The annual London Book Fair, which ran from Tuesday (14) to Friday (17) at the Olympia Exhibition Centre, opened a Spotlight on India series as part of the UK-India Year of Culture celebrations in the two countries.
The spotlight marked the first event as part of India@UK2017, the official set of events being coordinated by the Indian High Commission in London and the Ministry of Culture along with a series of cultural organisations in India and the UK.
"The London Book Fair (LBF) worked with the Indian government's export trade body Capexil to stage an exhibiting presence over three pavilions for nearly 40 exhibitors.
"The enhanced Indian exhibit at this year’s fair showcased the global importance of India’s publishing industry, in particular its digital innovation," an LBF statement said.
The events as part of the India spotlight included an "In Conversation" with Indian author Amit Chaudhuri, a symposium on Indian writing today with a delegation of authors from the Sahitya Akademi, a discussion titled “Indian Worlds: From Book to Screen” with UK-based author Shrabani Basu and a session on “How to access the Indian book market”.
There was a seminar titled “Opportunities & Challenges”, hosted by the Federation of Indian Chambers of Commerce and Industry (FICCI).
"The Indian publishing market has an overwhelming potential for growth. Were currently investing time and resources into helping Indian-based publishers distribute their print and digital books throughout our global network of sales channels," said David Taylor, senior vice-president of content acquisition at Ingram Content Group, one of the participants of the Spotlight on India.
"International distribution can be a headache for publishers in India as availability and warehouse costs weigh heavily on their businesses. Ingrams virtual wholesale model enables publishers to recognise the sales potential of their titles through print-on-demand availability and an efficient, reliable digital supply chain," he explained.
The fair is held every year in March as a global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels.
The UK-India Year of Culture follows a joint announcement in 2015 by India prime minister Narendra Modi and then British prime minister David Cameron of a bilateral initiative to mark India-UK cultural ties and the 70th anniversary of India’s Independence.
Queen Elizabeth hosted a special reception at Buckingham Palace last month to mark the official launch of the year-long celebrations, which will cover a vast programme of cultural exchange and activity taking place in cities across both countries.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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