Pakistan suffers major power outage after second grid failure in few months
Power Minister Khurrum Dastagir told Reuters the outage was caused by a large voltage surge in the south of the grid, which affected the entire network.
Pakistan's national grid suffered a major breakdown on Monday, the power ministry said, leaving millions of people without electricity for the second time in three months and highlighting the infrastructural weakness of this heavily indebted nation.
Power Minister Khurrum Dastagir told Reuters the outage was caused by a large voltage surge in the south of the grid, which affected the entire network.
Supplies were being partially restored from north to the south, he added, nearly six hours after factories, hospitals and schools reported outages. The grid should be fully functioning by 10 pm time (1700 GMT), Dastagir said, adding: "We are trying our utmost to achieve restoration before that."
The last major outage in October also took hours to restore. A senior ministry official blamed this outage, and the frequent blackouts that Pakistan's 220 million people suffer, on its ageing grid.
"There's an underlying weakness in the system," said the official, who declined to be named as they were not authorised to speak to the media. "Generators are too far from the load centres and transmission lines are too long and insufficient."
Like much of the national infrastructure, Pakistan's grid desperately needs an upgrade that the government, which has lurched from one International Monetary Fund bail-out to the next, says it can ill afford.
Pakistan has enough installed power capacity to meet demand, but it lacks resources to run its oil-and-gas-powered plants and the sector is so heavily in debt that it cannot afford to invest in infrastructure and power lines.
The outage affected swathes of the country, from the financial capital Karachi to the capital Islamabad, the eastern city of Lahore and Peshawar in the north. Trading on the stock exchange was unaffected.
In Peshawar, a city of more than 2.3 million people, some residents said they were unable to get drinking water because the pumps were powered by electricity. Telecom companies and several hospitals said they had switched on their backup generators.
"My kids and I could not take a shower this morning because there was no water due to the power crisis," said bank employee Hassan Imran in Karachi. "They went to school, and I came to the office, without a shower."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.