OLIVIER-AWARD nominated play 10 Nights only came into fruition after writer Shahid Iqbal Khan overcame his own “assumptions and judgments” over whether a story set in a mosque would appeal to a non-Muslim audience.
10 Nights is a poignant and humorous exploration of faith, love, and personal discovery. It follows Yasser (Adeel Ali), who embarks on a spiritual journey as he takes on the challenge of completing I’tikaf – 10 consecutive days of prayer and fasting in a mosque during Ramadan.
Through moments of quiet reflection, comical struggles, and heartfelt introspection, Yasser’s journey challenges him to confront his fears and insecurities while forging a deeper understanding of himself and his faith.
“I had assumed people wouldn’t be interested in what’s happening in the mosque,” Khan told Eastern Eye.
“I had to unlearn some of my own bias and tell myself, ‘don’t be scared, just take us into the masjid and show people what’s happening. It’s fine if they don’t get all of it and don’t understand what’s happening. It’s basically about the character journey and you need to stick to the truth of that and write fearlessly’.”
Khan wrote the initial draft of the play when he was on playwriting programme at the Graeae Theatre Company in London. He shared a 10-minute monologue on Yasser’s journey during I’tikaf at a writer’s presentation evening at the Soho Theatre.
He was the only person of colour and possibly the only Muslim at the event, and admitted he was surprised by the reaction of the audience.
“I was surprised that the audience responded warmly to Yasser, even though he was using certain Islamic terms like Inshallah, Kun Faya Kun, Alhamdulillah – that didn’t seem to bother the mainly white audience. They just responded to the character and identified with what he was feeling, even though they shared nothing culturally.
“It made me reconsider and realise there’s probably a universality to this story. Perhaps it was my own thinking that held me back. I thought this play might not find much of an audience, but today, I’ve been proven wrong.”
Yasser spends the last 10 nights of Ramadan praying, eating and sleeping in the mosque. He is by no means a devout Muslim when he enters the mosque and struggles with the confidence to perform some of the rituals, but hopes he can learn and in turn that can help with the grief and guilt he feels over the death of his close friend, Aftab.
The play challenges multiple stigmas within Muslim communities around substance abuse, worship and relationships.
“I think they (the audience at Soho Theatre) were responding to his feeling of being an imposter and uncertain about what to do in that environment. Many people can relate to that, whether it’s within any religion or a non-faith-based setting, like in a job, where moments of self-doubt are universal.”
Adeel Ali as Yasser in 10 Nights
“The audience can relate to Yasser on that level, as everyone has likely experienced a phase in life where they felt they didn’t belong.” Khan believes that 10 Nights presents a portrayal of Muslims that is rarely seen in mainstream media.
“It’s quite rare to see Muslim man or a man of colour, even to be humanised and seen as complex human beings – we’re not used to seeing that, even in this day and age,” he said.
Khan is from a British Pakistani background and said he was baffled at how this group of men have been “dehumanised” by the actions of a few.
“We still see headlines calling for investigations focused solely on British Pakistani men and grooming gangs,” he said. “On the one hand, you have the dehumanisation of these men in the media, (and on the other hand) it’s really cathartic for the audience to come to the theatre and see this play and acknowledge that they are human beings.
“There are Urdu phases and Arabic phrases, but it doesn’t pander to the white gaze. Instead, it’s the white viewer who must make an effort to understand, and I think many find that empowering.”
Khan hopes that plays like 10 Nights can bring in more Muslims to the theatre.
“A lot of the Muslim population, the reason they go don’t go to theatre, because they feel a bit estranged, a bit isolated, and they feel like there won’t be anything in it that they could identify with,” he said.
“It’s important to have those characters on stage, which in turn benefits theatres by reducing the struggle to engage with Muslim audiences.”
“The theatre is a space for debate and hearing all perspectives. Without the input of British Muslim characters, it falls short. Including voices from all parts of the community is essential for creating meaningful theatre.”
