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Swastik Productions set to launch an animated series on Lord Shani

One of the leading production houses in Hindi television space, Swastik Productions has been a frontrunner in producing mythological and historical shows in India. Mahabharat, Karmaphal Daata Shani, and Porus are some of the shows which helped the production house create its niche in the highly competitive market.

Taking its love for mythological shows to the next level, now the production house is planning to launch a new animated show on Lord Shani. The untitled series will stream on an OTT platform. However, the platform is still not known.


The show will be an animated version of its mythological series Karmaphal Daata Shani, which aired on Colors. It was one of the most popular shows on the channel during its run. And now the makers have decided to come up with an animated version of the serial.

We are sure that the animated version of Karmaphal Daata Shani will receive the same amount of love from the audience as did the original series.

More details are awaited.

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Anurag Kashyap Dhurandhar

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar

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Anurag Kashyap on 'Dhurandhar': "Ignored the propaganda dialogues and loved the filmmaking"

Highlights

  • Anurag Kashyap calls Dhurandhar a “significant” and “brilliant” film despite disagreeing with parts of its politics
  • Says he ignored what he viewed as propaganda lines and concentrated on the filmmaking
  • Compares the film to Hollywood war dramas often criticised for political messaging

Kashyap’s review singles out craft over ideology

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar, saying he admired the film even though he did not agree with all of its political messaging. Writing on Letterboxd, Kashyap said he chose to look past what he felt were a couple of propaganda-heavy moments and instead focus on the quality of the filmmaking.

He noted that hostility towards an enemy state is often built into the genre itself, adding that he had no issue with that aspect. However, he pointed to two specific dialogues that troubled him, saying that setting them aside allowed the film to work strongly on its own terms. He described Dhurandhar as a good, and ultimately brilliant, film largely set in Pakistan.

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