Starmer warns of ‘unpopular decisions’ to address national challenges
Starmer, who was elected in a landslide victory in July, has committed to rebuilding British society.
Starmer claimed that the previous government left him with a £22 billion deficit. (Photo: Getty Images)
By EasternEyeAug 28, 2024
KEIR Starmer announced on Tuesday that he would need to make unpopular decisions, including the possibility of taxing the wealthy and implementing spending cuts, as part of his efforts to address Britain’s various challenges. He attributed these issues to what he described as Conservative mismanagement.
Speaking in the rose garden of his Downing Street office, where Covid-related parties took place under a previous Conservative government, Starmer pledged to end politics as usual. He warned voters that Britain’s problems would worsen before they improved.
Starmer, who was elected in a landslide victory in July, has committed to rebuilding British society. He pointed to this month’s anti-migrant riots as a sign of deep divisions, which he said were fuelled by the Conservatives’ focus on populism.
He also claimed that the previous government left him with a £22 billion deficit, which he said was unexpected and has led to difficult decisions, such as limiting fuel payments to the elderly.
The opposition Conservative Party has accused Starmer’s Labour Party of exaggerating the fiscal situation to justify tax hikes, after campaigning on a promise not to raise certain taxes on working people.
Starmer stated that while he plans to keep that promise, the short term will involve "unpopular decisions" for the long-term benefit.
"There is a budget coming in October, and it’s going to be painful. We have no other choice ... Those with the broader shoulders should bear the heavier burden," Starmer said during a speech to voters, referring to a fiscal statement due on 30 October.
"We have inherited not just an economic black hole but a societal one as well. That’s why we have to take action and do things differently. Part of that is being honest with people about the tough choices we face," he said.
"Frankly, things will get worse before they get better," he told the audience, which included apprentices, teachers, nurses, small business owners, and firefighters.
The rose garden last gained attention during former prime minister Boris Johnson’s tenure when it was used for parties during the Covid lockdowns—events that Starmer said damaged public trust in politicians.
Kemi Badenoch, a Conservative leadership contender and the party’s policy chief for housing and communities, described Starmer’s speech as based on a "dishonest analysis."
"The truth is that Keir Starmer is managing voters’ expectations for a decade of decline," she said in a statement.
Prison places
Starmer, a former director of public prosecutions, expressed disbelief that as prime minister, he had to consider the availability of prison places to manage those involved in the riots targeting Muslims and migrants.
"Not having enough prison places is about as fundamental a failure as you can get. And those people throwing rocks, torching cars, making threats—they didn’t just know the system was broken, they were betting on it, gaming it," he said.
Starmer criticised the former Conservative government’s failure to address problems and its focus on populism, which he said had deepened societal divisions that would take time to heal.
He inherited an economy with sluggish growth, which is now only beginning to show signs of improvement. Public sector net debt is at its highest since the early 1960s, and the tax burden is expected to reach a near-80-year high.
Chancellor Rachel Reeves has indicated that the projected public finance overspend will necessitate cutting billions of pounds in spending.
"Those who made the mess should have to do their bit to clean it up," Starmer said, referring to new powers given to the water regulator to impose fines on companies responsible for sewage pollution.
"But just as when I responded to the riots, I’ll have to turn to the country and make big asks of you as well, to accept short term pain for long term good, difficult trade-offs, but the genuine solution," he added.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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