Mirza Waheed discusses his novel Tell Her Everything and love for writing
By ASJAD NAZIRMar 23, 2023
ACCLAIMED British author Mirza Waheed has followed up his first two books The Collaborator, and The Book of Gold Leaves with his newly published novel Tell Her Everything.
He tells a compelling story of a remorseful father getting ready to confess something to his estranged daughter and recalling the long journey that has led him to where he is now. The powerful work of moral investigation marked by its narrator's unmistakable voice is thought provoking story and glides across a range of relatable emotions, including guilt, trauma, and regret.
Eastern Eye caught up with the skilled storyteller to discuss his compelling new book and close connection to writing.
What connected you to writing?
Like many young people I secretly wrote little stories, sketches, and terrible poems, and thought one day I’d turn them into books.
In my childhood I also forced my siblings and cousins to stage plays with me, which I was told were not bad. Clearly, they were all great actors. We have a rich tradition of oral storytelling and poetry in Kashmir; I heard Kashmiri stories not just from my mother and grandmother but also on radio.
At school I read three languages – English, Urdu, and Hindi. Later, I studied English literature at university. Then I drifted into journalism and worked at the BBC for a decade.
I suppose all these encounters with language somehow led to writing.
What led you towards writing your new novel?
A conversation with a doctor friend in which he talked about the difficult situations medical doctors might have to deal with during emergencies. It made me wonder what if there’s a perfectly ordinary, nice doctor who slowly becomes part of a penal system. How will this man behave at home? How will his work affect his relationships, his family life?
Tell us a little about the story?
Dr Kaiser, a retired surgeon who lives alone in a plush flat in London, rehearses conversations he wants to have with his estranged daughter, Sara, when she visits.
They haven’t met in many years. He is desperate to tell her the story of his life in the hope that she might judge him fairly. He wants to tell her about what happened, he wants to come clean.
The cover of Mirza Waheed's new novel
Tell us a little more…
He recalls his life and work in a prosperous oil monarchy. His brief early stint in London as a young doctor, time in India before then, and why he left home. He remembers his wife Atiya, parents, hard work, and path to material prosperity.
As he polishes his confession, he talks about his rise to a prominent position in the hospital where he worked and the fate of his closest friend Biju. I shouldn’t reveal more.
Is any of the story based on real occurrences or people?
Tell Her Everything is completely invented but the world it portrays is real. Everywhere in the world we have devised penal systems where we administer justice, but we sometimes forget these involve ordinary people. One of the questions the novel asks is: what happens to the souls of those people? Aren’t they people like us?
What was the biggest challenge of writing this book?
To be able to think like a retired surgeon who’s estranged from the one person he loves most. Since the book is told in first person, I had to wait for a while before I could hear his voice. To get into the head of someone living with long suppressed guilt, and trauma was both challenging and fascinating.
Who are you hoping connects with this story?
Anyone who reads fiction, really. Those who might be interested in stories about fathers and daughters but also those who might want to read the story of a successful man who’s perhaps lost too much in the pursuit of happiness. I think Tell Her Everything is a story of migration. It should appeal to all those who are interested in the stories and nature of migration.
What is your own favourite portion of the book?
The beginning, the middle, and the end.
Did you learn anything new when writing Tell Her Everything?
Not much. I found the form of this book quite exciting. It allowed me to explore the possibilities of the first-person narrative as well as see its limitations. I began to think about empathy – what is the nature of empathy, how far can it extend?
In the spirit of the Tell Her Everything title, tell us something about you not many people know?
When I was a teenager, I once travelled to South India all the way from Kashmir to learn morse code.
What kind of books do you enjoy reading?
In the last two years or so, I’ve read quite omnivorously. I’ve enjoyed reading Kazuo Ishiguro, Sarah Moss, Aamer Hussein, Mick Herron, Orhan Pamuk, John Le Carre, Anuradha Roy, Joan Didion, Alice Albinia, Jamal Mahjoub, Farah Bashir, Sonia Faleiro, and Colm Toibin.
What can we expect next from you?
A novel about a British-Indian dinner lady from East London, her son, and a ‘posh’ white man.
What inspires you?
I feel inspired when I see words become stories.
Why should we pick up your novel?
Some people think it’s a beautiful and heart-breaking book.
Why do you love writing?
Someone once mentioned a character from my second novel The Book of Gold Leaves as if they were talking about a real person. It reminded me why I write. I think I’m happiest when I’m writing fiction. Let me rephrase that: I’m happiest when I’ve toiled through a few drafts and think I’ve finished a story.
Tell Her Everything is available now via Melville House Publishing
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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