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Sunny Deol reveals he was dyslexic as a child

Deol is presently basking in the riotous success of his latest release Gadar 2. 

Sunny Deol reveals he was dyslexic as a child

Bollywood star Sunny Deol, who is presently basking in the riotous success of his latest release Gadar 2, has revealed that he was dyslexic as a child and would also often get “slapped” for not scoring well in studies.

“I was dyslexic as a child. Back then, we did not even know what that meant. I would get slapped, called duffer for not being able to study,” Deol revealed during a recent interview.


The actor further added, “Even now when it comes to reading, sometimes the words seem all jumbled up. Often people say to use a teleprompter (at public gatherings) but I refuse! I am like, ‘You tell me what to say, I will try to say it.”

The actor added that though being dyslexic was one aspect of his personality, he also had a “very high” IQ.

“Me being dyslexic never came up in conversation over the years. But it used to get difficult, initially, I would feel nervous to speak. Now, with age may be, I feel I have opened up more. But back in the day whenever someone would hand over the microphone to me, I would wonder, ‘Now what do I say?”

Also starring Ameesha Patel and Utkarsh Sharma in lead roles, Gadar 2 is a sequel to the all-time blockbuster Gadar, which released in 2001. The film, which hit screens on August 11, has netted over £45 million at the domestic box office.

Deol will next be seen in Zee Studios’ Baap.

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TroyBoi’s latest EP bridges generations by fusing South Asian heritage sounds with global trap and electronic production

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TroyBoi returns to his Indian roots with Rootz EP using Lata Mangeshkar’s voice to redefine British diaspora music

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  • TroyBoi’s five-track EP Rootz is a personal return to the sounds of his childhood, released via Ultra Records in September 2025.
  • The single Kabhi uses an officially cleared sample of Lata Mangeshkar’s vocal from Kabhi Khushi Kabhie Gham.
  • Collaborations with Amrit Maan, Jazzy B and BombayMami plug Punjabi, Bhangra and south-Asian textures directly into modern trap and bass production.
  • This EP is part of a wider wave: British artists born into diasporas are using heritage not as garnish but as foundation.

Some albums hit you in ways you don’t see coming. Rootz is one of them. Not just another trap EP. TroyBoi, the London-born producer known for global bass and trap, has made something that’s also deeply personal. He didn’t just want to make music that bangs in clubs; instead, he wanted to reach back to the India of his childhood. And he did it with Rootz.

The track everyone’s talking about is Kabhi. Because it’s not just sampling Bollywood. Lata Mangeshkar’s voice was officially cleared for use on a non-Bollywood release, a milestone reported by multiple outlets. It’s history. It’s memory. And it’s a bridge.

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