Lillete Dubey’s new play portrays love in a time of lockdown
Making its UK debut at Beck Theatre in Hayes, Vodka &No Tonic will run from March 1 to 3, before heading to Glasgow's Pavilion Theatre on March 7
By Pooja ShrivastavaFeb 23, 2024
THEATRE veteran Lillete Dubey’s new play is an ode to the human spirit and resilience – with a touch of humour and lots of love, as she puts it, exploring the dynamics of relationships during the Covid-19 lockdown.
After receiving rave reviews and standing ovations across India as well as Asia, Dubey will bring Vodka &No Tonic to Britain next month.
Making its UK debut at Beck Theatre in Hayes, the play will run from March 1 to 3, before heading to Glasgow’s Pavilion Theatre on March 7.
Vodka & No Tonic is based on five stories from Indian writer Shobhaa De’s book, Lockdown Liaisons, that explore the shifting dynamics of relationships when everyone was confined at home.
Dubey, a renowned theatre director and popular actress, described how the play came about.
“During lockdown, my friend Shobha De had written Lockdown Liaisons. She told me how all these stories just came to her like a big gush, so she wrote them right at the beginning of the pandemic.
“She asked Ira Dubey (my daughter) and me to do a soft launch on the internet. We chose two stories each and did a soft launch by reading them out.
“We got a very good reaction from people and many suggested converting some of the stories into a play.”
Vodka & No Tonic is produced (under Primetime Theatre Company) and directed by Dubey.
She said, “I decided to take these stories on stage because I felt these are universal and relatable, because we all went through the pandemic issues.”
Lockdown made us pause and rethink our relationships, Dubey said. “People were stuck with each other within the four walls of their homes for months. Some emerged stronger, some cracked under the pressure.
“There were a lot of divorces during the pandemic, as couples realised they couldn’t handle being with each other all the time.” Dubey added, “All these are love stories and are moving and relatable. They also have a humorous element, in typical Shobhaa style.”
De is a well-known columnist in India and is known for her forthright views. It was Dubey’s decision to give the play a different name from the book as she felt Lockdown Liaisons could evoke sad and depressing times and she didn’t want audiences to be reminded of that.
Ira Dubey
And despite “being on stage for more than 50 years”, Dubey had never done a monologue – so she chose to star in this production.
Vodka & No Tonic also stars Dubey’s daughter, Ira, as well as Joy Sengupta. The crew includes set designer Salim Akhtar, lighting designer Arghya Lahiri and music composer-singer Omkar Patil.
Dubey said, “Everybody in this play is not just good; they are brilliant. It’s like a stripped-down form of theatre – yet in a very intense way.”
The first story, titled Vodka & No Tonic, starring Ira, explores the story of a couple whose relationship implodes and threatens to fall apart.
Another, A Quest Ends, starring Sengupta, is about a couple’s desire for a child and how the pandemic impacted their relationship and their wish to start a family.
Whiff of Eternity, starring Ira, is about a lesbian who has kept it secret from her parents. Just before the lockdown, she returns home and is stuck with her family.
The fourth one, Leaving, starring Sengupta, is about a migrant worker in Mumbai who wants to go back to his home.
India’s nationwide lockdown in March 2020 led to a mass exodus of migrant workers who found themselves stranded overnight. Thousands of daily wage labourers were seen embarking on long and perilous journeys to return home. Some travelled by foot or bicycle, while others hitched a ride on trucks, vans, or whatever transport they came across.
Dubey said, “In spite of it being a poignant story, this one has elements of humour. The man is also in love with a beautiful young widow who is a construction worker. At the heart of it is this love story that he doesn’t want to leave, but who can’t stay since he is not earning anything in the city.”
The fifth and final monologue is Lockdown Funeral, that stars Dubey herself.
“It is about a woman who is from the upper class, she has great lineage. But, 10 to 12 years into an otherwise perfect marriage, her husband suddenly falls in love with a woman who is sort of the opposite of what she is – a loud, middle-class, woman from a different world.
“My character never gets over this. She then finds out her husband has died and she had to attend his funeral – where she comes across this woman for the first time,” Dubey said.
All five stories are emotional, yet funny, she added.
Dubey began her acting career in theatre and, in 1991, co-founded The Primetime Theatre Company with an aim of promoting original Indian writing. Its productions have since travelled across the world, with performances at Bloomsbury Theatre in London and Tribecca in New York.
One of its most notable productions, Dance Like a Man, is the longestrunning Indian play in English, having completed more than 650 shows across the world, including a two-week off-Broadway run.
Dubey told Eastern Eye, “My sole reason for setting up a company was to work with original Indian writing and to take that work across the world.
Joy Sengupta
“Recently, I was very honoured and touched when Harvard Business School told me they are doing a sort of programme about people who have left a legacy in their respective fields. They picked me since I have worked with original Indian writing.”
However, unlike other countries, theatre companies in India don’t get any grants and must run on their own, she pointed out.
Dubey is also thrilled about her other recently launched play, Jaya, a rock musical version of the Hindu epic, the Mahabharata.
“It’s huge, with 25 people in the cast. It has Indian dance art forms like Kalaripaittu, Chhao, a little bit of Kathak and elements of flute, but it is still a rock musical. People have never seen the Mahabharata like this, I can assure you that,” she said.
Audiences will also recognise Dubey from her work in films, most notably Mira Nair’s Monsoon Wedding, where she plays the mother of the bride.
Dubey’s foray into films was with Zubeidaa – at 47, an age when most actresses were “wrapping up and going home”.
Over the years, she has worked with “some fabulous actors, from Dame Maggie Smith and Richard Gere to (Indian superstars) Amitabh Bachchan and Shah Rukh Khan”. Movies and theatre have been “parallel activities” for her, she said.
Dubey has been in more than 50 movies, 30 television shows and dozens of web series. She will also be seen in four web series soon in significant roles, she said.
“I love all kinds of work. I am very grateful for all that, but my heart, love and soul is theatre,” she said.
Vodka & No Tonic will run at Beck Theatre, Hayes from March 1, Friday, to March 3, Sunday. It will be performed at Pavilion Theatre, Glasgow on March 7, Thursday
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
Keep ReadingShow less
The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
Keep ReadingShow less
UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
Keep ReadingShow less
The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.