FARID HAQUE’S BOOKS SEEK TO ‘DEVELOP EMOTIONAL INTELLIGENCE FROM A YOUNG AGE’
by ASJAD NAZIR
WITH Covid-19 disrupting family lives globally, teaching children emotional intelligence is more important than ever and according to experts, a vital life skill that needs to be passed on.
Talented writer Farid Haque spotted the need for this and has produced an interesting children’s book series titled Talking Up, which has inspiring stories designed to encourage emotional development. The books are easily accessible to children, but also provide parents with a way to discuss challenging subjects with them.
Eastern Eye caught up with Farid Haque to discuss the Talking Up series, how to help develop emotional development in kids, key advice for parents and the effects of lockdown on children.
What would you say first connected you to writing?
I write in order to draw awareness to important issues. Aside from Talking Up, I have written the book Good Hacker, Bad Hacker. I was inspired to write this when my older daughter’s email got hacked at a young age, and the book teaches younger audiences about the dangers of the internet and being hacked.
What led you to writing the Talking Up books?
I saw a gap in the market when it came to books focused on teaching children and parents about emotional intelligence, particularly books written by south Asian males. In a cultural context, speaking about your feelings is often brushed aside and not considered very important. I wanted to change this and create more awareness of the differences that exist between all of us.
Tell us about the three books?
Each book focuses on key subjects, such as racism, anger management and responding to different emotions. The series aims to inspire and encourage emotional development in children from a young age, which will equip them throughout their lives. Each short story has an underlying message that can help give them moral guidance in understanding issues such as bullying, integration, physical disability and emotional control. These books have focused on the key topics of emotional growth such as self-management, self-awareness and social awareness.
What inspired your use of animals as characters?
I felt animals would be child-friendly and engaging. Using fictional
characters like animals is also a great medium for getting important messages out.
Are the books aimed at any particular ages?
The books are aimed at younger children, aged from four to seven, as developing emotional intelligence is something that should be inculcated from a young age. However, the topics in these books are also relevant for older children as well.
How important is it to encourage emotional development in children?
Emotional intelligence is increasingly recognised as a key trait for success and well-being, but few people possess it. Recognising how you respond to different scenarios and being able to manage emotions is critical. It is also so important to be able to pick up on the emotions of those around you and respond appropriately.
Do you think inspiring emotional development in youngsters is even more important during lockdown?
A year into the pandemic, lockdown has been a stressful experience for everyone, with schools being shut, children having to adapt and family members being impacted by Covid. Parents have also been forced to juggle childcare duties along with their work, and changes in our moods impact our children. Furthermore, children pick up on the stress, uncertainty and changes that we are going through, and it will inevitably cause them to get anxious or act up at times. In terms of the pandemic and how it has impacted all of us in many different ways, it is even more critical to ensure that children are resilient, flexible, and able to navigate their way through rapidly changing situations. So, it is important to help your child develop emotional intelligence as early as possible and even more so in today’s climate.
What other ways are you hoping that these books will help children?
Aside from being a learning tool, I hope these books can give children some comfort if they are facing issues such as bullying or isolation at school, and even struggling with lockdown and help them understand that things will become better. It is also my aim to help children develop characteristics such as empathy, self-awareness and inclusiveness by reading the Talking Up books. In short, I hope these books can serve as a source of enjoyment as well as education.
What piece of key advice would you give parents?
My key advice to parents, who are struggling with childcare duties more than ever now would be to communicate openly with your child. This will encourage them to trust you and also understand your emotions. Speak to them about how you have felt at different points in your life and about how to treat others with consideration and respect. Children learn by example and parents are the biggest examples that children follow.
What are your future hopes with this book series?
Through writing these books, my aim is for young children to learn how to understand differences and create strong relationships in order for us to move towards becoming a more compassionate and understanding society. I want to get this message across to a wider audience through a range of mediums and an animated series is one way that this can be achieved.
