Saif Ali Khan has been in the industry for the past 28 years. He started his career with the 1993 release Parampara. In these 28 years, Khan has seen a lot of ups and downs in his career and has evolved as an actor.
Recently, while talking to PTI about how he has evolved in cinema, the actor said, "I was completely clueless and now I'm a little bit less clueless, that's the extent of my evolving. I mean, one learns and life teaches you things. If you keep doing the same thing and you don't change, then you age in a different way. But if you do evolve and if you are learning and expanding, you can be interesting at 50. You have a lot of experience.”
"I think I've done well from the art I've collected to the homes I've built to the kind of heritage I've tried to look after, Pataudi, to the work I'm doing. It's been a creative life so far, especially with a bit of a bad start. I think there have been influences that I've been very lucky to have like the kind of academic educational influences or even the influences of my father and the legacy of my grandfather, the Tagores. There are a lot of things that come into play in what makes a person," he added.
At the starting of his career, Khan was called the chocolate boy of Indian cinema due to his clean-shaven look. However, with performances in movies like Being Cyrus, Ek Hasina Thi, and Omkara, he changed his image.
The actor said, "I've always thought that it's interesting to do different stuff really. I just thought Homi (Adajania, director of Being Cyrus) was very interesting, and making an English movie would be fun. I thought Ek Haseena Thi would be great because I was doing Kal Ho Na Ho and everyone said, ‘chocolate boy'. And I thought it'd be quite cool to play this kind of role. Ram Gopal Varma (producer of Ek Haseena Thi) gave me a chance to act like somebody else."
Khan feels that Omkara has set a benchmark for him. He said, "I think somewhere Omkara has set a benchmark early on in my career. I don't think you can do more and be totally different. So I'm very happy with that benchmark and very proud of that movie, but I constantly feel there has to be more to life than Omkara. For some of my other films, very often people have written that 'this is his best performance to date'. So that's great that they've said that. So as long as that keeps happening, it's good."
"I really think that Tanhaji was amazing and the role of Lankesh in Adipurush is amazing," he added.
Tanhaji was directed by Om Raut and Adipurush is also being helmed by him. The movie also stars Prabhas and Kriti Sanon in the lead roles.
Khan is happy that the film industry has evolved and there is no demarcation between characters that are heroic and villainous in nature. He feels that it was award functions that used to bracket actors into various categories like the best villain or best comedian.
He said, "A lot of award functions in India are extensions of TV channels. I think every major award function has a different channel. They try to get as many actors as possible to then say, give this guy best villain, give this guy best comedian and give this guy best actor. So it kind of loses credibility, but it suits the actors most of the time. They are happy to get an award and be part of the system. But the real winner is the TV channel. So they make a TV show out of it and we are all junior artists -- attending, performing, doing this, and doing that."
Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.
Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.
Jamie Lloyd’s Evita with Rachel Zegler set for Broadway after London triumphInstagram/officialevita
Zegler’s Evita performance leaves no doubt
From her first note, Rachel Zegler proves she’s no newcomer to the stage. Her performance, both vocally and physically, carries the entire show, even when the production leans more into visual punch than emotional depth. Zegler’s rendition of Don’t Cry for Me Argentina, performed from the Palladium’s real-life balcony to street crowds below, has already become the production’s signature moment. The scene is filmed live and broadcast inside, symbolically capturing Eva Perón’s manipulation of public adoration.
Staging pushes boundaries with video and spectacle
Jamie Lloyd’s direction strips the production down to a giant grey staircase and replaces traditional storytelling with flashing lights, camera close-ups, and muscular choreography. While critics say some scenes lose emotional resonance, especially in the second act, others land with undeniable theatrical force. Some note the live camera work, booming lighting, and thundering score often feel closer to a Beyoncé tour than traditional West End fare.
After drawing big names on opening night, from Pedro Pascal and Keanu Reeves to Elaine Paige, the show’s success has sparked conversations about a Broadway transfer. Lloyd, backed by Tim Rice and Andrew Lloyd Webber, is pushing for an early 2026 New York run. Logistics are already in motion, with plans to replicate the live balcony scene in the heart of Manhattan, pending city approval for crowd management.
Though visually electrifying, the production has drawn criticism for flattening the emotional arc of Eva Perón’s story. Supporting roles, including Diego Andres Rodriguez as Che and James Olivas as Juan Perón, offer committed performances, but critics say the narrative lacks clarity. Still, audiences have been captivated, and the show has crossed into public conversation beyond theatre circles, exactly the kind of impact Lloyd seems to be chasing.
