Kashmir witnesses record-breaking influx of migratory birds this winter
The wildlife department conducted a census, which revealed the notable rise in bird arrivals, attributed to the efforts made to revive and revitalise the wetlands
According to a senior official from the Wildlife department, the wetlands of Kashmir were visited by a record-breaking 13 to 14 lakh birds from Eastern Europe and Central Asia this winter.
The wildlife department conducted a census, which revealed the notable rise in bird arrivals, attributed to the efforts made to revive and revitalise the wetlands, which serve as the winter habitat for these feathered visitors.
"We have seen a remarkable increase in the number of certain species of birds and the results are encouraging, especially with regard to the areas that used to be the primary habitats of these migratory birds, such as Hokersar, Hygam, and Shallabugh," Chief Wildlife Warden Rashid Naqash said.
The official reported that around 13 to 14 lakh migratory birds visited the wetlands of Kashmir, including both protected areas under the jurisdiction of the wildlife department and those outside it.
"If we compare this number to the previous years -- the last three to four decades -- this is the highest recorded number," Naqash added.
Most of the birds spotted at the wetlands comprised of ducks, waders, and water birds.
The officer added that the Wullar Conservation Management Authority had undertaken commendable measures to enhance the habitat by reviving the heavily silted zones, thus drawing a substantial number of migratory birds.
According to the official, Wullar was once known to be one of the most significant areas for hosting a large population of migratory birds.
However, this year witnessed the return of birds that used to frequent the wetlands or the Wullar lake 30 to 40 years ago, including long-tailed ducks and skimmers that hadn't been seen in decades.
When questioned about the correlation between the Russia-Ukraine war and the increase in avian visitors, Naqash stated that there was no unusual trend in the birds' arrival or departure. "Regarding the timing of their arrival or departure, it seems quite normal in our wetlands. Any theory on a good number of bird arrivals needs to be supported with solid scientific data," he remarked.
According to a range officer (lakes) Sajid Farooq, the Wildlife department has created a five-year programme to revive the wetlands.
Farooq stated, "In protected wetlands, we have taken different measures for rejuvenation, such as restoration of breaches etc., so that the migratory birds that visit the wetlands during the winter months get a conducive atmosphere.”
He added that field staff begins maintenance work in March to prepare the habitat before the arrival of migratory birds.
Farooq also said the department is cracking down on poaching to protect the birds. The Wildlife Act of India has banned poaching, and control rooms are set up at every range. The forest protection force also helps with patrolling. The department has seized eight to 10 guns and registered an equal number of FIRs this year.
Dabangg director Abhinav Kashyap has reignited his feud with Salman Khan
He accused the actor of being “not interested in acting for 25 years”
Kashyap also labelled the Khan family “vindictive” and controlling in Bollywood
His remarks come days before Dabangg’s 15th anniversary
Filmmaker Abhinav Kashyap has once again targeted Bollywood star Salman Khan, this time using strong words ahead of the 15th anniversary of Dabangg. The director alleged that Salman, despite his superstardom, has shown little interest in acting for decades and only “does a favour by turning up to work.” He further claimed the Khan family operates vindictively in the industry, echoing past allegations that they derailed his career.
‘Dabangg’ director Abhinav Kashyap says Salman Khan stopped caring about acting 25 years ago and calls him a goon Getty Images/ IMDB
What did Abhinav Kashyap say about Salman Khan?
In a new interview, Abhinav Kashyap did not hold back when describing his former leading man. He called Salman Khan a “gunda, badtameez, ganda insaan” (a goon, ill-mannered and bad person). The director alleged that the actor has not been involved in his craft for the past 25 years.
“Salman is never interested in acting. He does a favour by turning up. He is more into the power of being a celebrity than the art of cinema,” Kashyap said. He added that he only realised the extent of this behaviour during the making of Dabangg in 2010.
Abhinav Kashyap alleges Salman Khan has lost interest in acting for more than two decadesIMDB
Why did Abhinav Kashyap clash with the Khan family?
