At a time when movies have become all about box office collections, the Indian cinema needs Javed Akhtar back as a screenwriter, filmmaker Mani Ratnam said on Wednesday.
Ratnam's remarks come days after Animal makers on X slammed Akhtar for criticising the Ranbir Kapoor-starrer.
Akhtar is a rock-solid man who has set the writing in the Indian film industry to a "structured high standard", Ratnam, 67, said.
"Sir, I have a request, I think we need you (Akhtar) back writing screenplay. It will help us a lot, especially in these times when we just talk about numbers. I think we need Javed Sahab," he said at the CNN-News18 Indian of the Year 2023 event here.
Seventy-nine-year-old Akhtar, who is also a lyricist, presented the Indian Of The Year Award (Entertainment) to Ratnam, who was accompanied by his actor-filmmaker wife Suhasini Ratnam.
Akhtar, who along with former writing partner Salim Khan, is known for penning films such as Zanjeer, Deewar, and Mr India, recently said that the commercial success of films with problematic scenes was a "dangerous" trend.
While he didn't mention the name of Animal, the screenwriter cited the example of the film's controversial bootlicking scene featuring Ranbir and Triptii Dimri, who play Ranvijay and Zoya.
Directed by Sandeep Reddy Vanga, Animal was one of the most divisive films of 2023 for its poor portrayal of women, misogyny, and graphic violence. The film, however, has earned more than Rs 900 crore at the ticket window.
In response to Akhtar's remarks, the Animal team on X tagged him and wrote: "Writer of your calibre cannot understand the betrayal of a lover (Between Zoya & Ranvijay) then all your art form is big FALSE..."
At the event, Ratnam also quipped that he will direct a film in Hindi when Akhtar writes a script for him.
The lyricist said the filmmaker is relevant even after all these years.
"World is a conveyor belt. People come and go. The film industry is also like a conveyor belt, but it moves a bit faster. Very few people turn this conveyor belt into something solid... an immovable stage. They stand under the limelight as others are coming and going," Akhtar said.
"Success stays with those who remain like someone who draws respect and admiration with their work... someone who has brought something that was not there," he said.
Akhtar said the film industry in Mumbai was "complacent" and "convinced of our superiority" till Ratnam arrived.
"Suddenly, a director came from Tamil Nadu and slapped us hard on our face with the kind of work we had never seen. It was unprecedented. We were sure of our superiority and he made us feel like illiterate children," he added.
Ratnam is next set to work with Kamal Haasan in Thug Life.
The director said it took him almost four decades to reunite with his Nayakan star as he didn't have the right script for Haasan.
Later, Ratnam presented the Youth Icon Award to music composer Anirudh Ravichander, known for films such as Jawan, Vikram, Maari, and Vikram Vedha.
The filmmaker, who is credited with giving a break to AR Rahman with 1992's Roja, called Ravichander a "musical genius".
Vidya Balan debuts a bold new look for The Peacock Magazine’s July cover.
The actor's transformation has received both praise and criticism online.
Some fans hailed it as a refreshing style change; others questioned the shift from her past body positivity stance.
The shoot comes on the heels of Vidya’s recent film success in Bhool Bhulaiyaa 3.
Bollywood actor Vidya Balan has sparked a flurry of reactions online after her striking new avatar on the cover of The Peacock Magazine’s July 2025 edition. Known for championing traditional handloom saris and body positivity, the 46-year-old’s dramatic transformation, complete with a bold pink sequin dress and short, styled hair, has left the internet dazzled.
The look, part of a cover story titled A Force to Reckon With, was shared on 14 July by the magazine and Balan herself. It marks a significant departure from her signature earthy elegance and instead leans into high-fashion glamour.
