AUTHOR Hanif Kureishi has claimed his critically acclaimed My Beautiful Laundrette is still “relevant to our day and age”, more than three decades after it hit cinema screens.
Kureishi made the comments following the online release of Leicester Curve Theatre’s stage adaptation of his Oscar-nominated screenplay last month. The narrative follows a young British-Pakistani man Omar and his romance with Johnny, a white working-class street punk.
Set in London during Margaret Thatcher’s leadership years, the play explores racism, nationalism and division between different communities. Kureishi said the story’s themes seemed relevant in the current climate. He pointed out the resurgence of the Black Lives Movement in recent months highlighted “how little progress we’ve made”.
“The struggle against racism needs to be renewed every single day,” Kureishi said during a digital discussion with the play’s cast and creative staff last month. “It is not something you can do once and for all – that colonisation, de-colonisation, thinking about Britain, about our history, about who we are, about who we allow in. These questions never go away (and) I would be interested to hear from young people about what they think about what it is like to be of colour in the UK today.”
Admitting that it was “odd” revisiting a script he wrote in his late 20s, Kureishi revealed it was director Nikolai Foster who encouraged him to “revisit the characters and their world”. “What I particularly enjoyed was the idea of doing it live,” the 65-year-old explained. “You never have that experience with a movie as it is the same every night, but seeing the show with a live audience and then having it tour was really exciting.”
Actor Gordon Warnecke, who played Omar in the original film, also returned to the adaptation – but this time as ‘Papa’, Omar’s father. Asked how it was to revisit the script from a paternal role, Warnecke said it was fascinating to return to a story which he had been involved with more than three decades ago. However, he admitted he thought he was being approached to play Omar when initially meeting with Foster and Kureishi.
“After about 10 minutes, I realised I wasn’t being seen for the part of Omar, but for his father, so I was a little bit put off,” he laughed. “But to revisit something I did 35 years ago was very interesting.”
The London-born actor said he did not talk about the original project during rehearsals, but instead approached it with a “fresh perspective”.
There were times when some scenes would trigger memories of his time filming the project in the 1980s, Warnecke revealed.
“At that time, I was about 22 years old so it was going back to 1984 and thinking about what I was like as a young adult then,” he said. “I’m just so happy to have been allowed to come back to this fantastic play and script that Hanif has written.”
Visit www.belgrade.co.uk/stories/watch-onlinemy-beautiful-laundrette to watch the 2019 production of My Beautiful Laundrette.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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