Kashyap also spoke about his fraught relationship with the Khan family, claiming they use their influence to control Bollywood. “He (Salman) is the father of the star system. The family has been in the industry for 50 years. They are vindictive people. If you don’t agree with them, they come after you,” he said.
The filmmaker walked away from Dabangg 2 and has long maintained that the Khans tried to block his opportunities afterwards. In 2020, he posted on social media accusing Salman, Arbaaz, Sohail, and veteran writer Salim Khan of sabotaging his career.
Salman Khan, mother Salma, father Salim Khan, sister Arpita and Arbaaz Khan stand on the balcony on arrival at his house in Galaxy Apartment Getty Images
What role did Anurag Kashyap play in the fallout?
Abhinav Kashyap recalled how his brother, acclaimed director Anurag Kashyap, had faced a similar situation years earlier. Anurag was initially attached to Tere Naam (2003), written by him and starring Salman Khan. He eventually left the project after clashes with producer Boney Kapoor, and his contribution allegedly went uncredited.
“Anurag told me before Dabangg that I wouldn’t be able to make a film with Salman. He thought I’d get easily bullied. The same thing happened with him on Tere Naam. They misbehaved, and he had to leave,” Abhinav said.
Abhinav Kashyap says Anurag warned him never to work with the Salman Khan Getty Images
Where does Salman Khan stand now?
While Abhinav Kashyap continues to criticise him, Salman Khan has remained publicly silent on the matter. His father, Salim Khan, previously dismissed the director as “a frustrated person” and said the industry knows the truth about his family’s work.
Salman Khan silent as Abhinav Kashyap calls him a goon during a recent interviewGetty Images
Professionally, Salman was last seen in AR Murugadoss’ Sikandar, opposite Rashmika Mandanna. He is now preparing for Apoorva Lakhia’s Battle of Galwan, in which he plays an Indian Army soldier. He also continues his long-running stint as host of Bigg Boss 19.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
With four wins, India are now the second-most successful team in the tournament, behind Korea’s five titles. (Photo: X/@narendramodi)
DILPREET SINGH scored twice as India defeated defending champions South Korea 4-1 to win the men’s Asia Cup hockey title on Sunday. The win also secured India’s place in next year’s FIH World Cup in Belgium and the Netherlands.
This was India’s fourth Asia Cup title, after previous victories in 2003 (Kuala Lumpur), 2007 (Chennai) and 2017 (Dhaka). With four wins, India are now the second-most successful team in the tournament, behind Korea’s five titles.
The World Cup will be played from August 14 to 30, 2025.
For India, Dilpreet scored in the 28th and 45th minutes, Sukhjeet Singh struck in the opening minute, and Amit Rohidas converted a penalty corner in the 50th minute. Korea’s only goal came from Dain Son in the 51st minute.
India made a quick start, scoring inside the first 30 seconds when captain Harmanpreet Singh’s play from the left set up Sukhjeet, who finished with a reverse hit. Dilpreet came close in the eighth minute but his effort was saved by goalkeeper Jaehan Kim. Soon after, Jugraj Singh’s penalty stroke was also denied by Kim.
India doubled the lead just before half-time when Harmanpreet sent a long aerial ball to Sanjay, who passed it to Dilpreet inside the circle. Dilpreet converted to make it 2-0 at the break.
Korea earned back-to-back penalty corners in the 40th minute but failed to score. India added their third just before the end of the third quarter as Raj Kumar Pal set up Dilpreet, who deflected the ball in.
Rohidas made it 4-0 from a penalty corner in the 50th minute, before Korea pulled one back a minute later through Son. Korea had another chance in the 56th minute with their fourth penalty corner but could not break through.
Malaysia finish third
Malaysia, ranked 12th in the world, beat China 3-0 in the third-place playoff. Malaysia dominated the game, creating several chances against world No. 22 China.
Tournament top-scorer Akhimullah Anuar (36th, 50th minutes) netted twice, taking his tally to 12 goals. Norsyafiq Sumantri and Syed Cholan (58th) also scored. China’s only goal came from Jiesheng Gao in the 54th minute.
