Merton Councillor and Liberal Democrat London Assembly candidate.
Politics and Islam has often been a cause for debate for Muslims. It’s sure to be this year as we are all in lockdown and around the world many Muslims will observe the holy month of Ramadan. But this time politics and Islam will be joining up in a very different fashion.
The fast from dawn to dusk, on Saturday 25th of April will be observed by some unlikely compatriots, the Liberal Democrat party! Key party members such as acting leader Ed Davey, MP Layla Moran, and others, will lead from the front, as party members from top to bottom, will abstain from all forms of food and drink from sunrise until sunset, 16 hours in total, sharing their experiences on social media with the hashtag #LibDemIftar.
Those fasting will raise money for a chosen charity to tackle the cause of hunger in the UK. Fasting helps us appreciate what those suffering from food poverty, go through on a daily basis. In times like these, it is important that we pay heed to the lessons of our religions and look after the most vulnerable.
This is an important display of solidarity with the Muslim community, who have had to contend with the unfamiliar experience of a Ramadan behind closed doors, without any of the communal activities which are so integral to the Ramadan spirit. After weeks of staying at home, not being able to congregate in mosques and in people’s homes during this holy month, will contribute to people feeling isolated and lonely.
The Lib Dem decision to fast in solidarity with Muslim communities, sends a clear message that the significance of Ramadan and it’s curtailment this year, is not lost on the party. In our diverse society, showing a genuine appreciation of the importance of each other’s rituals and traditions is an important step towards building trust and understanding within our society. For Muslims, this step won’t fill the gap of not being able to attend the mosque or have community iftars, but it will certainly lift moods and create a sense of togetherness in these difficult times.
During these testing times, whilst our communities are not able to physically gather together, it is important that we seek creative ways of engaging with each other across boundaries, through initiatives such as this. When we collectively face hardship as a society, the need for breaking down barriers and realising our shared humanity is greatest. Something I learned from my father, is that one of the best ways to do this is through respectful engagement with each other’s traditions. Through this, we not only build meaningful relationships between communities, but we also enrich ourselves through learning the valuable lessons contained in these traditions.
Seeing the outpouring of goodwill from Muslims in response to the Lib Dem fast, reinforces my belief about the value of such initiatives. It comes as a surprise to me that this is the first time a major political party has done something like this – I hope this will set a precedent, not just for engagement with Ramadan, but for all of us to seek opportunities to honour and respect the diverse traditions which make up the tapestry of modern Britain. I can’t think of a more important time to start doing this.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.