KENSINGTON PALACE has seen a surge of Asian visitors following its ongoing exhibition on Queen Victoria and her ties to India, a palace curator has said.
Victoria: Woman and Crown follows the life of the monarch, starting from when she was a teenager to her later role as the Empress of India. Queen Victoria’s special relationship with India is a focal point in the exhibition, with displays featuring stories about the Kohinoor diamond and the monarch’s friendships with Indian prince Maharajah Duleep Singh as well as her attendant Abdul Karim.
According to curator Polly Putnam, an increasing number of Asian visitors have attended the exhibition since it opened earlier this year.
“We have definitely had more Asian families come to see the exhibition than we would have done otherwise, and that is new for us,” she told Eastern Eye.
Typically, Putnam said, those who visit the palace are foreign tourists keen to go “royal hunting”. Putnam, who has worked as curator at the palace for seven years, believes the exhibition has shown a side to the Queen and the British Empire which visitors have “greatly appreciated”.
“I feel like people have been pleased that we’ve been honest about the story of the British Empire. It isn’t pretty, and it isn’t a nice story,” she explained. “People have seemed to appreciate that we haven’t tried to hide anything and told it like it is.”
On show are items such as Duleep Singh’s velveteen jacket and notebook as well as diaries of Victoria’s time practising Urdu with Karim as her tutor. It is clear that India held a special
place in the monarch’s heart. A replica of the famed Kohinoor diamond is also on display, positioned near a portrait of the royal wearing the precious stone.
It has been debated for decades whether the jewel should be returned to India, where it originated from. The 186-carat diamond was originally owned by Duleep Singh’s father and was obtained by the East India Company following the defeat of the Sikh Empire.
Given the focus on India, the palace team were keen to engage with British Asian communities so they could collect responses to key themes and objects featured in the exhibition.
In the summer, an inter-generational group of 13 British Asians met Putnam and interpretation manager Carol Swords. They had the opportunity to learn more about Queen Victoria, contribute contemporary responses to the exhibition with poet Jaspreet Kaur and visit the object stores at Hampton Court Palace in south London.
“We had some really interesting, honest conversations about the empire,” Putnam explained. “The younger generation looked to the older generation for details that they had lost.”
Some women, originally from the Punjab, were especially excited to view items relating to Duleep Singh.
“He was their great hero, so they were thrilled to be able to get up close to some of the objects belonging to him,” Putnam recalled.
Queen Victoria reigned longer than any of her predecessors – 63 years in total. She saw much tragedy in her life, including the premature death of her beloved husband Prince Albert.
With so much history to choose from, why did Putnam focus on Queen Victoria’s relationship with the subcontinent?
For one, the curator said, it was down to the friendships the royal developed with her Indian companions, which influenced her in so many areas of her life.
“Her relationships with Duleep Singh and Abdul were so significant, because she got to know them well,” she said. “It was because of those relationships that India became the most important part of the Empire for her.”
Victoria: Woman and Crown is on until January 5, 2020 at Kensington Palace in London.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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