Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A school dropout who supported his family as a newspaper boy and construction worker has won a prestigious literary prize in India.
Akhil Kavintarikath, 28, from Kannur in the southern state of Kerala, had to leave his studies and start working full-time to provide for his family, including his parents, brother, and grandmother, The Times reported.
Now, he won the top prize for his collection of short stories written in Malayalam called Neelachadayan (after the name of the strain of cannabis grown near his home) by the Kerala Literary Academy.
“I am so happy and proud. My mother too is so proud of me. She keeps showing off my book to everyone,” he was quoted as saying by The Times.
Though happy with the achievement, Akhil cannot afford to quit working.
The literary award carried a sum of only Rs 5,000 (£50). He wants to buy some books with the prize money.
“My books have not changed much in my life. I won’t quit my current job until I start making decent money from writing. That’s my goal,” he said.
Throughout most of his life, Kavintarikath lacked leisure for daydreaming. During his school days, he would deliver newspapers before attending classes. In subsequent years, while undertaking various odd jobs, he continued to have little spare time.
Despite his tight schedule, while delivering newspapers and magazines, he would manage to read some of the stories in them, although he could never complete them before delivering them.
“As I finished my round, though, I used to wonder what would have happened to those people and that sparked my imagination,” he told The Indian Express newspaper reflecting on this experience.
His imagination became more active when he started working night shifts operating a JCB at a sand mine.
“I was afraid of the dark but had no option but to work at night. I felt scared and lonely when my mind was unoccupied so I started recalling the stories told by my teachers or the incidents that happened in my village and this fed my imagination,” he is reported to have said.
In 2017, he decided to take a bank loan to purchase a laptop. He started writing about the struggles and aspirations of ordinary people whenever he found time. Despite facing the common hurdles of rejections encountered by first-time authors, he persisted in submitting his stories to various publishers.
Eventually, a local company named Green Books agreed to publish his stories but under the condition that he paid a fee of Rs 20,000 (£200). To meet this requirement, he used his own savings of Rs 10,000 (£100) and received financial support from his mother.
In 2020, his work was finally published with a small initial print run of 300 books. Initially, only a few copies were sold online.
However, everything changed when a scriptwriter named Bipin Chandran praised the book on Facebook. This led to an increased demand, prompting more copies to be printed, and ultimately gained the attention of the state's literary academy. Now, the publisher plans a Hindi or English translation of the book.
The award-winning writer has taken a short break from operating a JCB but plans to go back to work soon.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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