How Sudhir Yaduvanshi’s magical voice is making a mark
The singer discusses his journey, inspirations, passions beyond music, and future.
Sudhir Yaduvanshi
By Asjad NazirOct 19, 2024
BRIGHT new talent Sudhir Yaduvanshi is lighting up Indian music with his singing ability.
The fast-rising star has built on memorable appearances in reality shows like Sa Re Ga Ma Pa, Rockstar, Dil Hai Hindustani, and Hunarbaaz with impactful songs such as Kaawaa Kaawaa from the acclaimed 2024 action film Kill. He also leads his own Sufi fusion rock act, Maya Bazaar Band, which regularly delights live audiences. With more songs and major collaborations on the way, Sudhir has firmly established himself as one to watch.
Eastern Eye caught up with the singer to discuss his journey, inspirations, passions beyond music, and future. He also revealed his biggest musical hero.
What first connected you to singing?
Accidentally, I got the chance to sing at my school’s annual function, and afterward, everyone elevated me to the status of the school’s rockstar. That’s where my journey began.
How do you reflect on your music journey so far?
It’s been an incredible rollercoaster, but as I continue chasing my dreams, I’m truly enjoying the ride.
What has been your most memorable moment?
There have been a few special moments. First, performing in front of AR Rahman sir and being named ‘best performer of the day’. Second, singing Shambhu for Akshay Kumar sir. And third, hearing my voice in a theatre for the first time with the song Kaawaa Kaawaa from the movie Kill.
Which of your songs is closest to your heart?
Of the songs that have been released, Kaawaa Kaawaa is very close to my heart. Most of my other tracks are yet to be released.
You are a versatile singer, but which genre do you prefer most?
I have a deep love for folk music. To keep today’s generation connected to their roots, I strive to create new sounds by blending folk tunes with modern elements.
Can you tell if a song will be a hit when you’re recording it in the studio?
It’s tough to predict before a release. In my experience, sometimes songs you’re not as fond of become hits, while those you love don’t always perform as well. So, it’s hard to say which will be a hit. However, the key is to approach every song with the mindset that it will succeed.
How important is live performance to you?
Live performance means everything to me. I love connecting with the audience and feeding off their energy, which brings me a deep sense of inner peace and fulfilment.
Who is your musical hero?
I have great admiration for Kailash Kher sir. The first song I ever performed on stage was one of his, and after that, I listened to his entire album. It ignited my desire to be a singer.
What music dominates your personal playlist?
I mostly listen to motivational, folk, rebellious tunes, and powerful, energetic cult tracks that inspire me. I always avoid melodrama in my music choices.
Who would you love to collaborate with?
It’s my dream to collaborate with MM Keeravani sir. I feel connected to his music from the very first note, and I believe his songs are meant for me.
Do you have any ambitions outside of music?
Yes, I have one goal: to play in the Celebrity Cricket League. Cricket is my form of meditation.
What are your biggest passions away from work?
Undoubtedly, my passions include cricket, bike riding, and continuously discovering something new within myself.
Tell us something not many people know about you.
Few people know that I can dance and whistle to any song. I also write songs.
What inspires you?
My work itself is my inspiration. I learn from every person, find inspiration in different things, and move forward by letting go of what doesn’t work. The selfless love of animals inspires me. Staying up late to create songs is inspiring. Pursuing dreams far from home and achieving them for loved ones is inspiring. Inventing something new when there is a lack of work inspires me. The simplicity of Arijit Singh is also a source of inspiration. If you look closely, each day brings something to motivate and inspire us, as well as things that demotivate. It’s up to us to take the good and leave the bad.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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