JUST as Kashmir is known for its uniqueness, the region’s cuisine, too, is celebrated as special.
Kashmiri cuisine is not just about food, it is a celebration of life where traditions, memories and flavours are mixed to present the perfect Kashmiri spread.
Food is central to Kashmiri social life. Whether it’s a small birthday party or a grand wedding, one thing that can be guaranteed is the presence of an elaborate meal complete with various types of meat and seasonal vegetables.
While the cuisines cooked during the summer consist of fresh leafy greens that are cooked along with meats or fish, winter cooking is all about smoky flavours. It’s a common sight to see the women of the family drying vegetables and preserving fruits in the months of September and October.
While better connectivity has ensured there’s no scarcity of fresh produce during the harsh winter months, there’s still a market for dried and smoked meat and fish.
One winter special is smoked fish known locally as ‘farrigad’ and dried fish called ‘hokhegad’. Kashmiri cooking is an amalgamation of influences from the Indian subcontinent, Persia, China and from central Asia.
It is said that chefs from Samarkand were brought to Kashmir during the Timur invasion. They are believed to have influenced Kashmiri cuisine to a great extent, lending the dishes rich flavour and delicious aroma.
In her book Multiple Flavours of Kashmiri Pandit Cuisine, Annapurna Chak writes, “Kashmiri cuisine has evolved over years. The first major influence was the food of the Kashmiri Pandits, the Hindus of the Valley. The cuisine was then influenced by the culture which arrived with the invasion of Kashmir by Timur from the region of modern Uzbekistan. Subsequently, Kashmir and its food have been strongly influenced by the cuisines of Central Asia, Persia, Middle East and Afghanistan.”
She adds: “The two culinary styles that are predominant in Kashmiri cuisine are those of the Kashmiri Pandits and the Kashmiri Muslims. The basic difference between the two is that of the liberal use of asafoetida and yoghurt among the Hindus and onions and garlic among the Muslims – all of which impart a distinct flavour.”
Rice is the staple grain and goat meat and freshwater fish are consumed in large quantities in the Valley. Kashmiri cuisine is predominantly non-vegetarian, such as Roganjosh (goat meat in chillies), yakhni (goat meat or chicken in yoghurt) and macch (Kashmiri meatballs).
There are also some truly lip-smacking vegetarian delicacies such as the dum aloo (spicy potatoes) and Modur Pulao (sweetish rice dish). Dishes made are heavy on spices. Throughout history, Kashmir has been best known for growing the most expensive spice in the world – saffron – which is the main ingredient in the Kahwah, a tea that’s a part of any feast.
The Kahwah is a green tea made with saffron, spices, and almonds or walnuts, and it is usually served after a feast. Chak, in her book, says that the best way to bring out the saffron flavour in the dishes is to “dry roast the strands lightly on a mildly warm griddle, crumble them and then soak them in a tablespoon of hot milk or water before adding to the dish to be flavoured.”
Saffron is also used to marinate meat. During winters, when the temperatures dip, a lot of meat dishes are prepared to keep warm. Meat is usually marinated in curd or saffron milk for hours, sometimes even up to two days. Kashmiri cuisine also use a number of other spices such as fennel seed powder, cardamom, star anise, and dry ginger powder.
The legendary wazwan, a multi-course meal, is a point of pride for the Kashmiri culture and identity. Although the meal contains around 36 items, seven dishes that typically form an indispensable part of the feast are tabakh maaz, rista, rogan josh, dhaniwal khorma, aab gosh, marchwagan korma and ghustaba.
Traditional local chefs, known as wazas, who specialise in wazwan are in demand during wedding seasons. While it takes only an hour to devour a wazwan, the cooking time can extend up to 10 hours. At a marriage feast, four people usually share a wazwan.
Cooked rice topped with chickens, deepfried ribs, kebabs, mutton, small pieces of lamb are just the starters for the extended Wazwan meal. Rogan josh, mirchi korma, aab gosht and lahabi kebabs, and large balls of minced mutton cooked in curd and spices called the gustaba follows. The serving of the gustaba announces the end of the feast.
