Modi engages with Indian-Americans, highlights importance of US election
Speaking at a packed coliseum in the Long Island, Modi discussed the significance of the 2024 election year and the broader theme of democracy around the world.
Modi attends a gathering of the Indo-American Community of USA (IACU) in New York City on September 22, 2024. (Photo: Reuters)
By EasternEyeSep 23, 2024
INDIAN prime minister Narendra Modi addressed the Indian-American community in the United States on Sunday, focusing on the influence and power of the diaspora as the US presidential election approaches.
Speaking at a packed coliseum in the Long Island suburbs of New York, Modi discussed the significance of the 2024 election year and the broader theme of democracy around the world.
In his speech, which included Indian cultural performances featuring traditional dancing and songs, Modi emphasised that 2024 is a critical year for the entire world. “This year 2024 is a very important one for the entire world,” Modi said, according to a translation of his remarks. He highlighted the contrasting global scenario, stating, “On the one hand, there are conflicts raging between several countries in the world, there is tension. And on the other, democracy is being celebrated in several countries of the world.” He noted that India and the United States are united in this celebration of democracy.
Modi did not comment specifically on the ongoing US presidential contest between vice president Kamala Harris, who is of Indian descent, and former president Donald Trump. However, he acknowledged the impact of the Indian-American community, which is made up of approximately 4.5 million people, according to the 2020 US Census data.
Trump has announced his intention to meet with Modi later this week. The upcoming meeting is expected to focus on deepening ties between the two countries. Trump is currently engaged in a tight race against Harris, and his outreach to the Indian-American community is seen as an effort to gain support from this influential group.
Earlier this year, Modi secured his third consecutive term as the prime minister of India. He was sworn in following an election campaign marked by religious rhetoric and a surprising outcome that necessitated the formation of a coalition government. Despite these challenges, Modi managed to consolidate his position as the leader of the world's most populous nation.
During his US visit, Modi also met with president Joe Biden in Delaware. The leaders held both a one-on-one meeting and participated in discussions as part of the Quad grouping, which includes the leaders of Australia and Japan. The meetings were part of ongoing efforts to strengthen strategic partnerships among the Quad nations.
Ahead of the Modi-Biden meeting, senior US officials met with Sikh advocates to discuss the challenges faced by the Sikh community in the United States. While a US official declined to comment on whether human rights issues were raised during the talks between Modi and Biden, the meeting with Sikh representatives highlights ongoing concerns related to security and civil rights within the US.
The Indian-American community in the United States has become increasingly prominent in recent years, contributing significantly to various sectors including technology, business, and politics. Modi’s outreach to this community reflects the growing importance of the diaspora in shaping both Indian and American political landscapes. As the US election draws closer, the engagement between Modi and the Indian-American community is likely to continue, emphasising shared values and the role of democracy in both nations.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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