Japan take fifth place
Japan, ranked 18th, defeated Bangladesh 6-1 to finish fifth.
Ryosuke Shinohara (15th, 38th, 56th minutes) scored a hat-trick, while Koji Yamasaki (9th), Ken Nagayoshi (36th) and Seren Tanaka (50th) added one goal each. Amirul Islam scored Bangladesh’s lone goal in the 55th minute.
(With inputs from agencies)
Keep ReadingShow less
Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025
Indian filmmaker Anuparna Roy creates history at 82nd Venice Film Festival
Wins Orizzonti Award for Best Director, the first Indian to do so
Songs of Forgotten Trees stars Naaz Shaikh and Sumi Baghel
Presented by Anurag Kashyap, the film highlights migrant women’s lives in Mumbai
Indian filmmaker Anuparna Roy has made history by winning the Best Director award at the Venice Film Festival in the prestigious Orizzonti section. Her debut feature, Songs of Forgotten Trees, became the only Indian film selected in this category in 2025, bringing home a milestone moment for Indian cinema. The Venice recognition comes especially at a time when global attention is increasingly turning towards diverse voices and independent storytelling.
Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025 Getty Images
What is the Venice Film Festival Best Director award?
The Best Director award at Venice Film Festival is one of the highest honours in international cinema. Within the Orizzonti section, it is presented to filmmakers pushing the boundaries of style and narrative. This year’s jury was led by French director Julia Ducournau, who announced Roy’s name to a standing ovation. Roy walked up in a white sari, visibly emotional, and thanked her cast, crew, and supporters for believing in a film that resisted mainstream formula.
The Orizzonti competition is known for spotlighting new cinematic trends. Previous Indian films recognised in this section include Chaitanya Tamhane’s Court and Karan Tejpal’s Stolen, but Roy is the first Indian director to win in this category.
Songs of Forgotten Trees follows the lives of two migrant women in Mumbai, Thooya, played by Naaz Shaikh, and Swetha, played by Sumi Baghel. Their unlikely connection unfolds in the bustling city, exploring themes of survival, selfhood, and solidarity. The narrative, inspired by Roy’s own observations, centres on how women find strength and empathy in urban struggles.
The film is produced by Bibhanshu Rai, Romil Modi, and Ranjan Singh, with Anurag Kashyap presenting it. Kashyap has often supported experimental and independent cinema, and his backing helped Songs of Forgotten Trees reach international audiences.
In her acceptance speech, Anuparna Roy dedicated the Best Director award to women worldwide, saying, “This film is a tribute to every woman who’s ever been silenced, overlooked, or underestimated. May this win inspire more voices, more stories, and more power for women in cinema and beyond.”
She also used the stage to speak about the Palestinian crisis, declaring, “Every child deserves peace, freedom, and liberation, and Palestine is no exception.” Her words were met with applause, clearly showing how filmmakers are using international platforms to amplify global concerns beyond cinema.
Anuparna Roy dedicates her Venice win to women worldwide while speaking about Palestine on stageGetty Images
Why is Anuparna Roy’s win significant for Indian cinema?
Roy’s award marks a breakthrough for Indian filmmakers on the international stage. While Indian cinema has long been recognised at global festivals, Best Director wins at Venice remain rare. Her achievement, in fact, shows the growing acceptance of independent Indian storytelling, away from the stereotypes often associated with Bollywood.
This recognition also signals greater visibility for women directors from India, many of whom struggle for space in a male-dominated industry. Producers behind the film emphasised that backing Roy was “not just a choice, but a responsibility,” pointing to the honesty and strength of stories told by women.
Anuparna Roy accepts her award in a white saree, thanking her cast and crew for believing in her storyGetty Images
Who were the other winners at Venice 2025?
The Golden Lion for Best Film went to Jim Jarmusch’s Father Mother Sister Brother, while Kaouther Ben Hania’s The Voice of Hind Rajab earned the Grand Jury Prize. Benny Safdie won the Silver Lion for Best Director in the main competition for The Smashing Machine.
