Skip to content
Search

Latest Stories

The talented Mr Pankaj Tripathi

Tripathi received widespread acclaim for playing former Indian Prime Minister Atal Bihari Vajpayee in the recently released film Main Atal Hoon, currently streaming on ZEE5 Global.

The talented Mr Pankaj Tripathi

PANKAJ TRIPATHI’S journey from humble beginnings to becoming one of India’s most sought-after actors is a remarkable story.

He began his acting career with small supporting roles, and later went on to carve a niche for himself with his wide-ranging performances in major films, and popular streaming shows such as Mirzapur and Criminal Justice.


Tripathi’s versatility is undeniable. His talent shines through in every role, be it comedic, dramatic, emotional or the darker characters he has portrayed. He captivates audiences worldwide with his gravitas.

Last year alone, Tripathi followed up hit sequels such as OMG 2 and Fukrey 3 with a lead role in the unpredictable thriller Kadak Singh.

This year, he took on the daunting task of portraying former Indian prime minister Atal Bihari Vajpayee in the Bollywood biopic Main Atal Hoon, currently streaming on ZEE5 Global. This challenging role further cemented his reputation as a versatile actor.

In an exclusive interview with Eastern Eye, Tripathi discussed his remarkable trajectory as an actor, pivotal moments, diverse characters and his biggest influences. The 47-year-old also spoke about how the streaming space made him a star, hopes of bringing the story of a forgotten freedom fighter to life, and his desire to take a break from his super busy work schedule.

You’ve been in films for 20 years now. Looking back, how has your journey been, from your uncredited role in Run (2004) to characters that have become part of pop culture?

It has been a persistent journey. From an uncredited role in Run to playing Atal Bihari Vajpayee in Main Atal Hoon (2024), it has been quite an inspiring journey. It again instils a feeling in my heart that if you work with honesty, you can achieve anything in life. There is still a long way to go.

I am learning and exploring new things. I am waiting to be a part of fresh stories. I also might be making some mistakes along the way, and hope my audience corrects me if I go wrong anywhere. Their feedback is always welcome. I’m open to any criticism to improve my work.

Lead inset Pankaj tripathi in Main Atal Hoon 409 Tripathi in the movie Main Atal Hoon

 You recently starred in Main Atal Hoon. Did you ever meet Atal Bihari Vajpayee in real life?

No, never. I just happened to see him from far during a political rally. His face was not clearly visible from where I stood, but I could listen to everything he said in his speech. He was my favourite politician, orator and poet.

Did you ever feel like giving up on your dreams when things were not working out for you initially?

No, I never thought of giving up. I would always tell myself, ‘Stay focused. If not today, things will definitely fall into their place tomorrow.’

See, I am a farmer’s son. I literally toiled in the field with my father for 15-16 years. So, I knew it very well that if you plant a seed in the soil, water it regularly, let it soak in enough sunlight, and maintain other favourable conditions, it will soon grow into a healthy sapling.

Similarly, I knew I would only grow and not die if I remained persistent. So, yeah, I never thought of giving up no matter how difficult things got.

 What do you consider to be the turning point of your career?

There is no such turning point, I would say. I am like a river that originates from a mountain and decides its own course. My journey has been very organic. I don’t think that I have made my career.

I credit my success to all those wonderful characters and stories I have been a part of. I have just been doing my work with utmost honesty ever since I joined the industry.

But there must be a project that you think changed things for you overnight?

If you are talking about commercial success, then yes, it has to be Newton (2017).

I started getting more attention from the media after the film turned out to be a success and after I received the prestigious National Award (conferred by the Indian government) for it.

The audience is waiting for the third season of hit web serial Mirzapur. What should they expect from the new season and your character, Kaleen Bhaiya?

They should expect complete entertainment. The teaser is out and I can sense the excitement around the show. I hope the audience has not forgotten Kaleen Bhaiya.

I even say at the end of the teaser, “Bhoole toh nahi hain hamein?” (Hope you have not forgotten me) It is going to be an interesting watch.

 Is it easier or harder to play a character you have already portrayed?

Technically speaking, it is easy because you have lived that character before.

You know its ins and outs. But, at the same time, there is a risk of mundanity, a risk of getting bored by playing the same character again and again.

As I said, you know the character in and out, so what’s new? But overall, it is easy to get into the skin of the same character again.

Do you believe the streaming space has contributed a lot to your popularity and recognition?

One hundred per cent. I give full credit to the streaming space for my popularity and recognition. Be it ZEE5 Global or other popular platforms I have worked with, they have catapulted me to stardom.

They put my face in the centre of hoardings you see all around. I wonder what I would have done had there been no OTT platforms (laughs). I seriously don’t know.

As an actor, do you feel streaming platforms offer more opportunities for diverse and inclusive storytelling compared to traditional media?

I feel that OTT platforms are more democratic in their approach. There is no lack of screens now.