Originally co-produced by Graeae and Tamasha, in association with the Bush Theatre in 2021, 10 Nights has just embarked on its second national tour produced by Phizzical Productions, with shows in Derby, Hammersmith, Manchester and Birmingham.
“The extent of recognition did surprise me, and I’m still surprised today that it is being produced for the third time and there are people who reached out and said to me that they’re going to watch it for the third time,” said Khan.
“At some point you’ve got to let it go and say, ‘this is beyond me, this is the people’s play. I have ownership as an author, but it belongs to the audiences.’” (See interview with Adeel Ali, page 22)
Kamal Haasan, Ayushmann Khurrana, and Payal Kapadia among Indian invitees to the Academy’s 2025 voting class
Academy of Motion Picture Arts and Sciences extends membership to 534 new global members
Other Indian honourees include Maxima Basu, Ranabir Das, and Smriti Mundhra
Hollywood invitees include Ariana Grande, Conan O’Brien, Jason Momoa, and Jodie Comer
Veteran actor Kamal Haasan, critically acclaimed star Ayushmann Khurrana, and All We Imagine as Light director Payal Kapadia have been invited to join the Oscars Academy’s 2025 voting body. The Academy of Motion Picture Arts and Sciences has extended invitations to 534 new members from across the globe, recognising diverse contributions to cinema across disciplines.
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Indian artists gain spotlight in new Academy class
This year’s invite list is a significant moment for Indian cinema, with six industry professionals selected for their work across acting, direction, design, and technical fields. Kamal Haasan, known for groundbreaking films like Nayakan and Vikram, and Ayushmann Khurrana, celebrated for Article 15 and Andhadhun, were chosen in the acting category.
Ayushmann Khurrana attends an event at the FICCI Frames 2024 Getty Images
Payal Kapadia’s inclusion is especially noteworthy following her historic Cannes win for All We Imagine as Light, which made her the first Indian filmmaker to win the Grand Prix. Two of her key collaborators on the film were also invited: cinematographer Ranabir Das and costume designer Maxima Basu.
Kamal Haasan waves as he attends a press conference for 'Thug Life'Getty Images
Also joining the list are documentary filmmaker Smriti Mundhra, known for St. Louis Superman and Warden, and visual effects artist Abishek Nair, credited on Solo: A Star Wars Story and The Fate of the Furious.
Payal Kapadia smiles during the Jury photocall at the 78th annual Cannes Film FestivalGetty Images
Global mix includes Conan O’Brien and Ariana Grande
Alongside the Indian names, the Academy's 2025 class features a host of international stars and creators. Hollywood figures like Ariana Grande, Conan O’Brien, Jodie Comer, Jeremy Strong, and Jason Momoa were among those invited.
According to the Academy, this year’s class includes representatives from 60 countries, with 45% of the invitees belonging to underrepresented communities. Only those who accept the invitation will be added to the voting body, which currently includes over 10,000 eligible members.
The 2026 Oscars ceremony will take place on 15 March, with nominations set to be revealed on 22 January. Veteran host Conan O’Brien will host the event.
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Kalki 2898 AD showcased Prabhas in a genre-blending sci-fi mythological role
It’s been a year since Kalki 2898 AD hit theatres, and whether you loved it, questioned it, or are still figuring out what you watched, one thing’s clear: it cemented Prabhas’ place at the top. A unique experiment packed with mythology, sci-fi, and big-screen ambition, Kalki didn’t just push boundaries—it made sure everyone was paying attention.
Here’s how Kalki quietly reinforced what audiences across India (and beyond) already suspected: Prabhas isn’t going anywhere.
From Andhra to Ahmedabad — he still pulls crowds across the board
There are many stars who rule regions, but very few cut across states and languages the way Prabhas does. Whether it’s a traditional action flick or an experimental epic, people show up.
Prabhas in a still from Kalki 2898 AD which completed one yeargetty images
£94 million+ (₹1000 crore) globally — and not for the first time
With Kalki joining the £94 million+ (₹1000 crore) club, Prabhas added yet another big-budget success to his list. He’s one of the few actors in India whose films regularly cross that mark, without it feeling like a fluke or a one-off.
