Skip to content
Search

Latest Stories

Classical maestro Mahesh Kale takes his unique brand of Hindustani music global

Devotional love for music

Mahesh Kale

Mahesh Kale, the Indian National Award-winning talent

Instagram/ maheshmkale

Hindustani vocalist Mahesh Kale has made it his mission to take classical and devotional music to a global audience.

The Indian National Award-winning talent grew up surrounded by music, with parents deeply immersed in diverse classical genres. His upbringing was shaped by his mother’s singing and teaching of Indian classical music, along with devotional songs by great masters regularly playing in the household. It led to a flourishing career, blending acclaimed releases with world-class live performances.


Despite earning a double master’s degree in engineering and securing a lucrative role in the heart of Silicon Valley, he made the bold decision to leave that career behind to follow his passion – spreading Indian classical music across the world.

The San Francisco-based singer began an extensive European tour last month, with performances scheduled in Berlin, Munich, Zurich, Amsterdam, Stuttgart, Frankfurt and Stockholm. That will be followed by shows across North America in May and India in June and July.

Eastern Eye caught up with the global music ambassador to reflect on his inspiring journey.

Mahesh KaleMahesh Kale at his concert 'Abhangwari'Instagram/ maheshmkale

What first connected you to music?

I think the umbilical cord connected me with music because ever since I can remember, I have been listening. My mother, while being a homemaker and passionate music lover, completed her master’s in music, then studied further and taught Indian classical music. So that is where the journey began. How do you reflect on your music journey so far?

Nothing but gratitude. I am the first member of my family to pursue music professionally. So, being able to live my dream and turn my passion into my fulltime career is absolutely something to be grateful for.

What has been the most memorable moment?

It would have to be the early music lessons. When they began with my mother, I felt a deep attachment to music. No matter my mood, music had a way of making things better. Then, being accepted as a disciple of my beloved guru, Pandit Jitendra Abhisheki, completely changed my life. What began as a subject I loved became life itself – an inseparable part of me.

Which of your collaborations has meant the most to you?

Every collaboration reveals something about yourself if you are open and vulnerable to the experience. I have worked with world-class musicians like Zakir Hussain ji, Sivamani ji, Trilok Gurtu ji, George Brooks, Stanley Jordan, Frank Martin and others. I have also collaborated with south Indian musicians including Aruna Sairam, Abhishek Raghuram, Selvaganesh and the Trichur Brothers, along with many contemporaries. These moments are transformative. Master musicians like Zakir ji make you fall in love with your art all over again.

How important is live performance to you?

A live concert is like a cricket match – you start from zero and score whatever you can. You must remain alert and fully engaged, even in your 100th game. In fact, by then, you carry the weight of the audience’s expectations. Still, the care and love from the audience gives you a sense of belonging and confidence.

That, to me, is Indian classical music.

What has been your most memorable concert so far?

It is difficult to pick one. But the ones that stand out include the performance I gave for my Guru ji, Pandit Abhisheki, on Guru Poornima at Sawai Gandharva Mahotsav. Also memorable were my appearances at the San Francisco Jazz Festival and in Gondavale, a small town near Satara that my family has visited since my childhood. These moments stay with me.

How much are you looking forward to the European tour?

I am thrilled to be touring Europe. It is always exciting to share my love for music globally, and this tour gives me that opportunity. I am particularly happy to present Abhangwari there for the very first time. I believe art transcends geography and culture – the language of music unifies us. Although Abhangwari is devotional music from Maharashtra, I have seen it resonate far beyond borders. I look forward to sharing that experience in Europe.

How do you feel when you are on stage?

I feel lit up – the most alive version of myself. It is probably like giving a child his favourite toy, where he forgets everything else and that one thing becomes his whole world. For me, that is the stage. The music becomes everything.

How do you convey so much emotion through your voice?

I believe it comes from being completely open and vulnerable to the moment – to express your heart honestly. Life happens to everyone, and as long as you can channel those experiences – happiness, sorrow, or anything else – into music, those emotions will reach others.

What type of music dominates your personal playlist?

My playlist is incredibly diverse. I travel to seven or eight countries a year and always try to explore the local music, whether by attending live shows or listening to the radio. Naturally, classical and folk music are part of my core, but I listen to a wide range of styles depending on the time of year. It is always evolving.

What is your greatest unfulfilled musical ambition?

I want to reach every living being and help them experience Indian classical music – whether by listening or by singing for them. I believe it is a powerful source of peaceful entertainment and holistic well-being. If we have such a scalable, sustainable tool to share with humanity, we must use it. That is my ultimate goal.