If we have worked on an OTT project, it will surely see the light of day, no matter what. In addition to that, your work reaches a broader audience compared to traditional media outlets. If your film is released in just about 200 screens, how many people will see it? OTT space has no such restrictions. If your content is good, it travels the world.

 How do you think easy access to content on streaming platforms has affected viewers?

Our audience has evolved a lot over the past few years. And, it is because of them that actors like me have attained whatever popularity or recognition that we have today. The audience has contributed immensely in making us who we are.

After playing Vajpayee, is there another historical figure you’d be interested in portraying?

Yes. If not a film, I would like to bring the story of Mahendra Misir to the audience through a play.

Tell us about him

Misir was a legendary man from Bihar. He was a freedom fighter and a great songwriter.

The British thought that he was involved in making fake currency and supplying it to other freedom fighters so that they could continue their revolution against the regime, so they arrested him and put him behind bars.

His was a very contradictory personality, to be honest. I want that his story be told to the audience in any form.

Pankaj Tripathi 116450 Pankaj Tripathi

Which actors have had an impact on your approach to acting?

There are many, right from Pankaj Kapur and Naseer Saab (Naseeruddin Shah) to the late Om Puri and Irrfan Khan. I recently saw Vikrant Massey’s work in 12th Fail (2023). It really inspired me. He was phenomenal. There are some books that have inspired me and contributed to my growth.

Could you name a few of them?

Currently, I am reading Renu Rachanawali by Phanishwar Nath Renu. I devote a good amount of time to literature.

What do you enjoy doing when you are not acting?

I will either be reading books, gardening, or cooking something in the kitchen. I have been quite busy over the past two years, so I hardly got time to indulge in these activities. But I am planning to take a break (from work) and devote some time to them.

 Apart from acting, is there any other aspect of filmmaking that excites you?

I may end up exploring direction one day. I might also turn producer.

 What are your five favourite films you can watch over and over again?

Teesri Kasam (1966), Guide (1965), Paan Singh Tomar (2012), Newton (2017) and Main Atal Hoon (2024).

What other projects do you have in the pipeline?

There are several projects that are lined up for release.

Apart from Mirzapur 3, there is a web-series called Gulkanda Tales. The fourth season of Criminal Justice is also up for streaming. In films, there is Metro…In Dino and Stree 2.

What advice would you give to aspiring actors?

Work on your craft, learn acting as much as you can, do theatre, and always know who you are. There is nothing you cannot achieve.

Main Atal Hoon is available to stream on ZEE5 Global.

More For You

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

Waheeda Rehman and Dev Anand in Guide (1965)

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

ASJAD NAZIR

THE most common description of the 1965 classic Guide across the decades is that it was way ahead of its time, and that still holds true today. The marvellously multi-layered movie, based on the best-selling novel The Guide, tackled a range of themes, including adultery, love, betrayal, heartbreak, and a painful path towards redemption.

India’s official entry for the Oscars revolved around a stifled woman walking out of an unhappy marriage and having a live-in relationship with another man, only to be betrayed again after he is imprisoned. The man in question embarks on an unexpected journey towards spiritual redemption.

Keep ReadingShow less
LGBTQ+ representation in global media: How queer stories are evolving

A celebration of queer stories worldwide – diverse, powerful, and unapologetically authentic

LGBTQ+ representation in global media: How queer stories are evolving

Media has transformed from just a form of entertainment into a dynamic platform for representation, validation, and social change. For young queer individuals, seeing their identities reflected authentically on screen can be nothing short of transformative. Positive, nuanced portrayals of queer lives not only encourage self-acceptance but also challenge outdated societal norms, making space for the beautiful diversity of human experiences.

Over the last few years, queer representation in global media has undergone a remarkable evolution, shifting away from harmful stereotypes and embracing stories that are rich, real, and relatable.

Keep ReadingShow less
Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

Female-led blockbusters: A global shift in cinema's power dynamics

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.
Keep ReadingShow less
Nayantara Roy’s debut novel traces
love and secrets in family home

Nayantara Roy

Nayantara Roy’s debut novel traces love and secrets in family home

AMIT ROY

NAYANTARA ROY, who lives in Los Angeles – where she has a satisfying creative job as a television executive – has been talking to Eastern Eye about her debut novel, The Magnificent Ruins.

Roy has been safe from the fires where she lives in Silverlake in the east side of the city. But she can see the orangetinged cloud in the sky – “the situation is still dire in LA”. Santa Monica, where she works, has been threatened.

Keep ReadingShow less
Hadiqa Kiani: Return of the Pakistani pop queen

Hadiqa Kiani

Hadiqa Kiani: Return of the Pakistani pop queen

HADIQA KIANI is arguably the most iconic female figure in modern Pakistani popular culture.

Beginning her career as a TV host, she made the leap into global pop stardom with a series of acclaimed albums and songs. More recently, she surprised everyone by excelling in acting, delivering powerful performances in celebrated serials.

Keep ReadingShow less