Talented actress Kaveri Priyam has inspired fans with winning performances in successful drama serials like the recently concluded Ziddi Dil Maane Na and shown that she is a rising star, who will only shine brighter in the years ahead.
She has demonstrated an impressive versatility in a short space of time with the range of onscreen emotions and made herself one to watch.
Eastern Eye found out more about the versatile artist by getting her to reveal the inspirations that have brought her to where she is now.
Living: The first thing that inspired me to become an actor is getting to live a thousand lives through diverse projects, and also being able to leave a piece of myself into each character. I can also take back a lot of learnings from each role, which can help me grow and evolve. This is the first and foremost thing that attached me to acting.
Emotions: The second most interesting aspect is that I, as an actor, get to feel a lot of emotions and experiences while performing each role. I think that is rare because I don’t think someone can get to experience this in some other field. Here you get to live and feel something different than what is going on in your own life.
Exploration: An actor’s life offers a lot in terms of exploring and venturing into the unknown. We get to explore new places, people, emotions, situations, and basically everything that exists in the world. We are also exposed to new things regularly, which makes it exciting. An actor gets to live and experience each realm through his/her character. I love travelling, and being an actor allows you to travel a lot for work. This is more than enough reason to become an actor.
Liberation: Also, an actor’s job is very liberating. I am just allowed to be in the character and feel what the character feels. Then bring out the emotions the character feels. Honestly, this is one of the biggest reasons to be inspired each and every day. I get a sense of freedom. And as long as I am expressing myself, I’d want to be an actor in all my births.
Conflict: Nobody willingly likes to be in any kind of conflict or turmoil in their everyday life or get put into a difficult situation but acting enables you to take that deep dive. This is inspiring because it pushes one out of their comfort zone and offers great challenges. That is why I personally like to play characters that are more conflicted than me. It stimulates me and makes me feel as if I’m punching above my weight.
Love: One of the most important reasons that inspires me to become an actor is the amount of love one gets is unparalleled. You cannot get as much love and admiration in any other field. Also, this is something I crave for as an actor and will never take for granted. I cherish all the support and use it as fuel to work harder.
History: Great work in the acting field has immortalised so many across the generations, who are still celebrated long after they are gone. To be part of an industry that creates legends like that is so inspiring. To be in a place where legends have been born and so many great stories created every year, through film, TV, and the web space, is humbling. How can one not be inspired by these things and be a small part of it?
Bigger: You get to have all these experiences in a grand way. I feel larger than life every day when I act on screen, and it is such an uplifting feeling. It strengthens the bond I have with the camera.
Content: In terms of content being produced across all the mediums, it has never been a better time to be an actor. There perhaps has never been a greater variety of stories, characters, and platforms than what we have now. And as an actor, I’m proud of being part of this new content that is being made for the audiences globally.
Myself: Last but not least, I try to inspire myself each day and draw inspiration from my journey so far. Whatever I have achieved till date and the amount of love I have been getting for all the roles that I have done in the short span of time is enough driving force to inspire and motivate me. I am my own inspiration, because from the place I came from, not all get the exposure I’ve got. I have done it all on my own and learnt through my mistakes. My experiences are my own. Whatever I have carved for myself and the fact that audience wait to see me inspires me a lot to be an actor till the day I die.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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