South Korea declares 'national emergency' as it posts world's lowest birth rate
Since 2006, the government has allocated over 360 trillion won (£ 78.9068) for initiatives aimed at boosting childbirth rates.
By Vibhuti PathakFeb 28, 2024
South Korea is grappling with the world's lowest birth rate, a crisis that shows no signs of abating as new data reveals a further 8 per cent decline in 2023 to an alarming 0.72, well below the 2.1 needed for population stability.
This relentless decline, now spanning over a decade, has prompted the government to declare it a "national emergency," with financial incentives and policies amounting to $270 billion (£ 78.9068) since 2006 failing to reverse the trend.
The repercussions are dire, with projections estimating a halving of the population by 2100, a significant reduction in the workforce, and a shrinking pool for mandatory military service. Policymakers are increasingly acknowledging the severity of the situation, but the root causes of this crisis are multifaceted, deeply entrenched, and extend beyond financial incentives.
One striking factor is the evolving role of women in South Korean society. The surge in female education and workforce participation, coupled with a slower evolution of traditional gender roles, has led many women to prioritize their careers over starting families.
Since 2018, South Korea has been the only member of the Organisation for Economic Co-Operation and Development (OECD) to have a rate below 1. In addition, South Korean women give birth for the first time at an average age of 33.6 – the highest among OECD members.
"It's hard to find a dateable man in Korea - one who will share the chores and the childcare equally, and women who have babies alone are not judged kindly," says Yejin, a 30-year-old South Korean woman.
Many South Korean women prioritize their careers over starting families. (Representative image: iStock)
The demanding work culture in South Korea, with long hours and overtime, adds another layer to the challenge. The fear of potential career setbacks and societal pressure further dissuades women from taking maternity leave, with only 7 per cent of new fathers utilizing their leave compared to 70 per cent of new mothers.
Educationally empowered Korean women face a trade-off between career and family, as reflected in the country's high gender pay gap and a disproportionate number of women out of work compared to men. The cost of private education, a unique burden in South Korea, further compounds the issue.
Parents face societal expectations to enrol children in expensive extracurricular classes from the age of four, making it the most expensive country in the world to raise a child. This financial strain, coupled with the perception that opting out leads to failure, contributes significantly to the declining birth rate.
Since 2006, the government has allocated over 360 trillion won (£ 78.9068) for initiatives aimed at boosting childbirth rates. These programs encompass cash subsidies, babysitting services, and assistance for infertility treatment to encourage couples to have more children.
Cultural factors also play a crucial role, with the difficulty of juggling work and household responsibilities falling disproportionately on women. The prevailing expectation that mothers take two to three years off work when having a child adds another layer of pressure, contributing to the perception that South Korea is not a conducive environment for raising happy children.
However, not all women are choosing childlessness willingly.
As South Korea faces a looming demographic crisis, President Yoon Suk Yeol has acknowledged that past attempts to spend their way out of the problem have failed. The government is now considering treating the low birth rate as a "structural problem."
The challenge lies in translating this acknowledgement into effective policies that address the multifaceted issues contributing to the crisis. Amidst the gloom, there is a glimmer of hope as some politicians begin to showcase policies aimed at stemming the population decline.
These include initiatives for more public housing and easier loans. Additionally, discussions on the legalization of same-sex marriage and access to sperm donors may provide an avenue for those who wish to have children but face legal barriers. (With inputs from BBC, The Guardian)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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