A typical wazan also includes cheese, spinach, apricots and at least six to eight kinds of chutneys. “You have to cut the right size of the mutton for each dish. The mutton has to be beaten for the kebabs, and minced for ristas and gustabas. One has to be very careful that these are brought to the right consistency during cooking,” said Ghulam Nabi, president of the local wazas union, told NDTV.
“We need special quality spices, including saffron, chillies, cardamoms, fennel seeds, salt, tamarind, turmeric, onions, cinnamon sticks and powder, bay leaves, cloves, black pepper and cumin seeds.
“If the spices are not of good quality, one cannot be sure that the wazwan would come to its right flavour, and so, there is no compromise on the quality of spices,” he added.
Besides meat, Kashmiris also love their breads. The Kashmir Valley is noted for its bakery tradition and each colony has at least one traditional bakery known as ‘kaandar/ kandur’. Long before dawn, bakers fire up their tandoors and start making traditional breads.
Tsot and tsochvor are small round breads topped with poppy and sesame seeds that are crisp and flaky; sheermal, baqerkhayn (puff pastry), lavas (unleavened bread) and kulcha are also popular. Lavas are served with butter.
Kashmiri bakerkhani, which is similar to a round naan in appearance, but crisp and layered, and sprinkled with sesame seeds, holds a special place in Kashmiri cuisine. It is typically consumed hot during breakfast. A type of Bakerkhani, in which halwa is rolled into it, is distributed at Sufi shrines on Urs or at community gathering.
Unfortunately, a number of exotic dishes are slowly fading away from the Kashmiri cuisine owing to a host of reasons, including the absence of their chief ingredients One such dish is the shufta kanagucchi, the key ingredient of which is guchhi mushrooms. These are a rare form of wild mushrooms found in Kashmir, and hence expensive too. It’s no wonder that the dish is aptly dubbed “rich man’s dessert.”
Another dish that’s also not often seen on the menu is kaleeng, a dish that is made from the thick membrane that covers the sheep’s head. Food enthusiast Marryam H Reshii writes: “Until the 1970s, every household in the Valley tried to cook foods that were less expensive and required more prepreparation. As a result, the sheep was divided into two parts: the head, all the innards and the trotters. The rest – what most of us think of when we say ‘meat’ – is the other, more expensive part.
“Up until 40 years ago, there was no shame in admitting to cooking trotters or the hard-to-get-to meat from the head of the sheep or even the thick membrane that encases the entire head of the animal. Today, with prosperity in the cities and towns of Kashmir and more nuclear families with fewer ladies to prepare painstaking dishes, expensive cuts of meat are now the norm.”
Research for the World Curry Festival uncovered evidence of a curry house in Bradford in 1942.
Cafe Nasim, later called The Bengal Restaurant, is thought to be the city’s first.
The discovery coincides with Bradford’s City of Culture celebrations.
Festival events will include theatre, lectures, and a street food market.
Historic discovery in Bradford’s food heritage
Bradford’s claim as the curry capital of Britain has gained new historical depth. Organisers of the World Curry Festival have uncovered evidence that the city’s first curry house opened in 1942.
Documents revealed that Cafe Nasim, later renamed The Bengal Restaurant, once stood on the site of the current Kashmir Restaurant on Morley Street. Researcher David Pendleton identified an advert for the cafe in the Yorkshire Observer dated December 1942, describing it as “Bradford’s First Indian Restaurant”.
Festival organisers confirm findings
Festival founder Zulfi Karim said the discovery ended long-standing debate over which was Bradford’s first curry house. For years, different establishments had laid claim to the title, including restaurants from the 1950s and the Sweet Centre in 1964.
“This was during the Second World War, so it’s hard to imagine what ingredients they had access to with rationing,” Mr Karim said. “Even the current owner of Kashmir Restaurant thought it only went back to the 1950s.”
Bangladeshi roots of curry in Britain
Mr Karim highlighted the role of Bangladeshi immigrants in establishing Britain’s curry houses, noting that many early arrivals to the UK were former Navy workers. “That’s 80 years plus now since we’ve had a curry house in Bradford and that’s a huge story,” he added.