What can we expect next from you?
My goals are to have Talking Up reach a wider audience and hopefully add more titles to the series.
What inspires you?
I am inspired by my work and the people around me. I am also motivated by the idea of contributing to a fairer and friendlier society and helping educate young minds.
Has writing these books helped you in any way?
Writing these books has helped me reflect on my own emotions and behaviour. There is room for improvement in all of us and I often revisit these books myself. The process of writing itself is therapeutic and Talking Up has helped me understand and handle my own emotions better.
Why should we pick up the books?
These books are not just for young children. Schools and parents can also enjoy and benefit from them. If you want to help your child develop emotional intelligence and make sure they are aware of important issues, the Talking Up series is a great tool to help with this. Reading the books together is also a great way to spend time with and educate your child.
The doll features a glucose monitor, insulin pump and CGM app
Created in collaboration with type 1 diabetes charity Breakthrough T1D
Part of Mattel’s broader push for inclusivity and representation in toys
Barbie with type 1 diabetes joins inclusive fashionistas range
Mattel has launched its first diabetes Barbie doll, designed to represent children with type 1 diabetes and promote greater inclusivity in children’s toys.
The new addition to the Barbie Fashionistas line comes with realistic medical features including a continuous glucose monitor (CGM) on her arm, secured with heart-shaped medical tape, and an insulin pump to help manage her blood sugar levels. She also carries a smartphone with a CGM app to monitor glucose throughout the day, and a bag large enough to store snacks and other essentials.
Designed in partnership with Breakthrough T1D
The diabetes Barbie doll was developed in collaboration with Breakthrough T1D, a global not-for-profit organisation supporting people with type 1 diabetes (T1D). The autoimmune condition typically develops in childhood and requires patients to monitor their blood glucose and take insulin regularly.
Krista Berger, senior vice-president of Barbie and global head of dolls, described the launch as “an important step in our commitment to inclusivity and representation.”
“Barbie helps shape children’s early perceptions of the world, and by reflecting medical conditions like T1D, we ensure more kids can see themselves in the stories they imagine and the dolls they love,” she said.
Karen Addington, CEO of Breakthrough T1D UK, welcomed the collaboration: “I’m absolutely thrilled that Barbie now includes a doll with type 1 diabetes. For children with T1D who don’t often see themselves represented, this doll will be a powerful role model, celebrating their strength and bringing recognition, inclusion and joy to their play.”
A growing legacy of inclusive design
Since the original Barbie’s debut in 1959, the brand has evolved to reflect greater diversity. The first Black Barbie dolls were introduced in the 1960s, followed by Hispanic dolls in the 1980s. From the 1990s onwards, Mattel expanded the range to include Barbies in under-represented careers such as astronauts and scientists.
It wasn’t until 2019 that Barbie dolls with visible disabilities were introduced. Since then, Mattel has launched more than 175 diverse Barbie looks as part of the Fashionistas range, which now includes dolls with hearing aids, prosthetic limbs, wheelchairs, vitiligo, and Down’s syndrome. A black Barbie with Down’s syndrome and a blind Barbie are also part of the line.
The diabetes Barbie doll continues that trend, offering children with the condition a chance to see themselves positively reflected in their toys.
Industry-wide shift toward representation
Barbie is not the only toy brand prioritising diversity. UK-based brand Lottie includes dolls with autism and Down’s syndrome, while Lego offers a variety of inclusive minifigures, including characters with physical and non-visible disabilities.
Arjun Panesar, founding chief executive of Diabetes.co.uk, praised Mattel’s decision, stating: “Representation matters – especially in childhood. Seeing a Barbie doll with type 1 diabetes helps normalise the condition, reduce stigma and show children that they are not alone.
“It’s a positive step forward in building confidence, inclusion and understanding around living with diabetes.”