What inspires you creatively?

A change of geography, a new environment, experiencing different cultures, meeting people, nature, walking, reading and engaging in meaningful conversations – all of these inspire me. As they say, you are what you consume, and if your inputs are varied, your creativity will find new ways to express itself.

Why do you love music so much?

Try asking a bee why it loves the flower. I am drawn to music even in solitude. Even when I am not singing, I sense melodies within the silence. In times of turmoil, music is there. It has become a constant companion – almost a necessity woven into the fabric of my being. To me, it is a love that extends beyond a single lifetime.

Instagram- @maheshmkale

More For You

Ice Age Art Now: British Museum Brings Prehistoric Masterpieces to Bradford

This will focus on artworks created between 24,000 and 12,000 years ago during the last Ice Age

Getty

British Museum to loan rare Ice Age art to Bradford for 2025 City of Culture

More than 70 objects from the British Museum’s collection are set to feature in a major exhibition opening in West Yorkshire this summer. Titled Ice Age Art Now, the exhibition will be held at Cliffe Castle Museum in Keighley, Bradford, from 21 June as part of the UK City of Culture 2025 celebrations.

The show is a collaboration between the British Museum and Bradford District Museums & Galleries. It will focus on artworks created between 24,000 and 12,000 years ago during the last Ice Age. The curator of the exhibition is Jill Cook, Keeper of Britain, Europe and Prehistory at the British Museum.

Keep ReadingShow less
The Untold Story: Did Heartbreak Haunt the Kapoor Wives of Bollywood?

A rushed marriage following an unexpected pregnancy

Getty

Did heartbreak haunt the Kapoor wives? The untold story of Bollywood’s famous family

This week marks the third wedding anniversary of Bollywood superstars Ranbir Kapoor and Alia Bhatt, who revealed they were dating in 2018 and married on April 14, 2022.

Although joining the Kapoor film dynasty may seem like a dream, there is compelling evidence that marrying into the family has brought misfortune to many women across generations.

Keep ReadingShow less
Actor Vicky Kaushal

Actor Vicky Kaushal plays Sambhaji in Chhaava

The 'Chhaava' controversy: A Bollywood film's portrayal of Aurangzeb and Sambhaji sparks communal tensions

There have been calls for Indians to learn their history from books rather than ill-informed WhatsApp messages, after a Bollywood film featuring the Mughal emperor Aurangzeb triggered communal tensions in parts of the country. The film is called Chhaava – meaning "lion cub" – in which 40 minutes out of 136 are dedicated to depicting how Aurangzeb tortures and finally executes Sambhaji Maharaj, a valiant Hindu ruler.

Sambhaji is the lion cub in question because he is the son of the great Maratha leader, Shivaji, who has a devoted following in the state of Maharashtra. After watching Chhaava, a Hindu viewer in Gujarat tore down the cinema screen. Multiple videos circulating on social media show viewers, including children, crying and shouting anti-Aurangzeb (and anti-Muslim) slogans. Subtlety is not the film’s main strength.

Keep ReadingShow less
Rahul Kumar Tewary’s Journey Through Television and Beyond

Rahul Kumar Tewary has demonstrated impressive range as a forward-thinking creative

Instagram/ rahultewary

Rahul Kumar Tewary’s chronicles of television and beyond

Indian television growing globally and challenging the might of cinema is thanks to big-thinking producers like Rahul Kumar Tewary.

The hit drama serials he has masterminded include Suryaputra Karn, Navya: Naye Dhadkan Naye Sawaal, Porus, Devi Adi Parashakti, and Karmaphal Daata Shani. By delivering shows across genres, he has demonstrated impressive range as a forward-thinking creative.

Keep ReadingShow less
Rise of women in South Indian cinema: How heroines are taking centre stage

From leading roles to creative control behind the camera, women are redefining the rules of Southern cinema

Getty Images

Rise of women in South Indian cinema: How heroines are taking centre stage

For decades, South Indian cinema followed a familiar pattern of male-centric storytelling, where women were confined to supporting roles. They appeared as love interests, dutiful wives, eye candy, or characters whose arcs revolved entirely around the male protagonist.

Today, that has changed. Female leads now occupy central roles, their names headline posters, and their characters break free from predictable stereotypes. This transformation is no accident. It stems from a growing presence of women in the industry – actors demanding better scripts, filmmakers crafting stronger women-led narratives, and audiences embracing the shift.

Keep ReadingShow less