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Their divorce has been messy, and West now claims he has little control over his children’s lives. He specifically called out Kardashian for trademarking their kids’ names without his full approval. “I don’t have equal say in their careers or public image,” he said. “These are my children too, but I’m treated like I don’t matter.”
Things got uglier when West released a song featuring their daughter North and Sean “Diddy” Combs against Kardashian’s wishes. She allegedly tried blocking the track, leading to a heated text exchange between them. West accused her of overstepping, while Kardashian argued she was protecting their daughter.
Kim, Kanye, North and Saint West out in NYC Twitter/KimKFan
“She thinks she has all the power,” West said, visibly frustrated. “But I won’t let her shut me out of my kids’ lives.” He even threatened legal action, declaring, “If she keeps this up, neither of us will walk away clean.”
West’s interview outfit, a hooded black ensemble resembling KKK attire, sparked backlash, but he seemed unbothered. Instead, he doubled down on his grievances, framing the custody battle as a deeper cultural issue. “A white family controls the narrative around my Black children,” he claimed. “That’s not right.”
Despite the bitterness, Kardashian has previously said she wants “good vibes” between them for the kids’ sake. But with West’s latest revelations and legal threats, peace seems unlikely anytime soon.
One thing is clear: this feud is far from over, and their four children sadly remain caught in the middle.
It stirred a wide range of opinions, with members of the right wing even accusing director Prithviraj Sukumaran of having connections to terrorist groups without any substantiated evidence. These unfounded accusations have unfortunately even extended to his wife, Supriya Menon, a respected journalist and producer, suggesting dubious affiliations without merit.
So, how did this explosive mix come about?
The political flashpoint: What sparked the controversy?
The controversy surrounding L2: Empuraan began after its first-day shows, due to scenes that many believed referenced the 2002 Gujarat riots. The film’s narrative was seen as focusing on the retaliation by Hindu mobs while failing to depict the Godhra train burning incident that triggered the violence. This led to the RSS-backed magazine Organiser calling out the film, first targeting Mohanlal, then shifting focus to director Prithviraj Sukumaran.
Union Minister Suresh Gopi dismissed the entire controversy as a “business stunt” to hype up the film, but the backlash was real. The film’s portrayal of the National Investigation Agency as corrupt, its depiction of central investigative agencies, and a reference to the Ministry of Defence further fuelled the fire. Today, a BJP leader from Thrissur has filed a petition in the Kerala High Court, demanding an immediate ban on the film to prevent communal unrest.
Adding another layer of intrigue, producers Antony Perumbavoor and Gokulam Gopalan are already under the Enforcement Directorate’s (ED) scanner for alleged foreign funding violations. The petitioner accused the film of deliberately undermining the ED’s credibility.
Amid these tumultuous claims, the Kerala High Court has addressed the petition seeking to ban the film, ruling that the movie will continue its screenings as scheduled. The court’s decision, especially during such a crucial time, highlights the importance of artistic freedom and brings to light the broader need to protect creative expression from unwarranted censorship.24 cuts and a “voluntary” re-edit: The censorship debate
With pressure mounting, L2: Empuraan underwent a “voluntary” re-edit of 2 minutes and 8 seconds, initially reported to include 17 cuts but later increased to a total of 24.
Antony Perumbavoor in an interaction with the media today, clarified that these changes were a collective decision and not due to political pressure. However, the timing of the edits, coming only after the Organiser article and BJP backlash, certainly suggests otherwise.
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Mohanlal’s apology and Prithviraj’s mute reshare vs. Murali Gopi’s silence
As the heat intensified, Mohanlal took the safest route, a carefully worded apology. The superstar expressed regret over the film hurting sentiments, emphasising that it was never intentional. Director Prithviraj, with just a reshare of the apology, remained defiant. While the writer Murali Gopi wasn’t openly combative, his silence and refusal to issue a similar statement spoke volumes.
He took it a step further, throwing in a cryptic Eid wishes post on Facebook. Was this a way of calling out censorship without directly challenging it? Or was he simply done with the politics of it all?
Mohanlal's apology after the controversy Facebook Screengrab/Mohanlal
Box office juggernaut: Controversy didn’t stop the money flow
Despite the political firestorm, L2: Empuraan has smashed every possible record:
In fact, instead of trimming and destroying the film, the controversy may have actually fuelled ticket sales. With Empuraan becoming a talking point across India, even those who might not have been interested in a Malayalam political - action thriller lined up at theatres just to see what all the fuss was about.
The bigger picture: A dangerous precedent for Indian cinema?
At its core, the L2: Empuraan saga isn’t just about one film. It’s about who controls narratives in Indian cinema. The RSS and BJP’s pressure on the film raises serious questions about censorship. If even a box office behemoth with an industry legend like Mohanlal has to bow to edits, what does this mean for smaller, independent filmmakers?
Even more concerning is the legal attack on the producers, with allegations of foreign funding and anti-government agendas. Are we now entering an era where films that challenge certain narratives will not just face cuts but also legal repercussions?
Final thoughts: A film that defined the year or even the decade
Love it or hate it, L2: Empuraan has redefined the landscape of Malayalam cinema. It has proven that regional films can go global, both in earnings and impact. But it has also exposed the thin line between artistic freedom and political scrutiny.
For now, the re-edited version is expected to hit theatres tomorrow, continuing its historic run. However, the battle over cinema’s right to tell controversial stories is far from over. And if the past few weeks have shown us anything, it’s that L2: Empuraan has set a new benchmark and become a statement in its own right.
Zendaya joins as Felicia in Shrek 5Getty Images