Promoting empathy through play
The launch of the diabetes Barbie doll is not just about inclusion—it is also part of Mattel’s mission to extend the boundaries of imaginative play. The company says the goal is to encourage children to engage with experiences beyond their own, helping them to understand the challenges others may face.
As Barbie continues to evolve, the inclusion of realistic medical conditions such as type 1 diabetes signals a more inclusive future for toys and the children who play with them.
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Italian-born French fashion designer Elsa Schiaparelli
“In difficult times fashion is always outrageous.” – Elsa Schiaparelli.
The Victoria & Albert Museum has announced its first ever UK exhibition dedicated to Elsa Schiaparelli, the visionary designer who blurred the boundaries between fashion, art and performance. Titled Schiaparelli: Fashion Becomes Art, it runs from 21 March to 1 November 2026 in the Sainsbury Gallery and will draw on the V&A’s status as home to Britain’s National Collection of Dress and its foremost collection of Schiaparelli garments.
Vogue 1940; Designer Elsa Schiaparelli wearing black silk dress with crocheted collar of her own design and a turbanFredrich Baker/Condé Nast via Getty Images
Exhibition scope and highlights
Over 200 objects across media: garments, accessories, jewellery, perfume bottles, paintings, photographs, sculpture, furniture and archival sketches.
Iconic pieces on display:
The ‘Skeleton’ dress (with Salvador Dalí)
The ‘Tears’ dress and the surreal shoe hat (with Jean Cocteau)
Archive objects from Schiaparelli’s London branch, highlighting her dynamic UK clientele
Accompanying artworks by Pablo Picasso, Jean Cocteau and Man Ray
A survey of the brand’s modern era under creative director Daniel Roseberry, whose sculptural gowns have dressed Zendaya, Beyoncé, Lady Gaga and Doja Cat
“Schiaparelli’s collaboration with artists and the world of performance makes her an ideal subject,” said V&A Director Tristram Hunt, calling the show “a celebration of one of fashion’s most daring innovators.”
Delphine Bellini, CEO of Schiaparelli, adds: “Elsa Schiaparelli’s fearless imagination and radical vision redefined the boundaries between fashion and art.”
'Tears' Evening dress and head veil, designed by Elsa Schiaparelli, February 1938 for Circus Collection, summer 1938. Fabric designed by Salvador Dali Victoria and Albert Museum, London
From Paris salons to the Met Gala red carpet
Long before the V&A’s announcement, Natasha Poonawalla brought Schiaparelli’s surrealist drama to global attention. In 2022, she paired a gold Schiaparelli corset with a Sabyasachi sari, styled by Anaita Shroff Adajania. A year later, she returned to the Met Gala in a futuristic silver Schiaparelli gown, both moments underlining how Indian influencers are shaping today’s couture conversation.
Natasha Poonawalla attends The 2022 Met GalaGetty Images
Curators, press details and what’s next
Curated by Sonnet Stanfill, Lydia Caston and Rosalind McKever, the show is the first UK retrospective focusing on Schiaparelli’s output from the 1920s to 1954 and its present day revival.
Tickets on sale autumn 2025
Accompanied by a fully illustrated V&A catalogue, available autumn 2026
Part of the V&A’s major fashion exhibition series following Christian Dior: Designer of Dreams and Naomi: In Fashion
Vogue 1936; Two models, standing in a white room with arrows painted on walls and wearing dresses by Schiaparelli;Cecil Beaton/Condé Nast via Getty Images
What it means for South Asian style
This isn’t just a show for fashion students and couture fans. It’s a chance to see how a radical female designer redefined beauty and power, and how that legacy continues through Indian influencers like Poonawalla, who proudly bring together cultural identity with high fashion on the world stage.
