Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
At the 2016 Democratic National Convention, former first lady Michelle Obama told party members that "when they go low, we go high.”
After four years of president Donald Trump, she came back to give it to them straight.
“If you think things cannot possibly get worse, trust me they can; and they will, if we don’t make a change in this election,” she told her party in a blunt and emotional appeal that capped the first night of the Democrats' convention.
The former first lady outlined dire stakes for the election ahead, declaring president Donald Trump “in over his head" and the “wrong president for our country.” Warning of possible voter suppression, she told Americans they must vote for Joe Biden “in numbers that cannot be ignored" if they want to preserve the "most basic requirements for a functioning society.”
The scathing assessment was delivered in the last and longest speech in Democrats' experiment with a virtual convention in the coronavirus era, a spot Obama earned through her overwhelming popularity in her party.
She delivered her remarks in a casual setting — a living room, with a Biden campaign sign on the mantle — and identified as much with the beleaguered voters of America as the lineup of politicians that preceded her in the program.
“You know I hate politics,” she said, before diving into a speech that appealed to both her longtime fans in the Democratic coalition and a broad audience she's drawn since leaving the White House and becoming a bestselling author.
The president “has had more than enough time to prove that he can do the job, but he is clearly in over his head,” she said. “He cannot meet this moment.”
“It is what it is,” Obama said — echoing a remark Trump made recently about the U.S. death toll from the coronavirus.
Citing the pandemic, the flagging economy, the political unrest that's broken out nationwide over systemic racism and what she described as America's lack of leadership on the world stage, Obama said the nation is “underperforming not simply on matters of policy, but on matters of character.”
In contrast, Obama said, Biden is a “profoundly decent man” who "knows what it takes to rescue an economy, beat back a pandemic and lead our country." She recounted how Biden has prevailed through the personal tragedy of losing his first wife, baby daughter and adult son and said Biden will "channel that same grit and passion to help us heal and guide us forward.”
Republican Donald Trump succeeded president Barack Obama, a Democrat, in 2017 and has tried to undo many of Obama's achievements on health care, the environment and foreign policy, among others.
On Monday (17), before the event, Trump took a dig at the former first lady's coming speech, noting that her remarks were prerecorded and that his own speech at the Republican National Convention next week will be live.
“Who wants to listen to Michelle Obama do a taped speech?” he said at a rally in Wisconsin.
Obama, who leads an effort to help register people to vote, spoke about the importance of voting in the Nov. 3 election, which will take place amid a pandemic that has killed more than 170,000 Americans and infected more than 5 million in the US.
Wearing a necklace that spelled out the word “Vote,” she noted Trump lost the popular vote but still won the White House, and “we’ve all been suffering the consequences.”
Her remarks came as debate rages in Washington about US Postal Service changes that are delaying mail deliveries around the country, and amid legal battles in several states over access to mail-in ballots. Obama issued a call to action to those who sat out the last election: Now is not the time to “withhold our votes in protest or play games,” she said.
“We have got to grab our comfortable shoes, put on our masks, pack a brown bag dinner and maybe breakfast too, because we’ve got to be willing to stand in line all night if we have to," she said.
In keeping with the virtual nature of the convention, Obama's remarks were recorded before Biden's announcement last Tuesday that he had chosen California Sen. Kamala Harris as his running mate.
Her speech was the fourth Democratic convention address by Michelle Obama, who first introduced herself to the nation during her husband's groundbreaking campaign in 2008. She spoke again in 2012 to urge voters to give him a second term.
Michelle Obama returned to the convention stage in 2016, backing former first lady Hillary Clinton over Trump, who had spent years pushing the lie that Barack Obama was not born in the US and was ineligible for the presidency.
She spoke of the code her family lives by: “Our motto is, when they go low, we go high."
This time Obama put an asterisk on that 2016 rallying cry.
"Let’s be clear: going high does not mean putting on a smile and saying nice things when confronted by viciousness and cruelty," she said. “Going high means taking the harder path.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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