INDIAN prime minister Narendra Modi will hold talks on Friday (24) to form a new cabinet to tackle a stuttering economy and other challenges facing his second term after winning a big majority.
Official data from the Election Commission showed Modi's Bharatiya Janata Party had won 296 of the 542 seats up for grabs and was ahead in seven more, up from the 282 it won in 2014.
The BJP would have the first back-to-back majority in the lower house of parliament for a single party since 1984. Votes will be fully counted by Friday morning.
After a rancorous and a polarising election campaign, the focus shifts back to an economy that is slowing, even as the US-China trade war rages and global oil prices tick higher.
"While the macroeconomic picture looks stable and promising, many important segments need support from the government," BJP general secretary Ram Madhav wrote in a column in the Indian Express daily.
"India cannot completely remain insulated from the ongoing trade war between the U.S. and China or the geo-strategic conflict between the US and Iran," he added.
Later on Friday Modi will meet with his ministers to discuss forming a new cabinet, a government spokesman said.
He has not yet set an inauguration date for the administration, but BJP officials said he was expected to move quickly to put together a new cabinet.
An immediate decision will be whether to keep senior BJP leader Arun Jaitley as finance minister despite his poor health, or assign Railways and Coal Minister Piyush Goyal to the job of leading Asia's third largest economy.
Goyal, 54, had stepped into the role twice in the Modi government when Jaitley was ill. Goyal presented an interim budget before the election and a full budget is due after the new government takes office.
Despite the dominance of the BJP and its allies in the lower house of parliament, analysts say it does not yet have the numbers in the upper house for tougher reforms such as relaxed labour and land laws sought by the business community.
"But, in the meantime, a chunky capex plan funded by more privatisation and used to build more infrastructure can put growth back on the rails at a time when global growth and trade are slowing," the Financial Express daily said in an editorial.
Economic growth, which fell to an annual 6.6 per cent during October-December, is at its lowest in five quarters, and other economic indicators signal no relief.
Modi will also need to resolve a liquidity crisis that is slowly gripping India's shadow banks.
BJP president Amit Shah, who is credited with crafting the political strategy that helped the party retain its base in northern and western India but also advanced in the east, is tipped to be the home minister, a powerful post with control of security and intelligence services.
For the main opposition Congress party, however, the next few days are likely to be tumultuous after yet another poor showing. Party chief Rahul Gandhi, the scion of the Nehru-Gandhi dynasty, lost his seat in a family borough in the northern state of Uttar Pradesh.
"It is astonishing that Rahul Gandhi has not yet resigned as Congress president," historian Ramachandra Guha said on Twitter.
"Both self-respect, as well as political pragmatism, demand that the Congress elect a new leader. But perhaps the Congress has neither," he added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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