Skip to content
Search

Latest Stories

Param Singh: I want to explore characters from different demographics and religions

Param Singh: I want to explore characters from different demographics and religions

KNOWN for portraying a diverse range of characters in notable shows like Sadda Haq: My Life, My Choice, Ghulaam and Haiwaan, Param Singh now wants to challenge himself further as an actor.

The popular performer wants to explore characters from different demographics, including playing a negative role for the first time.


That desire to push the acting envelope has included winning rave reviews for his performance in the Indian adaptation of Ibsen’s play Hedda Gabler.

Eastern Eye caught up with the versatile star to discuss acting, his recent stage triumph, and future hopes.

What kind of character do you want to portray at this point in career?

I just want to play characters that are different from what I have portrayed so far. In a future project, I wish to take up the role of an antagonist rather than a protagonist. Also, I want to explore characters from different demographics and religions because I feel that would help me change my dialect and  rhythm, as an actor. Given a chance, I would also like to portray a gangster.

You have portrayed a range of characters throughout your journey. What is your thought process behind choosing a script?

My thought process when selecting a character is to determine the essence it possesses, the challenging arc it has to itself, how my character transforms, if at all, and how it contributes to the story. I also give equal importance to thinking about the team I would be working with, including the makers, directors, and producers on board with the project. I generally take my own sweet time in selecting a project, but if something meaty or exciting comes my way, I take the shot of going ahead with it.

Do you prefer characters that are completely different from you or ones that are similar?

I prefer characters that are completely different from me. Honestly, I find it really boring to play myself on-screen, and don’t want to repeat myself there. However, even if a character is entirely different from one as an individual, an actor has to add their own nuances or elements to it. Similarities are bound to creep up at any given point of time, but I try to pick ones that are really different from me.

What changes have you observed in yourself as an artist over the years?

I think I have become more mature and calmer over time. On some days, I tend to prepare a lot, and other times, I don’t. Everything depends on the character and scene I am performing. A multitude of techniques exist. Learning never really has a dead end, if you ask me. I can say I am growing as an artist each day. It is all about the choices you make as an actor.

You have received acclaim for your role in the Indian adaptation of Ibsen’s play Hedda Gabler. How does it feel?

It feels amazing to know that people enjoyed watching my play and found my stint natural. I am really grateful to have gotten this opportunity.

Did you learn anything from the play, which is based on feminism and complexities of marriage?

My learning from it is the importance of finding joy and peace within ourselves for a healthy life. We can never know how an individual is on the inside, and everyone definitely has some or the other grey shade that is not shown. All of us pull on some sort of facade that isn’t wholly true. I feel that even if an individual has everything, it’s not necessary that he or she would be happy.

A lot of actors have lately launched their own production houses. So what are your thoughts on becoming a producer?

Truth be told, I’m not willing to become a producer at the moment. I just want to concentrate on being a good actor. However, I might give the thought of producing short films a try sometime in the future.

Your recent photoshoot caught everyone’s eye and since you aren’t active on social media, what was the idea behind it?

I think, as an actor, it’s really important to keep updating our profiles every six months, and hence, I got it shot. They help me build a perception of how I would look in a role when sending them across to industry professionals. (Laughs) Now that you mentioned it, I am happy they caught everyone’s eye.

(Photo credit: Aesana Bhuta)

More For You

Brasil! Brasil! at the Royal Academy: A journey through Brazilian modernism

Banana Plantation (1927) by Lasar Segall

Brasil! Brasil! at the Royal Academy: A journey through Brazilian modernism

THE Royal Academy has a wonderful, new exhibition called Brasil! Brasil! The Birth of Modernism featuring more than 130 works by 10 Brazilian artists from the 1910s to the 1970s.

As with all great art, it gives you a real feel for Brazil.

Keep ReadingShow less
'Guide' at 60: The timeless journey of Bollywood’s boldest classic

Waheeda Rehman and Dev Anand in Guide (1965)

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

ASJAD NAZIR

THE most common description of the 1965 classic Guide across the decades is that it was way ahead of its time, and that still holds true today. The marvellously multi-layered movie, based on the best-selling novel The Guide, tackled a range of themes, including adultery, love, betrayal, heartbreak, and a painful path towards redemption.

India’s official entry for the Oscars revolved around a stifled woman walking out of an unhappy marriage and having a live-in relationship with another man, only to be betrayed again after he is imprisoned. The man in question embarks on an unexpected journey towards spiritual redemption.

Keep ReadingShow less
LGBTQ+ representation in global media: How queer stories are evolving

A celebration of queer stories worldwide – diverse, powerful, and unapologetically authentic

LGBTQ+ representation in global media: How queer stories are evolving

Media has transformed from just a form of entertainment into a dynamic platform for representation, validation, and social change. For young queer individuals, seeing their identities reflected authentically on screen can be nothing short of transformative. Positive, nuanced portrayals of queer lives not only encourage self-acceptance but also challenge outdated societal norms, making space for the beautiful diversity of human experiences.

Over the last few years, queer representation in global media has undergone a remarkable evolution, shifting away from harmful stereotypes and embracing stories that are rich, real, and relatable.

Keep ReadingShow less
Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

Female-led blockbusters: A global shift in cinema's power dynamics

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.
Keep ReadingShow less
Nayantara Roy’s debut novel traces
love and secrets in family home

Nayantara Roy

Nayantara Roy’s debut novel traces love and secrets in family home

AMIT ROY

NAYANTARA ROY, who lives in Los Angeles – where she has a satisfying creative job as a television executive – has been talking to Eastern Eye about her debut novel, The Magnificent Ruins.

Roy has been safe from the fires where she lives in Silverlake in the east side of the city. But she can see the orangetinged cloud in the sky – “the situation is still dire in LA”. Santa Monica, where she works, has been threatened.

Keep ReadingShow less