Vidya Balan sets internet abuzz with glam makeover as few fans question her weight loss journeyInstagram/thepeacockmagazine
The Peacock cover that turned heads
Styled in a flamingo pink ombré gown covered in sequins, Balan paired the ensemble with a feather-trimmed stole and statement jewellery. Her newly cropped hair, styled in a sleek bob with soft waves and blonde highlights, added to the overall transformation. The makeup was equally polished: glossy mauve lips, shimmered eyelids, and highlighter-accented cheekbones.
While some fans celebrated the fresh styling, many were simply shocked by the actor’s appearance. “She looks stunning, finally styled the way she deserves,” read one popular comment. Another added, “This look gives serious movie star energy, we need more of this from her.”
Vidya Balan’s high-glam cover sparks praise and pushback over evolving beauty standardsInstagram/thepeacockmagazine
Praise and backlash over her weight loss
But it wasn’t all praise. A small section of social media questioned the actor’s visible weight loss, especially in light of her past interviews where she openly criticised the industry’s obsession with size and looks.
Comments poured in expressing concern. “Didn’t she once say women shouldn’t have to shrink themselves to be accepted? What happened to that?” one Reddit user asked. Others accused her of abandoning her earlier message of embracing natural bodies. “It’s her choice, but when you become a symbol of body positivity, the expectations change,” one tweet read.
The debate brings back conversations around the pressure on public figures, especially women, to constantly evolve, often in response to the industry’s narrow beauty standards.
Fans compare Vidya’s latest shoot to her past saree-clad appearancesGetty Images
How Vidya explained her weight transformation
In an earlier interview, Vidya Balan had spoken candidly about her weight journey. She clarified that her weight loss wasn’t the result of intense gym routines but rather due to treating an underlying inflammation through dietary changes. “I realised I wasn’t just carrying fat; it was inflammation,” she had said.
Still, the timing of the transformation, paired with the glam-heavy shoot, has prompted questions about whether public figures can maintain a consistent message on body image while navigating an industry known for its harsh scrutiny.
Vidya Balan’s glam transformation for Peacock Magazine sparks online debate over body imageGetty Images
A strong year on the professional front
While the online chatter continues, Balan’s professional graph remains strong. She was recently seen in Bhool Bhulaiyaa 3, alongside Kartik Aaryan and Madhuri Dixit, which grossed over £38 million (₹400 crore) at the box office. Her performance in the romantic comedy Do Aur Do Pyaar also earned critical acclaim.
As The Peacock Magazine features her as a cinematic force who continues to shape mainstream Bollywood, the larger question remains: can actors redefine their image without being held hostage by past narratives?
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SamaBhav UK 2025 film festival opens with urgent call for gender justice in South Asian communities
A unique travelling film festival focused on gender equity is set to tour the UK this month. SamaBhav UK 2025, curated by Harish Sadani, founder of India’s Men Against Violence and Abuse (MAVA), will run from 19 to 28 July across Leeds, London and Bristol. Through powerful films and open conversations, the event aims to spark dialogue on masculinity, care, and gender justice within South Asian communities.
Curated by Harish Sadani, founder of Men Against Violence and Abuse (MAVA), the festival invites audiences into dialogue on gender equity, homophobia, and toxic masculinity, all rooted in a South Asian context.
SamaBhav UK 2025 invites young people and queer voices to speak on gender equity
SamaBhav aims to reshape how masculinity is seen
Harish Sadani, who has worked with boys and men in India for over two decades, says engaging men in gender equity work is key. “Men have always been viewed as the problem,” he explains, “but we need to involve them in the solution-making process too.” Through SamaBhav, he hopes to challenge stereotypes and redefine masculinity in a more inclusive and peaceful direction.
SamaBhav UK 2025 film festival opens with urgent call for gender justice in South Asian communities www.easterneye.biz
Films spark meaningful conversations after every screening
This year’s line-up includes titles like Call Me Dancer and Riha (Unlocked), each selected to provoke reflection and honest discussion. After the screenings, attendees join reflection spaces and panels with filmmakers, youth speakers, queer voices and social workers. Sadani will personally facilitate every discussion.
