Meera Syal, David Oyelowo, Emma D’Arcy, and Tobias Menzies are among the actors leading a trio of fall productions at the U.K.’s National Theatre in London.
At the National Theatre’s Dorfman Theater, Syal will lead the world premiere of Tanika Gupta’s A Tupperware of Ashes, a family drama about life, immigration, and the Indian spiritual cycle of death and rebirth to be directed by Pooja Ghai.
Tanika Gupta (A Doll’s House, Lyric Hammersmith) and Pooja Ghai (Artistic Director of Tamasha Theatre Company) reunite for their latest collaboration, following the critically acclaimed The Empress.
Meera Syal is Queenie in this vivid and heart-breaking family drama.
In the play, an ambitious Michelin-star chef is used to having the last word. But when her children notice gaps in her memory and her grip on reality loosening, they are faced with an impossible choice. As they battle to reconcile their life-long duty to their mother, the ramifications of their decision take on a heartbreaking permanence. The cast also includes Raj Bajaj, Natalie Dew, Marc Elliott, Stephen Fewell, Shobna Gulati, Avita Jay, and Zubin Varla.
The play will run from Sept. 25- Nov. 16.
At the National Theatre’s Olivier Theater, David Oyelowo will play the title role of Shakespeare’s Coriolanus, directed by Lyndsey Turner (Under Milk Wood).
In the play, Coriolanus is Rome’s greatest soldier. When a legendary victory brings the opportunity of high office, he is persuaded to stand for election. But while populist politicians tell the people what they want to hear, Coriolanus refuses to play the game. As Rome’s most celebrated warrior becomes its most dangerous enemy, the future of the city and its hero hangs in the balance.
The cast also includes Luke Aquilina, Anushka Chakravarti, Anton Cross, Patrick Elue, Peter Forbes, Kobna Holdbrook-Smith, Conor McLeod, Jordan Metcalfe, Richard Pryal, Jordan Rhys, Stephanie Street and John Vernon. The play runs Sept. 11-Nov. 9.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
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