My dad: He is hands down hilarious. I think his accent and the fact that he is this little round Lebanese man makes people assume he is cute. However, he is so dry and you don’t expect what comes out of his mouth. I grew up loving seeing the outside world’s reaction to my dad.
Gina Yashere: I love everything about her. I related to her descriptions of life between two cultures and her mum sounds so similar to my dad. A total G who keeps you in your place. I think her stage presence is pretty epic as well. I love all women who have zero apology for being vocal. Gina is an inspiration and a true role model.
Kids: Everything about kids is ridiculous. I think motherhood and the scenarios you end up in are brilliant material. I mean what comes out of the mouth of babies will give you endless jokes. It doesn’t matter where you are in the world or what your culture, religion or age is, all mums will relate to their kids driving them nuts. A female audience member once disagreed with me, but after I listed things that make kids challenging she was in full agreement. Real observations bond you and the audience.
My heritage: My mum came from a working class council estate in Gateshead and my dad came from a wealthy Muslim family in Lebanon. Their worlds could not have been more different or harder to mix. My mum is very proud of being a working class Geordie and my dad has never accepted that he lives in England. He still thinks he is in 1970’s Lebanon. The difference between my home life and everyone else’s growing up has given me a lot of comedy material. I was the only one at my school whose dad would answer the door in a gelebah, yelling about the importance of lemons. I mean we gave the local racists a lot of material to throw back at us.
Unexpected situations: I once turned up at a gig and the patrons of the pub were handing out free Tommy Robinson leaflets. They were definitely very much pro Tommy. They did not come across as the types that would be the most receptive to an Arab woman getting up and telling jokes, and I was pretty much right. But a few at the back chuckled at a joke, which showed me humour can break boundaries. We are living in times where identity politics divides people so much. Humour is a great way to challenge that.
Body hair: I once was reviewed, ‘Esther jokes about the stereotypes of body hair’. Yup. No stereotype, very much a reality. Every single Asian, Arab, African, Mediterranean woman has a lifelong battle with body hair. Women have so much pressure on them to be hairless. Do you know how much work that is for us hairy girls? How much money, stress and effort? It’s unpaid labour. I remember an English friend once said ‘just bleach it’. Do you know how stupid a brown person looks with a blonde moustache and sideburns? I looked like the Mediterranean Starsky & Hutch. So, yes I’m not hiding body hair shame, but taking a stand. It’s time for Janhairuary to be a year-long event.
My husband: I love him and he is such a wonderful man. He is the most stoic English man I have ever met. The mix of my very English, polite and imperturbable husband with my hot-headed, passionate and fervid Lebanese family has given me so much material and provided so much joy. We were in Lebanon and while looking at a missile he asked, ‘Is this a statue to symbolise the war?’ My cousin replied, ‘No, it’s a missile?’ He ran, jumped into my cousin’s car and sat Googling, ‘Where is safe in Lebanon’.
Ahmed Ahmed: The American Egyptian comedian was the first comic that spoke about the clash between his Arab family and western environment. It was so relatable. I remember his joke about his mother always being suspicious of the neighbours and saying, ‘He looks like he has a lot of bones in the cupboard’ (skeletons in the closet) and that confusion of English idioms is so true of immigrant parents. My dad will always accuse us of making him the ‘escaped goat’.
Politics: I’m a left-wing person. I think in the current climate there is a lot of material regarding politics. It is pure political fodder and, as a typical old school feminist, these boys in charge provide so much comedy value. Boris Johnson has scorned single mothers, yet doesn’t know how many kids he has. Comedy gold. Or Theresa May who wanted to announce we were going to put an end to terrorism, but instead announced ‘lets put an end
to tourism’.
Feminism: I love a good old rant. I will rant about gender politics and will always put it first. Whether it’s domestic politics, religious politics, global politics, I look at everything from a feminist view. While many people out there still think feminism is a dirty word, many, regardless of age, gender, religion or background, can relate to a knackered mum, who sees how the world doesn’t always deal women a fair hand.
Esther Manito is an acclaimed British stand-up comedian. Visit Facebook: Esther
Manito, Instagram @esthermanito and Twitter @esther_manito
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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