Hundreds of protesters went on a rampage vandalising malls and torching vehicles in the Indian city of Ahmedabad in a bid to stop the release of a controversial Bollywood film scheduled for Thursday (25).
Violence against Padmaavat, a film about a mythical Hindu queen, started late Tuesday and continued into the night in the main city of prime minister Narendra Modi's home state of Gujarat.
Several hundred people attacked shops in malls, set alight 50 motorbikes and damaged more than 150 cars across the city, police said.
Protesters claim the film falsely depicts a romance between 14th century Hindu queen Padmavati and Muslim ruler Alauddin Khilji. The producers deny this and insist the movie portrays her respectfully.
Gujarat home minister Pradipsinh Jadeja said 10 people were arrested on Tuesday and would be "dealt with strictly".
"These are anti-social elements who are attempting to disrupt the peace in the state," Jadeja told journalists.
Police said the names of more than 500 suspects for rioting and unlawful assembly had been registered across Gujarat.
At least 100 suspects had been detained and could face charges over the riots, a senior police officer in Ahmedabad said.
"Their accounts, and CCTV footage from different areas, is being verified. Some of them may be arrested later," the officer said on condition of anonymity.
Threats by Hindu fringe groups against Padmaavat ave forced police to step up security around cinemas across the country.
Police in Mumbai rounded up 50 suspects affiliated with hardline groups in a "pre-emptive action" ahead of the release, said the city's police spokesman Deepak Deoraj.
Hindu protesters had set car tires ablaze during a demonstration in India's financial capital on Tuesday.
- Creative freedom -
Radical groups have blocked roads and burned buses and toll booths in protests against the movie in recent days.
A caste-based group, the Shree Rajput Karni Sena, has threatened to attack cinemas showing the film. It was not known if they were linked to the Ahmedabad troubles.
"We have increased deployment near malls and cinema halls. The mob resorted to violence despite the cinema hall owners assuring that they will not screen Padmaavat," Ahmedabad police commissioner A.K Singh told media.
The Rajasthan and Madhya Pradesh state governments lost a bid on Tuesday to get the country's Supreme Court to retract its ruling stopping states from banning Padmaavat.
Rajasthan, Madhya Pradesh, Punjab and other states had wanted to halt the release. But the Supreme Court has ruled such action violated creative freedoms.
Police in Rajasthan said protesters had attempted to block traffic but they had been dispersed, Ravindra Kumar Reddy, additional director general of the state's police, said.
"We have deployed additional forces across the state," he said.
In January last year Rajput Karni Sena members attacked the film's director Sanjay Leela Bhansali and vandalised the set during filming in Rajasthan.
The group's leader Lokendra Singh Kalvi said Wednesday they respected the Supreme Court's ruling but their opposition to the film had not wavered.
Several hardliners have offered bounties of up to 50 million rupees ($769,000) to anyone who "beheaded" lead actress Deepika Padukone or Bhansali.
The movie stars Shahid Kapoor as Maharawal Ratan Singh, the husband of Padmavati, and Ranveer Singh as Khilji who leads an invasion to try to capture the queen.
Protesters maintain it distorts history, even though experts say the queen is a mythical character.
Earlier this month the film censor board cleared Padmaavat for release with five changes.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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