SKIPPER KUSAL Perera hit 120 and Dushmantha Chameera took five wickets as Sri Lanka thrashed Bangladesh by 97 runs for a consolation win in the third one-day international on Friday (28).
Perera's sixth ODI century and an unbeaten 55 by Dhananjaya de Silva guided Sri Lanka to 286-6, a total they defended by bowling out Bangladesh for 189 in 42.3 overs in Dhaka. The hosts won the series 2-1.
Chameera claimed his maiden five-wicket ODI haul with figures of 5-16 from his nine overs to help Sri Lanka end a run of five straight 50-over losses.
Bangladesh, who won the first two matches, never looked competitive once Chameera's three-wicket burst in the opening spell reduced them to 28-3.
Mahmudullah Riyad top-scored with 53, while Mosaddek Hossain made 51 off 72 balls.
Debutant Ramesh Mendis claimed two wickets for 40 runs and leg-spinner Wanindu Hasaranga played his part by also picking up two wickets.
Chameera was named the player of the match while Bangladesh's Mushfiqur Rahim, who scored 237 runs including a century in three innings, was named the player of the series.
"We needed a win badly, although we lost the series," said Perera.
"We needed to get the big scores and that's why I shifted gears. Our bowling department did a really good job. Fielding was also good."
The left-handed Perera, who took over from Dimuth Karunaratne as captain in this series, earlier smashed 11 fours and one six in his 122-ball knock to set up the win.
However, he was dropped on 66, 79 and 99 before being dismissed by teenage left-arm quick Shoriful Islam.
Mahmudullah took a fine catch at long-on after he dropped the opener one run away from his century.
Perera and Danushka Gunathilaka put on 82 runs for the first wicket to lay the foundations of their total before fast bowler Taskin Ahmed took three wickets.
Taskin bowled Gunathilaka for 39 and had Pathum Nissanka caught by Mushfiqur for a duck in the same over.
Perera shared two key partnerships of 69 runs and 65 for the third and fourth wicket respectively with Kusal Mendis (22) and De Silva to rebuild the Sri Lankan innings.
Bangladesh did well in the last 10 overs, giving away just 69 runs to check the batting surge.
"As I said in the last game, we have won the series but I never felt that we played the complete game. Never played to our potential," said Bangladesh captain Tamim Iqbal.
"When opportunity came (today), we didn't take our catches. If we had taken those, (it) could have been maybe 30 runs less."
Taskin, one of two changes for Bangladesh in the match, finished with figures of 4-46.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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