Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A London court has dismissed the Nizam of Hyderabad's descendant's attempt to reopen the Hyderabad Fund case.
Najaf Ali Khan on behalf of 116 heirs of the late seventh Nizam, sought to challenge a 2019 judgment in the Royal Courts of Justice on Wednesday (22).
Dismissing Khan’s attempt to reopen the case, Judge Marcus Smith concluded: "I have already decided that India and the princes are entitled to the monies."
"The fact is the monies have already been paid out. There can be no basis upon which an order I make after trial can be reopened by me."
In a judgment handed down at the Royal Courts of Justice in London on October 2, 2019, Justice Marcus Smith had ruled in favour of India and the titular eighth Nizam of Hyderabad and his brother, who had reached a confidential agreement in a decades-old legal dispute with Pakistan over funds belonging to the seventh Nizam of Hyderabad at the time of Partition.
Without a lawyer, Khan appeared in the court via video conferencing and had challenged the court's judgment.
Though the plea was discouraged, the Judge said that he will hear arguments over allegations of impropriety by the administrator of late seventh Nizam's estate.
The dispute began around the time of Partition. In 1948, the Nizam of Hyderabad, Asaf Jah, had sent £1 million and one 'ginni' to the then Pakistan High Commissioner's London account as a fund for "trust for safekeeping" of Hyderabad from India if there were an invasion.
However, a few days later, the Nizam denied that the fund was transferred with his consent and asked to return it. But the bank denied the request as the money was not in his name.
The bank had then said the fund could not be transferred without the agreement of Pakistan, which now had legal title to the fund.
The Nizam issued proceedings against the bank in the 1950s.
The money has been frozen ever since and the fund is now worth £35 million at the NatWest bank in the UK, as the Nizam's descendants, supported by India, claimed it belonged to them and Pakistan counter-claimed that it was rightfully theirs.
Later, the Nizam created a trust which was to be funded from the interest of his Hyderabad Fund. In 1960s, he appointed trust to his grandsons - the current claimants - and assigned his claim to the fund to the President of India.
In 2013, Pakistan sued the National Westminster Bank, the custodian of the Nizam's fund by arguing that India's claim on the Hyderabad Nizam's fund was timed out. India countered the argument saying it was Pakistan which had blocked proceedings in the case. The UK court concurred with India.
The last and the seventh grandson of the Nizam, Mukkaram Jah, who now lives in Turkey, persuaded the case to claim the money.
The Indian government and the Nizam's family came to an agreement over the matter and India supported the Nizam's claim over the money.
Justice Smith had ruled in favour of India and Princes Mukarram and Muffakham Jah in October 2019.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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