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Lewis clarifies legal rights for online and in-store purchases
Martin Lewis flags incorrect return rights information on 30 retail websites
Retailers include New Look, The Range, and Selfridges
Lewis clarifies legal rights for online and in-store purchases
Trading Standards to be alerted following MoneySavingExpert.com investigation
Martin Lewis highlights return rights confusion
Money-saving expert Martin Lewis has issued a warning to UK consumers after uncovering misleading returns information on the websites of 30 major retailers, including New Look, The Range, and Selfridges.
Speaking on ITV1's Good Morning Britain, Lewis explained that several retailers are presenting incorrect information about return rights for online shoppers — in some cases, underplaying the legal protections customers are entitled to.
In a tweet posted after the segment aired, Lewis wrote: “30 retailers including Selfridges, New Look and The Range are publishing misleading (worse) return rights information on their websites than you legally have. Find which stores to be cautious with, and what your rights are.”
Legal rights for online shoppers
During his TV appearance, Martin Lewis clarified that consumers who shop online — as opposed to in-store — benefit from legal protections under the Consumer Contracts Regulations.
“If you buy something online, unless it is personalised or perishable, you have an absolute right to change your mind,” he said. “You have 14 days after delivery — important it’s after delivery, not after order — in which to tell the retailer you're returning it. Then you have another 14 days to send it back. That gives you up to 28 days.”
He also stressed the distinction between online and in-store shopping: “If you buy something in-store, you have no legal right to return it unless it’s faulty. Some shops do allow returns as part of their policy, and if they publish that, it becomes part of the contract. But legally, there is no obligation unless the item is defective.”
Incorrect wording found on retailer websites
Lewis and his team at MoneySavingExpert.com identified numerous cases where retailers had not correctly stated consumers’ legal rights on their websites.
One such example involved New Look, where the website stated: “You can return sale items within 14 days.” Lewis responded: “No! You can notify them within 14 days and you’ve got another 14 days to send it back.”
He also flagged a misleading policy by home and garden retailer The Range, which read: “You need to return your item to us at our Range marketplace partner within 14 days of receiving it.” Lewis explained: “No. You have 14 days from receiving it to notify that you’re returning it and a further 14 days to complete the return.”
He went on to say: “We found 30 examples. What’s really frustrating is that two of those — Monsoon and New Look — had the same issue back in 2018 when we last reviewed this. We notified them then, and they still have it wrong now. So we’re taking our evidence to Trading Standards.”
Retailers respond
In response to the findings, a spokesperson for New Look said: “We thank MoneySavingExpert.com for bringing this to our attention. While our current policies comply with statutory return rights, we have updated the wording on our website to ensure greater clarity for our customers. Customers have 14 days to notify us that they’ve changed their mind on items bought online in our sale, and a further 14 days to make the return.”
Consumers are encouraged to review their rights when shopping online and refer to trusted sources like the Money Saving Expert website for accurate advice. The full list of the 30 retailers identified can be found there.
The Daily Express has also contacted The Range and other retailers mentioned in the investigation for further comment.
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Collins accepted the findings of the ASA’s investigation
Instagram post by Gemma Collins promoting Yazen weight-loss service banned
ASA rules it breached regulations on promoting prescription-only medication
Eight other weight-loss ads also banned in regulatory crackdown
ASA bans Collins' Instagram advert
An Instagram post by TV personality Gemma Collins promoting a weight-loss drug and digital service has been banned by the UK’s advertising watchdog for breaching regulations around prescription-only medicines.
Collins had shared a promotional video on 6 January 2025, stating: “I’m starting this year two sizes down, thanks to Yazen’s weight loss app and medication.” The Advertising Standards Authority (ASA) ruled that the post unlawfully promoted prescription-only medication to the public.
Prescription medication references breached rules
Yazen, a Swedish digital healthcare company, provides a doctor-supervised weight-loss programme which includes prescription drugs alongside lifestyle coaching. While Collins did not name a specific drug in the advert, she referenced the medication being “prescribed on the NHS”.
The ASA said it consulted the Medicines and Healthcare products Regulatory Agency (MHRA), which concluded that viewers were likely to interpret the advert as encouragement to seek prescription weight-loss medication.