Activist Chris Green OBE, a UK-based ally of the movement, lends his voice as a festival partner: “I want to live in a society free of homophobia and rigid gender rules that box in how a man should behave. That’s why I support this.”
Community-driven and part of South Asian Heritage Month
Backed by the South Asian Heritage Trust, UNESCO, SOAS and more, SamaBhav UK is part of this year’s South Asian Heritage Month programming. The Leeds leg begins this weekend (19–20 July), followed by screenings in London (23–24 July) and Bristol (28 July). Tickets are priced at £10 (₹1,050) and are available via Eventbrite.
Festival organisers are now calling on local communities, collectives and cultural workers to attend, share, and help amplify these much-needed conversations.
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Sanjay Dutt says he was wasted in Leo Lokesh Kanagaraj admits the role could have been better
Sanjay Dutt recently said he was “angry” at Lokesh Kanagaraj for underusing him in Leo.
Lokesh admitted he “probably made a mistake” and acknowledged flaws in his writing.
The director revealed Sanjay called him after the clip went viral and clarified it was a light-hearted comment.
Lokesh promised to give Sanjay “one of his best roles” in a future collaboration.
Filmmaker Lokesh Kanagaraj has addressed Sanjay Dutt’s recent statement about being underused in Leo, admitting he might have made a mistake while writing the veteran actor’s character. Dutt, who played the antagonist Antony Das in the Vijay-led film, had said during a promotional event that he felt the director “wasted” his talent by not giving him a stronger role.
The Leo clip, shared widely on social media, sparked discussions around casting big stars in brief parts. Lokesh has now responded with humility, acknowledging the criticism and calling it part of his learning curve as a filmmaker.
Lokesh Kanagaraj reacts to Sanjay Dutt’s Leo remark admits writing flaws in the filmX/Lokesh Kanagaraj
Sanjay Dutt’s ‘wasted’ comment was taken out of context, says Lokesh
In a recent interview, Lokesh said Dutt personally called him after the comment gained traction online. “He told me, ‘I made the comment very funnily, but people just cut it and shared it. It looks awkward, and I didn’t mean it like that, Loki." I said, ‘No problem, sir.’
Despite the light-hearted intent behind the remark, Lokesh didn’t shy away from taking accountability.
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Lokesh Kanagaraj says he’s still learning
The director admitted that Dutt’s character may not have been fully fleshed out, explaining, “Probably, I would’ve done better. I’m not a genius or the greatest filmmaker in the world who always gets it right. I’ve made many mistakes in my films. It’s a process of learning.”
He went on to suggest that he wants to work with Dutt again, this time with a more substantial role: “I’ll probably do one of the best roles with Sanjay Dutt, sir.”
Lokesh Kanagaraj responds to Sanjay Dutt’s criticism over Leo role with honest admissionInstagram/ lokesh.kanagaraj
Dutt says he enjoyed working with Vijay, but wanted a bigger role
At the press meet for his upcoming Kannada film KD – The Devil, where he appeared with Shilpa Shetty and Dhruva Sarja, Sanjay Dutt spoke about his experience on Leo. “I loved working with Thalapathy Vijay,” he said, “but I’m angry at Lokesh because he didn’t give me a big role. He wasted me.”
Dutt also praised southern cinema legends, saying, “I look up to Rajinikanth and Kamal Haasan. I’ve worked with Rajini sir multiple times; he’s one of the most humble people I’ve met.” He also called Ajith Kumar a close friend.
In Leo, Dutt’s character Antony Das was positioned as the father of Vijay’s protagonist. Despite being pitched as a key antagonist, many viewers felt his appearance was limited and lacked impact.
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Lokesh’s next film Coolie set for box office clash with War 2
Lokesh Kanagaraj is now focused on his upcoming action film Coolie, starring Rajinikanth. The ensemble cast includes Nagarjuna, Upendra, Shruti Haasan, Soubin Shahir, Sathyaraj, and Reba Monica John. A cameo by Aamir Khan and music by Anirudh Ravichander are also part of the film’s appeal.