In acting honours, Xin Zhilei received the Volpi Cup for Best Actress for The Sun Rises on Us All, while Toni Servillo won Best Actor for La Grazia.
Keep ReadingShow less
Demonstrators gather at the entrance of the parliament during a protest against corruption and government’s decision to block several social media platforms, in Kathmandu, Nepal September 8, 2025. (Photo: Reuters)
Thousands of young Nepalis march in Kathmandu against social media ban and corruption
Government blocks 26 unregistered platforms, citing fake news and fraud concerns
Police use tear gas, rubber bullets and water cannons to disperse protesters
Critics accuse government of authoritarianism and failure to deliver on promises
THOUSANDS of young Nepalis marched in Kathmandu on Monday demanding that the government lift its ban on social media platforms and address corruption.
Nepal blocked access to 26 unregistered platforms, including Facebook, YouTube, and X, on Friday. Popular platforms such as Instagram have millions of users in the country who rely on them for entertainment, news, and business. Authorities said the shutdown followed a Supreme Court order from September last year, which required companies to register in Nepal, appoint grievance officers, and establish local compliance.
The government said social media users with fake IDs had been spreading hate speech, fake news, and committing fraud. In a statement on Sunday, it said it respected freedom of thought and expression and was committed to "creating an environment for their protection and unfettered use".
Many demonstrators carried national flags and placards reading "Shut down corruption and not social media", "Unban social media", and "Youths against corruption". They began their rally with the national anthem before marching through the city.
"We were triggered by the social media ban but that is not the only reason we are gathered here," said student Yujan Rajbhandari, 24. "We are protesting against corruption that has been institutionalised in Nepal."
Another student, Ikshama Tumrok, 20, said she opposed the "authoritarian attitude" of the government. "We want to see change. Others have endured this, but it has to end with our generation," she said.
Protester Bhumika Bharati added: "There have been movements abroad against corruption and they (the government) are afraid that might happen here as well."
Since the ban, TikTok — still operational in Nepal — has carried viral videos comparing the lives of ordinary citizens with those of politicians’ children showing off luxury goods and vacations.
On Monday, thousands of youths, including students in school uniforms, tried to march to parliament but were stopped by police who had set up barbed wire barricades. Authorities said demonstrators attempted to break into parliament by pushing through police lines.
Police used tear gas, rubber bullets, water cannons and batons to disperse the crowds, officials said. "We have imposed a curfew which will remain in force until 10 pm local time (1615 GMT) to bring the situation under control after protesters began to turn violent," said Muktiram Rijal, spokesperson for the Kathmandu district office.
Nepal has restricted social media platforms before. The Telegram messaging app was blocked in July over fraud and money laundering concerns, and TikTok was banned for nine months before being restored in August last year when it complied with local rules.
Many Nepalis believe corruption is widespread, and prime minister KP Sharma Oli’s government has been criticised by opponents for failing to deliver on its promises. About 90 per cent of Nepal’s 30 million people use the internet.
The protests come as governments worldwide, including the US, EU, Brazil, India, China and Australia, have been tightening oversight of social media and Big Tech, citing concerns over misinformation, privacy, online harm and security. Critics warn that such measures risk limiting free expression, while regulators argue that stricter controls are needed.
The holy town of Ambaji witnessed a spiritually significant day on Sunday as His Holiness Siri Rajrajeshwar Guruji, head of the International Siddhashram Shakti Centre, London, performed the Dhwaja ritual at the historic Ambaji Temple in Gujarat, one of the most revered Shakti Peeths of India.
Guruji, who travelled especially from London to be part of the festivities, offered prayers to Goddess Amba and hoisted the sacred flag, a symbol of divine strength, victory, and eternal devotion. Speaking about the ritual, he reminded devotees that the dhwaja inspires courage, faith, and a constant remembrance of the divine in everyday life.
Adding to the spiritual significance of the day, Guruji also personally served Bhandara (community meal) to devotees gathered at the temple premises.