As a result, the ASA found that the advert breached its code by promoting prescription-only treatments directly to the public. This type of promotion is prohibited under UK advertising regulations.
Collins accepted the findings of the ASA’s investigation and confirmed that she would follow the relevant guidance in future social media promotions.
Eight other ads also banned
Collins’ post was one of nine adverts banned in the ASA’s latest enforcement action targeting weight-loss drug promotions. The watchdog stated that all of the adverts promoted prescription-only treatments to consumers, a practice not allowed under UK law.
The other banned adverts included:
A Meta ad by CheqUp Health stating: “Take the first step to sustainable weight loss with CheqUp.”
A Meta ad by HealthExpress.co.uk, featuring an injection pen image and rule-breaching claims.
A Google ad for Juniper UK describing “GLP-1 Weekly Weight Loss Injection” with an injection pen image.
Two Google ads for Phlo Clinic, one offering “35% off Weight Loss Order” and another promoting “Weight loss Injections.”
A Google ad for SemaPen claiming, “SemaPen Makes Weight Loss Easier.”
A Meta ad by Cloud Pharmacy using text message imagery referencing new weight-loss medication.
A Google ad for pharmacyonline.co.uk stating “Obesity Treatment Jab” with an image of a medication vial.
The ASA ruled that none of these adverts should appear again in their current form. The regulator said it will continue to monitor the promotion of weight-loss services involving prescription medication, particularly on digital platforms.
Discover hidden UK beaches with turquoise waters and golden sands
Ideal for summer staycations without the cost of long-haul travel
Includes lesser-known spots in Wales, Scotland, Cornwall, and more
Perfect for quiet escapes, coastal walks, and Instagram-worthy views
Escape to paradise – no passport required
Think you need to fly halfway across the world for clear blue water and white sand? Think again. The UK is home to a surprising number of secluded beaches that look straight out of the Caribbean – without the crowds or jet lag. From hidden coves in Cornwall to windswept bays in the Scottish Highlands, here are some of the most tropical-looking beaches on British soil.
1. Barafundle Bay, Pembrokeshire, Wales
Often dubbed the UK’s answer to the Caribbean, this National Trust-owned gem boasts golden sand, crystal-clear waters, and dramatic cliffs. Accessed by a half-mile walk from Stackpole Quay, it remains blissfully untouched by development.
Best for: Picnics, photography, and a peaceful swim Nearest parking: Stackpole Quay car park
2. Achmelvich Bay, Sutherland, Scotland
Many of these beaches are tidal and best enjoyed at low tideiStock
With white sands and dazzling turquoise water, this beach in the remote northwest Highlands rivals beaches anywhere in the world. The journey is long, but the views – and near-solitude – make it worth every mile.
Tucked beneath rugged cliffs near Porthcurno, this tidal beach is often reached via a steep cliff path – but rewards visitors with stunning sandbars and glassy water at low tide. It’s also unofficially clothing-optional.
Best for: Adventurous walkers, secluded sunbathing Access: Steep footpath from Treen
4. Luskentyre Beach, Isle of Harris, Outer Hebrides
Framed by the turquoise seaiStock
Arguably one of Britain’s most spectacular beaches, Luskentyre’s vast white sands stretch for miles, framed by the turquoise sea and Harris’s dramatic hills. When the sun shines, it’s hard to believe you’re still in Scotland.
Best for: Landscape lovers, long coastal walks How to get there: Ferry from Skye to Tarbert, then a 25-minute drive
5. Kynance Cove, Cornwall
It’s best visited early or late in the dayiStock
With its striking serpentine rock formations, teal-coloured waters, and hidden caves, Kynance is a postcard-perfect Cornish cove. Its popularity means it’s best visited early or late in the day.
Best for: Exploring caves, paddling Nearby: Kynance Cove Café (seasonal)