Coolie is slated for release on 14 August 2025, where it will go head-to-head with Ayan Mukerji’s War 2, starring Hrithik Roshan and Jr NTR. Whether Lokesh redeems himself with a meatier role for Sanjay Dutt in the future remains to be seen, but for now, the filmmaker’s honest admission and promise of a better collaboration has struck a chord with fans.
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Beyoncé performing during her Cowboy Carter tour in Atlanta
Choreographer Christopher Grant and dancer Diandre Blue’s rental car was broken into on 8 July in Atlanta.
Five hard drives with Beyoncé’s unreleased music, show visuals, and setlists were among the stolen items.
Police tracked the location of missing devices and issued an arrest warrant, but no suspect has been publicly named.
The incident occurred two days before Beyoncé’s four-night tour stop at Atlanta’s Mercedes-Benz Stadium.
Just two days before Beyoncé was set to take the stage in Atlanta for her Cowboy Carter tour, a major security breach rocked her team. Unreleased music, private show material, and luxury items were stolen from a rental vehicle used by her choreographer and dancer, police confirmed.
Atlanta authorities say the break-in happened on 8 July around 8 pm in a parking garage near Krog Street Market. The SUV, a black Jeep Wagoneer, was briefly left unattended by choreographer Christopher Grant and dancer Diandre Blue while they grabbed food. When they returned, the rear window had been smashed, and two suitcases containing sensitive material were missing.
Beyonce attend the Louis Vuitton's Menswear Ready-to-wear Spring-Summer 2026 collectionGetty Images
Jump drives contained unreleased Beyoncé music and show visuals
The stolen items included five hard drives loaded with unreleased, watermarked tracks by Beyoncé, as well as detailed visual plans and setlists for her ongoing Cowboy Carter tour. According to the official police report, the drives held both past and upcoming show footage, material Beyoncé typically keeps under tight wraps to avoid leaks.
Also taken were personal laptops, designer clothing, and Apple AirPods. A tracking ping from the AirPods helped police briefly locate a suspect vehicle, which moved across several zones in Atlanta. While fingerprints and CCTV footage were collected from the scene, it’s not yet clear if any of the stolen contents have been recovered.
Beyoncé continued her Cowboy Carter tour in Atlanta despite the setbackGetty Images
An arrest warrant has been issued, but no suspect named
Police have issued an arrest warrant, but the name of the individual involved has not been publicly disclosed. Officers reportedly stopped a "suspicious" individual near the pinged AirPods location, but no official confirmation of an arrest has followed.
The investigation is ongoing, with authorities relying on fingerprints, surveillance footage, and digital tracking from the stolen devices. Beyoncé’s team has not released any public statement so far.
Beyoncé’s choreographer and dancer reported sensitive materials missing from their rental carGetty Images
Beyoncé has a history of tight security around her unreleased music
Known for her secrecy around new projects, Beyoncé’s entire approach to album releases has revolved around maintaining complete control over when and how her music is heard. Her 2013 self-titled album dropped without warning, revolutionising the “surprise release” strategy.
In more recent years, fans even refused to leak her 2022 album Renaissance when it briefly appeared online early, a gesture Beyoncé acknowledged with gratitude. In that context, this Atlanta theft is particularly damaging, threatening to derail the rollout of potential future material.
Beyoncé’s team hit by major theft in Atlanta as unreleased music goes missingGetty Images
Cowboy Carter tour continues as planned despite setback
Despite the incident, Beyoncé carried on with her Atlanta residency at the Mercedes-Benz Stadium, performing across four nights from 10 to 15 July. Her husband Jay-Z made a surprise appearance during one of the shows, and the tour remains on track to conclude in Las Vegas on 26 July.
The Cowboy Carter album, released earlier this year, marked Beyoncé’s bold entry into country music while celebrating its Black roots and went on to win the Grammy for Album of the Year.