Kalki 2898 AD became one of the top three biggest openers in Indian cinemagetty images
A top three opener in Indian cinema — again
Kalki had one of the biggest opening days in Indian box office history. No gimmicks. Just the kind of theatre rush most films today struggle to pull off. Say what you want about the film, but its opening confirmed Prabhas’ continued draw for the big-screen crowd.
Kalki 2898 AD brought together sci-fi and mythology in a first-of-its-kind Indian filmgetty images
Fans flew in from Japan — yes, really
It’s not just India. International fans have long backed Prabhas, and Kalki saw that play out in real time, with Japanese fans travelling to Hyderabad just to catch it in cinemas. Not a premiere or event, just a regular screening. That kind of quiet loyalty is rare.
Prabhas plays the futuristic warrior Bhairava in Kalki 2898 AD getty images
He’s still choosing the harder road
A dystopian mytho-sci-fi mash-up isn’t exactly a guaranteed hit. Most stars would’ve played it safe, but Kalki was a risk, and Prabhas took it head-on. It’s part of what keeps his filmography interesting. He’s not here to repeat formulas, and that makes every new release worth watching, even if you don’t love every film.
Prabhas in action during a high-intensity sequence from Kalki 2898 ADgetty images
The calm at the centre of the chaos
One year later, Kalki 2898 AD may still be divisive as a film, but as a career move, it only strengthened what Prabhas has built over the years: a fanbase that shows up, a screen presence that works across regions, and a habit of picking stories that don’t play it safe.
Anusha Mani’s artistic journey has been anything but conventional. Revered as the velvety voice behind Bollywood chartbusters like Lazy Lamhe, Tera Rastaa Chhodoon Na, and the irrepressibly catchy Gulaabo, she has carved out a distinctive niche for herself as a singer, lyricist, and now actress.
With a foundation in Indian classical and Carnatic music, and a career launched by a serendipitous meeting with Shankar Mahadevan, Anusha’s rise to prominence has been a blend of talent, timing, and tenacity.
Over the years, she has lent her voice to everything from big-ticket Bollywood productions to indie projects, explored diverse languages and genres with ease, and even penned lyrics for memorable tracks like Dil Mein Jaagi. But her creative curiosity did not stop at the recording studio. In 2025, Anusha stepped into the world of acting with her web series debut Hai Junoon, embracing a new challenge that once seemed unimaginable.
In this candid conversation with Eastern Eye, Anusha reflects on the unpredictability of her career, the joy of reinvention, the songs closest to her heart, and the passion she has discovered in front of the camera.
How do you reflect on your journey in music?
It has been extremely unpredictable and gratifying at the same time. I never intended to become a playback singer, and my journey has been a sum total of chance meetings with the right people at the right time. Each experience has led me to the next chapter. The disappointments and failures have taught me the value of patience, perseverance, and living in gratitude. I do not take anything I have for granted anymore.
What has been your most memorable moment on your music journey?
Meeting Shankar Mahadevan ji with my demo and getting called the very next day to sing for Johnny Gaddar is by far my most memorable moment. I had no expectations, no self-belief that this would happen. It changed my life in a very drastic way, in that I started believing in myself more and began taking more chances in life.
Which of your songs has been closest to your heart?
It is hard to pick just one. I have many that are close to my heart. Lazy Lamhe because it was the biggest hit of the year and put me on the map as a playback singer. Gulaabo because it gave me a fresh start of sorts and a lot of love from listeners. Dil Mein Jaagi from Dev D because I got to write the song too. I think it is impossible to pick just one.
Does your approach as a singer change between different languages?
The only thing that changes is the time it takes to get the words right and understand the meaning of the lyrics – which words to emphasise, getting the pronunciation correct, and so on. There are wonderful language supervisors and lyricists who really help you perfect the language. Sometimes you focus so much on pronunciation that you lose the emotion. I like to speak the lines out first, loudly like a conversation, a few times before singing them to get comfortable with the words.
