Veteran theatre director-actor Aamir Raza Husain, known for his larger-than-life outdoor stage productions, died in New Delhi at the age of 66.
Husain was suffering from a heart-related ailment and passed away on Saturday, his son said.
"He was hospitalised for two days and had undergone heart surgery, but wasn't able to recover. He passed away yesterday," Husain's son Ghulam Ali Abbas told PTI.
Having produced and acted in several plays, including over 91 productions and 1,000 plus performances with Stagedoor Theatre Company as its creative director, Husain was best known for stage spectacles such as The Fifty Day War, based on the 1999 Kargil War, and The Legend of Ram, inspired by the Hindu epic Ramayana.
He also appeared in the English film Kim (1984), based on Rudyard Kipling's novel of the same name, which starred Peter O' Toole in the lead, and the 2014 Bollywood movie Khoobsurat, featuring Sonam Kapoor Ahuja and Pakistani actor Fawad Khan.
While The Legend of Ram, first staged in 1994, created waves with its multiple outdoor sets spread over 3 acres and a 100-member crew, The Fifty Day War went a step further -- featuring 140 actors, including Indian Army personnel, sets that move on rails, a life-sized helicopter exploding and a revolving platform taking an audience of 660-plus from one scene to another.
Hailing from an aristocratic Awadhi family of Lucknow, Husain was born in 1957 and was sent to Ajmer's Mayo College at the age of 10 in 1968.
After finishing his schooling, he went on to study history at St Stephen's College, New Delhi, where he acted in various plays, rubbing shoulders with noted directors such as Joy Michael, Barry John, and Marcus Murch.
Husain was honoured with Padma Shri, the fourth highest civilian award in India, in 2001 for his immense contribution to theatre. In 2010, the Delhi-based thespian revived his production "Move Over", first staged at the official farewell function of President Shankar Dayal Sharma in 1997. It was staged in Delhi, Mumbai and Kolkata, and several cities across India.
Several noted personalities took to social media to mourn the death of the eminent theatre personality.
Notably, Husain once served as vice president of the Delhi BJP. He resigned from the post in July 2013 after his statement against the then Gujarat Chief Minister Narendra Modi anguished the party leadership.
Senior Congress leader Shashi Tharoor, who was also Husain's senior at St Stephen College, remembered him as a "larger-than-life" personality and recalled the time when he directed the "theatre giant" in an adaptation of the court-martial scene from American author Joseph Heller's classic play "Catch 22". "I met him at St Stephen's College when, as a talented fresher, he was cast in "Antony & Cleopatra". I then directed him in an adaptation of the court-martial scene from Catch 22 in a one-act play competition.
"Decades later I had the pleasure of meeting him again as a theatre giant & watching a couple of his plays. His passion & commitment defined him. He was larger than life, & today it seems life could not contain him & all that he offered it," Tharoor wrote in a tweet.
Samajwadi Party president Akhilesh Yadav too condoled Husain's demise.
"He was a true icon of Indian culture and his contributions to the world of theatre will be remembered for generations to come. My thoughts and prayers are with his family and friends during this difficult time," he tweeted.
Husain is survived by wife-actor Viraat Talwar, and their two children Kaniz Sukaina and Ghulam Ali Abbas.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.