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Sanjay Dutt, Ranbir Kapoor & Vaani Kapoor in Yash Raj Films' next

Buzz has it that Sanjay Dutt, Ranbir Kapoor and Vaani Kapoor have been finalized to headline one of the upcoming projects by Yash Raj Films. The untitled movie will be helmed by Karan Malhotra who has previously directed Agneepath and Brothers for Karan Johar's Dharma Productions.

The project is, reportedly, a part of a three-film deal that Karan Malhotra has signed with Yash Raj Films. Considering the fact that the project is in its initial stage, the makers are trying their best to keep all details under wraps.


The new project might benefit its female lead Vaani Kapoor the most. The actress, who made her acting debut with Shudhh Desi Romance in 2013, was last seen in Aditya Chopra's Befikre. However, despite starring in two YRF movies, her career has gone nowhere in these years. This untitled film with biggies like Sanjay Dutt and Ranbir Kapoor might work wonders for the actress' career.

Interestingly, before starting shooting for Karan Malhotra's film, Vaani will be seen in another big-ticket movie by Yash Raj Films and that too with biggies like Hrithik Roshan and Tiger Shroff. The film will be helmed by filmmaker Siddharth Anand. Like Malhotra's film, Anand's movie is also yet to be titled.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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