World Curry Festival 2025
The festival, first launched in Leeds in 2008, is being held in Bradford this year as part of the City of Culture 2025 celebrations. Running from 15–29 September, it will feature a mix of food, culture and performance.
Highlights include:
Theatre of Curry: A staged reading of Balti Kings (1999) by Sudha Bhuchar and Shaheen Khan, with curry served during the interval.
Supper club experiences.
Talks by Dr Amir Khan on nutrition and preserving authentic recipes.
Preserving the future of curry
Mr Karim stressed the importance of supporting the industry, which faces challenges due to a shortage of new talent.
“We need to keep it local, keep it authentic, and encourage people to enjoy it but also learn to cook at home,” he said.
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Princess Karam of Kapurthala, photographed by Cecil Beaton in 1935
A FAMOUS photograph taken by Cecil Beaton of an Indian princess features in an exhibition of his work, Fashionable World, at the National Portrait Gallery.
Beaten made his name by taking pictures of the English upper classes and also Hollywood stars, but some of his most striking – and evocative – images are of Indian royalty.
One taken in 1935 was of Sita Devi, Princess Karmajit of Kapurthala, who was also known as Princess Karam and eulogised as “the Pearl of India”.
She was the muse of several photographers, including Beaton, and considered “one of the most beautiful women in the world”. Born into the Hindu Rajput royal family of Kashipur in 1915, she embarked on a remarkable journey at the age of 13 when she married Prince Karamjit Singh, the younger son of Maharajah Jagatjit Singh I of Kapurthala in Punjab. She died in 2002.
According to one report, “her frequent visits to Paris saw her rubbing shoulders with the crème de la crème of European society, enchanting the Parisian elite with her exquisite blend of traditional Indian elegance and European haute couture. Her sartorial choices were a seamless fusion of her royal Indian heritage and the avant-garde fashion of Paris, making her a muse for esteemed designers like Mainbocher and Madame Grès. She effortlessly carried saris with the same grace as she did the luxurious gowns and fur coats designed by these fashion legends, often accessorised with jewels from Cartier and Boucheron.
“At the age of 19, Vogue hailed her as a ‘secular goddess’, a title that reflected her transcendent appeal and impeccable fashion sense. Her influence extended beyond borders, captivating the imagination of the Italian designer Elsa Schiaparelli, who was so inspired by the princess’s saris that she dedicated her 1935 collection to them. This collection was a homage to the traditional Indian garment, reimagined through the lens of European haute couture. Schiaparelli’s designs captured the fluidity and grace of the sari, while infusing it with the avantgarde spirit of the time, thus bridging two distinct cultural aesthetics. The princess’s impact on the fashion world was profound, as she brought the elegance of Indian attire to the forefront of the Parisian fashion scene, influencing styles and trends across continents.”
Gayatri Devi, Maharani of Jaipur at Rambagh Palace
Fashionable World will be the first exhibition to exclusively explore Beaton’s pioneering contributions to fashion photography. “From Hollywood stars and titans of art, to high society and royalty, the exhibition will feature portraits of some of the twentieth century’s most iconic figures, including Marilyn Monroe, Audrey Hepburn, Elizabeth Taylor and Marlon Brando; Queen Elizabeth II and Princess Margaret; as well as Lucian Freud, Francis Bacon and Salvador Dalí,” the NPG has announced.
The exhibition is curated by photographic historian and contributing editor to Vogue, Robin Muir.
In 2020, he curated another Beaton exhibition, Bright Young Things, at the NPG but this had to be closed because of the pandemic. That, too, had a photograph of Princess Karamjit.
The caption to her photograph then read: “A fixture on the social scene in the pre-war years, the Princess was in demand, frequently for jewellery stories, not least because her husband commissioned extravagant pieces from Cartier and Van Cleef and Arpels. Cecil photographed her in diamond bracelet by Cartier, emblazoned with an emerald, which he recalled, was ‘the size of a small fruit’. The princess’s credentials as a style leader were cemented when (Italian fashion designer) Elsa Schiaparelli based a collection on her colourful saris.”
