Skip to content
Search

Latest Stories

Rakeysh Omprakash Mehra Interview: Fanney Khan talks about people who chase dreams with passion and honesty

In his two-decade-long career, it is going to be the first time when renowned Hindi filmmaker Rakeysh Omprakash Mehra does not direct the film he is producing under his production banner, ROPM Pictures. We are talking about his next offering Fanney Khan, which he co-produced with T-Series and Anil Kapoor Films & Communication Network. Starring Anil Kapoor, Aishwarya Rai Bachchan and Rajkummar Rao in principal cast, the movie is an official remake of Oscar-nominated Belgium film Everybody’s Famous (2000). As Fanney Khan gears up for its theatrical release, our Mumbai correspondent, Mohnish Singh, catches up with Rakeysh Omprakash Mehra and tries to find out more about the film, its casting process and what prompted him to remake it. Excerpts...

As we all know that Fanney Khan is an official remake of Belgium film Everybody’s Famous. So, when did you first watch the original film?


I saw the original film Everybody’s Famous 10 years ago and immediately fell in love with the subject. It is an Oscar-nominated film in Foreign Film category and there were a couple of reasons to fall in love with the film. The film was addressing a very key issue which is close to my heart.

And what is that?

The film addresses the issue of body-shaming. It also talks about people who chase their dreams with passion and honesty. But one day, the real-life catches up and some dreams remain unfulfilled. More often, that happens with parents in their lifetime but through their children they see it happening and their children see it through. According to me, that is what immortality is. Immortality is not that you never die but immortality is, through your kid you are always alive. They carry on the good work and unfulfilled dreams.  So, when these two things were happening in the movie, I felt really strongly about the film.

How did you acquire the film for the remake?

I chased that subject for 3-4 years; the director of the original was not willing to do it and we had to convince him to trust us with this material. Obviously, they are very close to the film. If somebody says to me, “Give me Rang De Basanti (2006), I want to remake it”, I will not be willing. Once you created something, you don’t want it to be spoiled in the interpretation. It’s like any material one makes in the world. By the way, it’s not a translation that we are doing. We are doing a reinterpretation of the whole film.

You yourself are an accomplished director. Why didn’t you direct the film?

Either you are going to be a mother or a father of the film. I chose to be the father of this project. So, to create a baby we need a mother. We both conceive the child but the mother goes through much more pain and for a long period of time. I myself have gone through a lot of labour pains, so this time I wanted to be a father. That was one way of explaining it. Another thing is that I had fallen in love with the original material, completely. So much so that I could imagine bettering it or reimagining it. There were a lot of people who asked or suggested why not? It would be nice but I said no because I won’t be able to do justice to it. We need somebody to reinterpret it.

What made you choose Atul Manjrekar to helm this project?

There was a 4-5 years hunt for the director for this project. We had scripts worked for 1-1 ½ year, it takes that much time for a good script and then bouncing it, then another script. When Atul Manjrekar came, he saw it and the next day he gave a scene and I said, “It has to be your film”. He interpreted it in one moment, I couldn’t have even made 10% of the film that he made. Atul and I go back a long time, 22-23 years back. He went on to become a very successful person, very sensitive person and the project needed a very sensitive person. I felt that his sensitivity to this subject and this interpretation was amazing.

Are you happy with the result? Did it perfectly follow your vision?

I have seen the film. I think perfection is a myth. We are always in pursuit of perfection. If something is perfect, then actually there is no perfection. It’s not like that. Like I have said in so many words and in so many different ways, we are extremely satisfied with what Atul, PS Bharathi and the whole team have done. PS Bharathi is the editor for Delhi 6 (2009) and Bhaag Milkha Bhaag (2013). Her experience is immense. The film belongs totally to them. I was completely off hand. I went to the shooting on day one to give the plaque, take the photo and be very happy. Then I went to the last day to eat the cake. These were the only two days I went on the sets of the film.

Were you involved in the casting process?

We all sit in our office. We have a very robust system in the office which is led by Bharathi again. She green lights everything, she is the mother hen there. We discuss the different options. Fortunately, everything falls into place. It is a process, everything should come together from the starting point of the girl to the option 18.

Tell us more about the cast of your film.

It’s the first time we are seeing Anil Kapoor like this. He has done various roles in his life, but this is like playing a mid-50’s man like he is in real life. Rajkummar Rao was tremendous. He is the epitome of friendship and trust. Aishwarya Rai Bachchan is out of the word. She is the most inspiring, most talented, somebody you aspire to be and she becomes the voice of the film. As we go along, we understand the sacrifices she had to make to attain what and where she is. It’s a very girl point of view of a film. Yes, the dream belongs to a father, but we have to understand the girl much more which Atul did fantastically.

When you are writing a script, do you have particular actors in mind?