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Vismaya Mohanlal makes her film debut with Malayalam project Thudakkam
Vismaya Mohanlal to debut in Thudakkam, helmed by Jude Anthany Joseph.
The Malayalam film is produced by Antony Perumbavoor under Aashirvad Cinemas.
Mohanlal and Pranav Mohanlal posted heartfelt messages welcoming Vismaya to cinema.
Vismaya is also a published poet and visual artist with a book titled Grains of Stardust.
Malayalam superstar Mohanlal’s daughter, Vismaya Mohanlal, is stepping into cinema with Thudakkam, a Malayalam feature directed by 2018 filmmaker Jude Anthany Joseph. The announcement, made on social media by her father and production house Aashirvad Cinemas, marks Vismaya’s formal entry into acting after years of working quietly as a poet and artist.
Vismaya Mohanlal transitions from poetry and art to acting in ThudakkamInstagram/mayamohanlal
Jude Anthany Joseph teams up with Aashirvad Cinemas for Thudakkam
The upcoming film Thudakkam is being produced by Aashirvad Cinemas, the renowned banner behind many of Mohanlal’s blockbusters. Director Jude Anthany Joseph, known for 2018: Everyone Is a Hero, said he felt a personal responsibility when entrusted with Vismaya’s debut.
“It’s a humble film, but one made from the heart,” he shared, promising to honour the trust shown by Mohanlal and his wife, Suchitra. Details about the film’s plot and cast remain under wraps, though early hints suggest an action-driven storyline, possibly tapping into Vismaya’s martial arts background.
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Vismaya Mohanlal brings her artistic journey to screen
Before venturing into films, Vismaya carved a creative path through literature and painting. In 2021, she published Grains of Stardust, a collection of poems and illustrations that offered glimpses into her introspective world. Written in a raw, spontaneous style, many of the poems were jotted down during subway rides or inspired by fleeting moments in nature.
Her brother, actor Pranav Mohanlal, encouraged her to compile them into a book. With both siblings now in the film industry, Thudakkam also adds to the growing list of second-generation talents in Malayalam cinema, including Dulquer Salmaan, Keerthy Suresh, and Kalidas Jayaram.
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Glen Powell stars in Edgar Wright’s The Running Man based on Stephen King’s dystopian thriller
• Glen Powell stars as Ben Richards in The Running Man, directed by Edgar Wright.
• Based on Stephen King’s 1982 novel and a remake of the 1987 Arnold Schwarzenegger film.
• Powell plays a desperate father competing in a televised death game to save his daughter.
• The action-thriller hits cinemas on 7 November 2025 via Paramount Pictures.
Glen Powell races against time in The Running Man, the latest high-stakes action film from director Edgar Wright. Based on Stephen King’s 1982 novel, the story reimagines the cult 1987 film through a modern lens. Powell stars as Ben Richards, a working-class father who enters a violent, state-sponsored game show to fund his daughter’s medical treatment, but quickly becomes a national sensation and a symbol of rebellion.
Edgar Wright’s high-energy vision for Stephen King’s dystopia
Wright, known for Baby Driver and Scott Pilgrim vs. the World, employs his signature fast-paced style here. The film is set in a bleak future where contestants, or “Runners,” must survive 30 days while being hunted by professional assassins called “Hunters.” The entire ordeal is broadcast to a bloodthirsty audience, with each day increasing the prize money and the danger. Powell’s character gains unexpected popularity, forcing the game’s creators to reckon with the monster they’ve built.
Josh Brolin plays the charismatic yet ruthless producer Dan Killian, while Colman Domingo appears as host Bobby Thompson. The ensemble cast also includes Katy O’Brian as a fellow contestant, Lee Pace as a top-tier Hunter, and Michael Cera as a rogue insider aiding Richards.
Glen Powell’s rise continues with another genre-bending role
Following recent hits like Hit Man, Anyone but You, and Twisters, Glen Powell continues his streak with The Running Man. His role as Ben Richards combines grit, heart, and defiance, positioning him as a reluctant hero challenging a corrupt system.
The screenplay, co-written by Wright and Michael Bacall, blends action, satire, and social commentary. With a stellar cast and Wright’s kinetic direction, The Running Man is poised to be a major autumn release.
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Diddy trial recap as jury reviews Cassie testimony and flags juror concern
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”