What inspired you to go into acting?
To be honest, it was not inspiration but pressure from my team and family that pushed me to give it a shot. I always thought acting was not my cup of tea. It was a running conversation for over a decade with my husband, who kept insisting I was made to be on screen. It is strange how he saw something in me that I never did. I said yes thinking it would be a good experience to try something new.
What has the experience of acting in Hai Junoon been like?
From not wanting to act to now feeling so passionately about it, life has changed drastically for me over the past year. I had the most wonderful time playing my character – learning the dialogues, going to set, watching the collective effort that goes into making each scene. It felt like learning a new skill for the first time, with fascination and awe for the craft. It has blown my mind and made me respect actors and film crews so much more.
Anusha Mani
What is the biggest thing you learned while working on this show?
My biggest life lesson has been to never say no without giving something an honest shot. I would not have done this show if I had listened to the voice that kept doubting myself. I cannot be the naysayer in my life. Changing that perspective has been hard, but it has also given me a new purpose.
Is the plan now to balance acting and music?
Absolutely. I am in the middle of recording new singles while also doing meetings and auditions. It is a long process and only time will tell how things turn out. I just want to enjoy the journey and soak it all in.
What are your biggest passions away from work?
I love animals. I sponsor a camel in an equine rescue place in Karnataka called The Backwater Sanctuary. Zoha, who runs the place, is just incredible, and I feel privileged to contribute in the smallest way. I also enjoy working out – going to the gym and weight training with my trainer is very therapeutic for me. (Smiles) Other than that, because our lives are so hectic, doing absolutely nothing with my husband is something I am very passionate about.
What music dominates your own personal playlist?
Oh, it is a strange mix of Marathi natya sangeet, ghazals, Bollywood songs by some of my favourite composers like AR Rahman, Shankar Ehsaan Loy, Vishal Bhardwaj, and Pritam. Then there is John Mayer, Ed Sheeran, Sting, and some film scores. It is an odd blend and gets played during both cardio and naps on flights.
You have sung, written songs, and acted – is there anything else you would love to do in the creative field?
If I can do these three things properly, with constant growth and learning, that will be enough for now. I am not someone who always wants to keep working. I value quality time with family, alone time, playing with my dog, and just pausing every now and then to be still. Life cannot always be about doing something.
What inspires you?
Stories of resilience, patience, and focus, but also stories of kindness, empathy, and working for the greater good. My brother is a huge inspiration for the way he leads his life with empathy and focus. My husband inspires me every day. I learn patience and kindness from him. Even my house help, whom I call my house manager – she is particular and punctual every single day and has never complained in 12 years. She is very inspiring to me. There is something to learn from almost everyone if you are willing to look around and stay open.
Jeff Bezos and Lauren Sánchez’s wedding celebrations kick off in Venice with around 200 high-profile guests.
Celebrities including Leonardo DiCaprio, the Kardashians, Oprah, and Bill Gates have arrived.
The three-day celebration is expected to cost £43–51 million (₹427–506 crore).
Venice locals protest the event, accusing the billionaire couple of turning the city into a playground for the elite.
Amazon founder Jeff Bezos and media personality Lauren Sánchez have begun their lavish wedding festivities in Venice, Italy, drawing a guest list that reads like the Oscars after-party. The ultra-exclusive, multi-day affair has transformed the floating city into a buzzing hub of private yachts, paparazzi, and tight security.
The couple, who have been engaged since 2023, arrived earlier this week and are hosting a welcome event ahead of their expected Friday wedding ceremony. The celebrations are reportedly set across Venice’s most luxurious venues, with the final reception on Saturday.
