Introduction: I think from my top 10 best musical moments, the first would be getting introduced to music from an early age, when I was four or five years old. I was brought up in a family where everyone listened to very good music, so I think that introduction was important for me and was amazing. My brother used to learn classical music, and we all used to listen. So, I treat that as the first special moment in my life.
Realisation: The second is when my family discovered a music talent within me, especially singing, when I was around five-six years old. I always used to sing at home and my family noticed it. When anyone asked about me, my father would always reply that he sings quite well. I think that was the moment when I discovered the talent of music in me.
Performance: The third is my first live performance on stage when I was six-seven years old and getting awards for it. That immense love and appreciation from everyone made me realise how amazing it is. I continued singing and sang throughout my school life also.
Discovery: The fourth moment happened during my college days. I had kept my distance from singing as I was preparing for a good engineering career and IIT. But when I got to college, I started singing again and formed a rock band in the first year. We evolved well as a band and created original music. That enabled me to discover I can create original music. Indeed, it was a special moment when I found the inner composer in me. We performed a lot in college and won competitions at city as well as state levels. We travelled across India and this really helped me. It also enabled me to start earning my living with this art. When people respect and appreciate your art, then you get paid for all the hard work. That whole time in my life was pretty special.
Reality: The fifth musical moment was completing my engineering and taking a train to Mumbai the very same day to participate in a reality show. When I first got into the top 10 of the reality show, it was a completely different world for me, where I witnessed such amazing and varied talents. I even got to know that I also stand somewhere and there is something special in my music too. A key moment was people and the channel praising me.
Film: My sixth musical moment would be when I was in Mumbai. It was on my third day in the city when I met a director and he listened to some of my compositions. He loved my work and signed me for my debut film, Fever. That was a solid moment for me when I realised that my song has been selected for a movie, and now things will become easier for me.
YouTube: The seventh moment would be my entry on YouTube. When I was doing films and other projects, I thought that I should do something else also for fans, and YouTube was the best platform. So, I started with a concept called unplugged Saturday. I started uploading one song every Saturday. The response was okay at first, but by the third-fourth song, it suddenly escalated. That was a key moment in my life when I got such a fan following on YouTube. I even got the best YouTuber of 2018. So, that was a great moment for me.
Television: The eighth one would be my entry into television with my first show, Tu Aashiqui, on Colors. My songs for the show were a success. I believe it was the only show at that time which had 12 original songs. Mahesh Bhatt sir made the show and praised me a lot. The songs became popular and led to more work opportunities.
Touring: When all these songs became popular, I got many offers for shows, including overseas. I did shows globally in international destinations such as Dubai, Amsterdam, Nepal, South Africa, Canada and USA. Being part of these and performing live was a feeling like no other. The feeling of global recognition is different altogether, as some people who have never even been to India were keen on listening to my music.
Independence: I think the tenth best musical moment in my life is when I thought of doing independent music, creating my platform and developing it, which happened in February 2020. That is when I decided to carry on my independent journey by my self – creating originals and making songs with good music videos with relatable storytelling! That is a very precious moment for me and I am continuously working towards it.
Rahul Jain is an acclaimed singer, songwriter and musician. Visit Instagram: @rahuljainofficiall
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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