She also merited a whole page in the 2020 catalogue which explained: “Beaton had been transfixed by one Indian in particular, the beautiful Sita Devi, Princess Karam of Kapurthala.
“Her mondaine chic inspired Ira Gershwin’s lyrics to Maharanee(A Night at the Races in Paris), a number from the Broadway revue, The Ziegfield Follies of 1936.”
The lyrics went: Even if you were just half as sweet, /It would still be like heaven to meet/Such a gay Maharanee/Paris is at your feet!
Fashionable World, which will open next month, will display around 250 items, including photographs, letters, sketches and costumes.
Muir commented: “Cecil Beaton needs little introduction as a photographer, fashion illustrator, triple Oscar-winning costume designer, social caricaturist, elegant writer of essays and occasionally waspish diaries, stylist, decorator, dandy and party goer. Beaton’s impact spans the worlds of fashion, photography and design. Unquestionably one of the leading visionary forces of the British twentieth century, he also made a lasting contribution to the artistic lives of New York, Paris and Hollywood.”
Victoria Siddall, director of the NPG, pointed out: “The National Portrait Gallery has a long and distinguished history with Cecil Beaton. His work was the subject of the NPG’s first dedicated photography exhibition in 1968, made in collaboration with Beaton himself, as well as being the first solo survey accorded any living photographer in any national museum in Britain. We are honoured to be working with Vogue’s Robin Muir, whose exhaustive research, vision and flair will guide us through Beaton’s innovative and storied influences on the fashion world.”
Actress Elizabeth Taylor, 1955
The exhibition catalogue will explain why “Cecil Beaton (1904–1980) was an extraordinary force in the 20th century British and American creative scenes. Renowned as a fashion illustrator, Oscarwinning costume designer, social caricaturist, essayist, and decorated writer, Beaton’s impact spans the worlds of fashion, photography, and design.”
The NPG added, “Known as ‘The King of Vogue’, he elevated fashion and portrait photography into an art form. His eradefining photographs captured beauty, glamour, and star power in the interwar and early post-war eras.
“Through several interwoven themes, the world of Cecil Beaton will be examined in detail. The exhibition will follow Beaton’s career from its inception, as a child of the Edwardian era experimenting with his first camera on his earliest subjects, his two sisters and mother (c. 1910), his years of invention and creativity as a student at Cambridge University, to his first images of the high society patrons who put him on the map. Including Stephen Tennant and the Sitwell siblings.
“The exhibition will journey through the London of the 1920s and 1930s, the era of the Bright Young Things and Beaton’s first commissions for his greatest patron, Vogue, to his travels to New York and Paris in the Jazz Age. Drawn to its glamour and star wattage, Beaton photographed the legends of Hollywood in its Golden Age. Cecil Beaton’s first royal photographs appeared in the late 1930s. As the Second World War loomed, he defined the notion of the monarchy for a modern age. Appointed an official war photographer by the Ministry of Information, his wartime service took him around the globe.
Beaton at the opening of his painting exhibition in London, 1966
“The war’s end ushered in a new era of elegance and Beaton captured the high fashion brilliance of the 1950s in vivid, glorious colour. The exhibition will end with what many consider his greatest triumph and by which he is likely best known: the costumes and sets for the musical My Fair Lady, on stage and later on screen.
“Almost entirely self-taught, Beaton established a singular photographic style; a marriage of Edwardian stage portraiture, emerging European surrealism and the modernist approach of the great American photographers of the era, all filtered through a determinedly English sensibility.”
In India he also photographed Gayatri Devi, the Maharani of Jaipur; the Maharani of Pratapgarh, Chimnabai II; and Maharani Kusum Kunwarba of Chhota Udepur in Gujarat.
Photographing Indian royals helped Beaton obscure his own middle-class origins, which greatly embarrassed the photographer. In 1923, he admitted: “I don’t want people to know me as I really am, but as I am trying and pretending to be.”
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Through abstract forms, bold colour, and layered compositions
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.