Never, not because of any arrogance but I think you are doing an injustice to the actor. You are being unfair to the actor because then you start thinking like that and subconsciously you are labelling a certain manner to the actor. When you are writing a character, then it’s limitless. Amjad Khan walked into Sholay (1975) one month before shooting and now look what he had done. You remember Sholay not because of Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Hema Malini or Jaya Bhaduri, but the greatest icon of an era Amjad Khan, because the character was so beautifully fleshed out.

 Starring Aishwarya Rai Bachchan, Anil Kapoor, Rajkummar Rao and debutante Pihu Sand, Fanney Khan releases on 3rd August.

More For You

'Santosh' review: Feminist police drama confronts harsh truths

A scene from 'Santosh'

'Santosh' review: Feminist police drama confronts harsh truths

POLICE corruption, caste politics, and dangerous interfaith liaisons are at the heart of Santosh, a feature by British Indian filmmaker Sandhya Suri. She turns the title on its head – Santosh, regarded more widely as a male name, is the protagonist, played by the versatile Shahana Goswami.

Santosh’s husband, a police constable in a north Indian village, is killed in the line of duty. Or so it appears.

Keep ReadingShow less
Scarlett Johansson

Scarlett Johansson recalls feeling ‘so gross’ after hearing SNL’s viral joke backstage

Getty Images

​Scarlett Johansson slams SNL’s 'gross' vagina joke: ‘It was intense. I felt like I’d pass out!'

Scarlett Johansson has finally addressed the jaw-dropping joke about her that aired during Saturday Night Live’s holiday episode in December. Her husband, Colin Jost, was made to deliver the punchline live on air, and Johansson, watching from backstage, was left stunned. In a recent interview with InStyle, she described the moment as “so gross” and admitted she couldn’t believe the show went that far.

The joke was part of the show’s annual “Weekend Update” tradition, where Jost and his co-host Michael Che write outrageous jokes for each other to read without any prior warning. This time, Che handed Jost a line that compared Johansson to a Costco roast beef sandwich in a joke about their sex life. When Jost read it aloud, the audience gasped. Meanwhile, cameras backstage caught Johansson’s reaction mouth open, clearly shocked.

Keep ReadingShow less
Amitabh Bachchan

The veteran actor invests in a 54,454 sq ft plot, just 10 km from Ram Mandir

Getty Images

Amitabh Bachchan buys prime land near Ram Mandir in Ayodhya for father’s memorial

Amitabh Bachchan has purchased a second plot of land in Ayodhya, this time a large 54,454 square foot piece, located roughly 10 kilometres from the newly consecrated Ram Mandir. The land was bought through the Harivansh Rai Bachchan Trust, an organisation set up by the actor in 2013 to honour his late father, the renowned poet Harivansh Rai Bachchan.

This latest purchase adds to Bachchan’s earlier investment in Ayodhya. In January 2024, he bought land in a premium township called Haveli Avadh for ₹4.54 crore. Reports suggest that property was meant for residential use. Now, sources indicate the newly acquired land could be developed into a memorial dedicated to his father’s life and literary legacy.

Keep ReadingShow less
Stan Lee’s

A new documentary sheds light on the lesser-known struggles Stan Lee faced behind the scenes

Getty Images

Stan Lee’s tragic final years: Shocking new documentary exposes elder abuse and exploitation

Stan Lee spent his life bringing superheroes to the world—Spider-Man, the X-Men, Iron Man, and so many more. But behind the joyful cameos and conventions, his last years were marked by serious exploitation. A new documentary, Stan Lee: The Final Chapter, talks about the dark, uncomfortable truth about what really happened.

The film is being put together by Jon Bolerjack, who worked closely with Lee during his final four years. Bolerjack wasn’t just an assistant; he was a witness to what many believe was the mishandling and manipulation of an ageing legend. According to Bolerjack, Lee was constantly pushed to sign memorabilia and make public appearances, despite his poor health. In video clips already shared, Lee appears exhausted while being shuffled between events.

Keep ReadingShow less
Telugu actor Mohan Babu accused of murdering actress Soundarya in 2004

Actor Mohan Babu faces renewed allegations linked to actress Soundarya’s tragic death, 22 years later

Instagram/actresssoundarya

Telugu actor Mohan Babu accused of murdering actress Soundarya in 2004

Two decades after the tragic death of actress Soundarya, new allegations have surfaced against veteran Telugu actor Mohan Babu. A social activist in Andhra Pradesh’s Khammam district has filed a complaint accusing him of having a role in Soundarya’s untimely demise.

Soundarya, a much-loved star in South Indian cinema, was 31 years old and reportedly pregnant when she died in a private plane crash on April 17, 2004. She and her brother, Amarnath, were flying to Karimnagar to participate in a political campaign for the BJP and TDP when the aircraft went down. Tragically, their bodies could not be recovered from the wreckage.

Keep ReadingShow less