But I think I have realised that I am comfortable with anything and everything on television or any medium, till the time I genuinely believe in whatever is happening in the scene. If I can justify not doing something, I won't do it. Also, in today's time, kissing has become a normal thing. So, I think, 10 years from now what we are calling bold today might not be bold tomorrow. As far as going full monty is concerned, if I agree with why I have to go full monty, I’ll do it. Then I won't think too much. I don't want to go full monty to sensationalize anything.
What kind of films do you want to do ideally?
I'd rather do anything and everything that comes naturally to me. I have been instinctive in life and have done certain things, which have worked and some that haven't. But that's the way it is. If I become choosy, then I am curtailing myself from the word go. If I say I want to do a romantic film, then I am curtailing myself from other genres. Anything and everything that comes to me might be a romantic story, action or anything else, in which I can at least add something to the project, I would love to do it. Usually what happens is with people like me, who have a decent body, unfortunately for us, everything is about showing the body. People talk about your look, body and dance, but rarely they talk about your work. I think that is one reason that I don't mind doing anything that makes me happy. 10 or 20 years from now, I'll at least have a lot of things that I would have done, which would be different.
How was the London schedule?
My two months in London was a great time. We roamed around Northampton in London and saw some really nice places. I spent a lot of time with new people and had some really interesting conversations with strangers. I think it's been a great trip.
Any interesting incidents concerning your co-stars?
Most of the shooting was in the night, it was so cold that when we were not shooting, we used to lock ourselves in the room. I had a great time with Vivan because we like the same things and we could talk a lot, though we did not shoot too much together. One interesting thing was that one day, I had an off so I went to a pub. I went to the bar counter and asked for a drink. There was an old man in his 80s. He said, ‘Excuse me, young man, don't you see we are sitting here?’ I had unknowingly invaded their space. I said 'I am really sorry sir' and later he asked me what I was having and insisted that I have what he was having. So before the bartender could get me my drink, he asked me to have a sip from his glass. And after I did, he said welcome to the gang. I had a one-hour conversation with three men 75, 79 and 83 years old. It was fun and in the conversation, I realised they were not friends but had, in fact, met at the bar. That's what I loved about it, you cannot do this here in India.
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ranbir Kapoor calls Lord Ram the most meaningful role of his career during his final-day speech.
Ramayana: Part 1 shoot wraps after an extensive schedule led by director Nitesh Tiwari.
Ravi Dubey, who plays Lakshman, is seen sharing an emotional hug with Ranbir on set.
The film is set to release in cinemas during Diwali 2026, followed by Part 2 in 2027.
The filming of Ramayana: Part 1, directed by Nitesh Tiwari, has officially come to an end. Ranbir Kapoor, who plays Lord Ram in the ambitious mythological film, delivered a heartfelt speech during the wrap ceremony, calling it the most significant role of his career. A now-viral behind-the-scenes video captures Ranbir hugging his co-star Ravi Dubey, who plays Lakshman, as the cast and crew celebrated the emotional milestone.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
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Ranbir Kapoor calls Lord Ram his most meaningful role
In a clip circulating on social media, Ranbir Kapoor can be seen standing before the full cast and crew on the final day of the shoot. Addressing the team, he expressed deep gratitude for being part of what he called a “once-in-a-lifetime” project. “Portraying Lord Ram has been the most meaningful role of my life,” he said, standing beside Ravi Dubey, who portrays Lakshman. Ranbir also thanked co-stars Sai Pallavi, Yash, Sunny Deol, and others, acknowledging their contribution to the massive production.
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Director Nitesh Tiwari also addressed the gathering with an emotional speech, which was met with cheers and applause. Videos from the day show a close-knit crew cutting a cake and capturing candid moments, one of which was Ranbir embracing Ravi in a warm hug.
Ramayana Part 1 set for Diwali 2026 release
With filming now complete, Ramayana: Part 1 is set to enter post-production. The star-studded cast includes Ranbir Kapoor as Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, Kajal Aggarwal as Mandodari, and Lara Dutta as Kaikeyi. The film is being mounted on a grand scale, with Oscar-winning VFX studio DNEG handling visual effects.
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The first instalment is expected to hit theatres during Diwali 2026, with Part 2 planned for a Diwali 2027 release. An official poster reveal is expected on 3 July, as anticipation builds for what is shaping up to be one of Indian cinema’s most ambitious mythological sagas.
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Ensemble Festival 2025 returns to Royal Docks with bold new outdoor shows
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
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Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.