Lauren Sanchez and Jeff Bezos leave the Aman Hotel in Venice ahead of their wedding Getty Images
Celebrities, billionaires, royals: a who’s who of wedding guests
Familiar faces are pouring into Venice. Kim Kardashian made a headline-grabbing entrance at Marco Polo Airport, followed by sisters Khloé, Kendall, and Kylie Jenner, along with matriarch Kris Jenner. Oprah Winfrey, joined by Gayle King, arrived in a summery outfit and was spotted greeting fans as she left her hotel. Leonardo DiCaprio tried to go unnoticed in a baseball cap but was quickly recognised by photographers.
Kardashians seen boarding a boat ahead of the evening celebrations in VeniceGetty Images
Ivanka Trump, Jared Kushner, Tom Brady, Karlie Kloss, Orlando Bloom, and even royalty like Queen Rania of Jordan were seen making their way to the festivities. Guests are staying in top-tier hotels like the Gritti Palace and Aman, where rooms overlook the Grand Canal.
Oprah Winfrey wave to fans while heading to the welcome event Getty Images
Venice residents push back against the mega-event
While the city is buzzing with glamour, not everyone is celebrating. Local activists have criticised the event for highlighting the growing gap between Venice’s global appeal and its local struggles. A protester scaled a flagpole in St Mark’s Square, unveiling a banner reading, “The 1 per cent ruins the world,” targeting the excessive nature of the celebration.
Jeff Bezos and Lauren Sanchez gesture in direction of Bezos' lookalike from the taxi boatGetty Images
The wedding, estimated to cost between £43–51 million (₹427–506 crore), may not dent Bezos’s £182 billion (₹18.1 lakh crore) fortune, but it has sparked debates about overtourism and inequality in one of Europe’s most fragile heritage cities.
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Brad Pitt attends the world premiere of F1 at Times Square in New York
Brad Pitt’s Los Feliz home in LA was broken into late Wednesday night.
Three intruders reportedly entered through a window and ransacked the property.
Pitt was in London for the F1 film premiere alongside Tom Cruise and Lewis Hamilton.
LAPD confirmed a burglary but has not disclosed what was stolen.
Brad Pitt’s Los Angeles home was burgled late Wednesday night while the actor was overseas promoting his new film F1. According to the Los Angeles Police Department, three individuals broke into the residence located in the Los Feliz area around 10:30 pm by entering through a front window.
Brad Pitt at the F1 premiere in London before the burglary was reported Getty Images
Brad Pitt’s LA home targeted in late-night break-in
The LAPD described the scene as having been “ransacked,” though they have not revealed the nature or value of the stolen items. Pitt was not home during the incident, as he was attending the London premiere of F1, accompanied by co-star Tom Cruise and Formula One legend Lewis Hamilton.
The property, which Pitt purchased in 2023 for a reported £4.3 million (₹45.6 crore), is a three-bedroom house tucked near Griffith Park, surrounded by thick foliage and fencing for privacy. Though authorities initially withheld the homeowner’s name, the address matches records linked to the Oscar-winning actor.
Brad Pitt walks in the Paddock after qualifying ahead of the F1 Grand PrixGetty Images
LAPD investigates celebrity burglary as theft details remain unclear
While police are continuing their investigation, no arrests have been made yet. Officials have yet to confirm exactly what was taken during the burglary or the estimated worth of the stolen items. Pitt’s representatives have not issued any statement on the matter so far.
This incident adds to a growing list of high-profile burglaries in the area. Over recent months, other celebrity homes, including those of Nicole Kidman and Keith Urban, have been targeted in similar break-ins.
Brad Pitt attends the "Wolfs" red carpet during the 81st Venice International Film Festival Getty Images
Incident follows stalking case at Jennifer Aniston’s home
The break-in at Pitt’s residence comes weeks after a man was arrested for driving his car into the front gate of Jennifer Aniston’s Bel-Air home. The intruder, charged with stalking and vandalism, breached her property while she was present. Fortunately, no harm was reported, and her security team quickly intervened.
As the LAPD looks into the latest break-in, concerns about the safety of celebrity homes in Los Angeles continue to rise. Pitt, meanwhile, remains focused on promoting F1, which released globally this week.