Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THERANOS founder Elizabeth Holmes testified that she was abused by her former romantic partner and Theranos executive Ramesh "Sunny" Balwani and that the relationship had a pervasive impact on her life during the time when she is accused of committing fraud.
During her fourth day on the stand, Holmes, 37, occasionally choked up as she spoke about her decade-long relationship with Balwani, Theranos' chief operating officer, whom she met when she was 18 and he was 38.
Throughout the relationship, Holmes said, Balwani forced her to have sex when she did not want to, and was verbally abusive.
Balwani has "categorically" denied the allegations in court filings, calling them "false and inflammatory." An attorney for Balwani did not immediately reply to a request for comment.
Both Holmes and Balwani have pleaded not guilty to criminal charges for allegedly lying about the now-defunct startup's technology that supposedly could run diagnostic tests more quickly and accurately than traditional lab testing.
Prosecutors say Holmes turned to fraud after pharmaceutical companies lost interest in the Theranos technology. Her attorneys portray Holmes as a young, hardworking entrepreneur whose company failed, and, they suggested on Monday, who relied on Balwani to her detriment.
Holmes had previously testified that she left Stanford University at 19 to focus on building Theranos. On Monday, she explained that she left in part because she had been raped while at Stanford.
At that point, she decided to focus on building her company, and at the same time grew closer with Balwani, who she looked up to as a successful businessman who had worked with Bill Gates.
"He said that I was safe, now that I had met him," she said.
But, at the home they shared and in texts, Balwani told her she would never succeed if she did not "kill the old Elizabeth" by following an intense regime including waking at 4 am, eating certain foods and remaining laser-focused on her goals, she said.
Once valued at $9 billion, Theranos vaulted Holmes to Silicon Valley stardom. Theranos collapsed after the Wall Street Journal published a series of articles starting in 2015 that suggested its devices were flawed and inaccurate. She was indicted in 2018.
Holmes testified last week that Balwani prepared financial projections that were shared with investors. On Monday, Holmes spoke for around an hour about their personal relationship.
Holmes said she is not claiming that Balwani controlled her statements to investors, journalists or business partners. But she said she didn't question him as she should have, because he had taught her "everything I thought I knew about business."
"He impacted everything about who I was. And I don't fully understand that," she said.
A healthcare regulator's negative report in 2016 shook her positive view of Theranos, and prompted her to make changes that Balwani did not like, Holmes testified. They broke up that year, she said.
Since the trial began in September, jurors in San Jose have heard evidence that prosecutors say proves Holmes defrauded investors between 2010 and 2015 and deceived patients once Theranos began making its tests commercially available, including through a partnership with Walgreens.
At the end of her direct testimony, Holmes' lawyer, Kevin Downey, asked why she never sold any of her 50 per cent stake in Theranos, which was worth $4.5bn, despite opportunities to do so.
"I believed in the company and I wanted to put everything I had into it," she said.
Holmes is scheduled to face cross-examination by a prosecutor on Tuesday (30) when the trial resumes.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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