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Shahid Kapoor opts out of Dharma Productions’ Yoddha?

By: Mohnish Singh

A couple of weeks ago, we had informed our readers that Shahid Kapoor was set to team up with director Shashank Khaitan for an action entertainer, titled Yoddha. To be produced by Karan Johar’s Dharma Production, the high-profile project also had Disha Patani in the lead role and was expected to go before cameras in the month of January.


However, the latest we hear that things changed drastically over the past few weeks and Shahid Kapoor is no longer headlining Yoddha. The Kabir Singh (2019) actor has reportedly walked out of the film citing creative differences.

Spilling some more beans, a source in the know tells an online publication, “Shahid and the team were having a lot of creative differences over the script. Many feel that Shahid has become extremely brash and arrogant after the success of Kabir Singh. He is currently very picky about what he wants to do. Plus, he had been dilly-dallying on his dates for a while. He had not signed on the dotted line, which is also why KJo could not make the official announcement about the same. But now, it is almost certain that he is no longer doing the film anymore. Now, it needs to be seen if Karan and Shashank get back to convincing him and adhere to his demands or they look for a new actor to star in the film.”

We also hear that Shahid Kapoor, who recently wrapped up his next Jersey, has now switched his dates for Yoddha with his much-talked-about debut digital series. If reports are to be believed, Kapoor and Tamil superstar Vijay Sethupathi will soon kick-start the shoot in Mumbai and Goa. The hit director duo Raj & DK are helming the yet-to-be-titled series.

Keep visiting this space for more updates from the world of entertainment.

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

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  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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