Christopher Grant and Diandre Blue, both longstanding collaborators, remain active members of the Cowboy Carter tour team. Grant has worked with artists like Shakira, while Blue featured prominently alongside Beyoncé in a Super Bowl ad earlier this year tied to the album’s release.
As the tour progresses, fans and industry insiders alike will be watching closely to see whether Beyoncé addresses the theft or modifies any show elements as a result of the stolen material.
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Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism
Ramayana, directed by Nitesh Tiwari, will be released in two parts on Diwali 2026 and 2027.
Producer Namit Malhotra confirmed the combined budget is over £375 million (₹4,000 crore).
The film stars Ranbir Kapoor, Sai Pallavi, Yash, and Sunny Deol, with music by Hans Zimmer and A.R. Rahman.
It will use AI dubbing and IMAX-scale VFX from Prime Focus for a global cinematic release.
Nitesh Tiwari’s Ramayana is officially the most expensive Indian film ever made, with a staggering production budget exceeding £375 million (₹4,000 crore). Confirmed by producer Namit Malhotra, the two-part epic is being developed at nearly £400 million, placing it alongside some of Hollywood’s biggest projects in terms of scale and ambition.
The project, backed entirely by Malhotra’s team without outside investment, is being hailed as a landmark cultural and cinematic moment for India. With its use of cutting-edge technology, an international musical collaboration, and a cast of some of the country's biggest names, Ramayana is being positioned as a visual retelling of India’s most revered epic for global audiences.
Fans await Ramayana teaser as early reviews spark buzz online Instagram/iamnamitmalhotra
VFX, AI dubbing and a grand IMAX vision
Malhotra, who is also the CEO of Prime Focus, the VFX house behind Inception, Dune, and Interstellar, is bringing the same scale of production to Ramayana. From AI-powered dubbing to ensure effortless multilingual release to custom-built IMAX-ready visuals, the film is expected to be a technological leap for Indian cinema.
The use of AI dubbing marks a first for India, with actors’ voices being translated seamlessly across languages without additional recording, potentially revolutionising how pan-India films are made.
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Star-studded cast to bring the epic to life
Leading the film is Ranbir Kapoor as Lord Ram, alongside Sai Pallavi as Sita and Kannada superstar Yash as Ravan. Sunny Deol plays Hanuman, with support from Ravi Dubey, Lara Dutta, and Vikrant Massey. Although Amitabh Bachchan’s name has been linked to the project, his role has not been officially confirmed.
The story will unfold across two instalments, with Part 1 slated for Diwali 2026 and Part 2 arriving in 2027. Sources suggest the first part may end with the pivotal ‘Sita Haran’ episode, though plot specifics remain tightly under wraps.
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Zimmer and Rahman to compose original soundtrack
Adding further weight to the project is its musical team, Academy Award winners Hans Zimmer and A.R. Rahman. Their collaboration for Ramayana is in fact a rare union of East and West and is expected to deliver a stirring, cinematic score that matches the film's scale.
A motion poster launched earlier this month gave fans the first animated glimpse of the characters and set the tone for the scale of storytelling. The visuals, backed by a teaser of the original score, have already begun building buzz among audiences.
AR Rahman and Hans Zimmer smile together in viral selfie Instagram/arrahman
A cultural milestone, not just a blockbuster
For Malhotra, this film goes beyond box office numbers. Speaking on Prakhar Gupta’s podcast, he said, “This isn’t just about money. It’s about telling the greatest story ever told, and doing it in a way the world has never seen.” He added that while the budget may seem large, it’s still more cost-effective than many comparable Hollywood tentpoles.
The producer also emphasised the deeply personal nature of the film, calling it a tribute to India's heritage. “This is a story that every Indian knows. Now it’s time the world sees it too,” he said.
With production fully underway, Ramayana is poised to become a milestone not only in Indian filmmaking but also in how ancient narratives are brought to screen with new-age tools.