CHINESE president Xi Jinping and Indian prime minister Narendra Modi are expected to agree new security measures along their unsettled border during a summit on Friday (11), officials said, in an effort to smooth ties ruffled by differences over Kashmir.
The two are meeting in a seaside resort in southern India after weeks of jousting over India's decision to revoke the special status of Himalayan territory of Kashmir, angering Pakistan and China, its ally.
Ahead of Xi's arrival in the southern India city of Chennai, police detained the chief of the Tibetan Youth Congress, Gonpo Dhondup, and 11 Tibetan students in several locations, including the airport and a highway leading to the summit venue.
"We want freedom," shouted Dhondup, as he was wrestled away by six policemen in a video shared by the Tibetan Youth Congress. He was pushed into an autorickshaw and taken away by police.
While Tibet's spiritual leader, the Dalai Lama, and the so-called Tibetan government-in-exile, have been based in the northern Indian hill town of Dharamsala for decades, India has been careful not to let Tibetans embarrass visiting Chinese leaders.
Indian officials say they expect China to respect its core concerns in the same way, including over the issue of Kashmir.
New Delhi said this week that changes to Kashmir's status were an internal affair and there was no room for a third country to be involved, after Xi said he was watching the situation closely and assured Pakistan of Chinese support.
Modi and Xi will be aiming to move forward on a set of confidence-building measures during the informal summit in Mamallapuram, a short distance from Chennai, an Indian source briefed on the discussions said.
India and China share a 3,500 kilometre (2,200 mile) border, over which they went to war in 1962. Its course remains unresolved despite more than 20 rounds of talks.
The border has been largely peaceful, but there have been occasional stand-offs between soldiers from the two Asian giants, who have overlapping territorial claims. The measures on the table include more border trade, tourism and even joint military patrols to boost trust, said the source.
"Priority will be given to enhancing confidence-building measures and people-to-people exchanges," a second government source said.
Modi will take Xi on a tour of the Shore Temple, dating back to the seventh and eighth centuries, and will have several hours of one-to-one talks designed for a free exchange of ideas on issues ranging from territorial disputes to India's ballooning trade deficit with China and the question of allowing Chinese telecoms equipment maker Huawei into India's 5G network.
"Xi will have an in-depth communication with Modi on issues that have overall, long-term and strategic significance on bilateral relations, set the tune and guide the direction for future development of the ties," Chinese state media quoted Vice Foreign Minister Luo Zhaohui as saying.
Xi will be accompanied by top diplomat Wang Yi, while Modi's team includes Foreign Minister Subrahmanyam Jaishankar and National Security Adviser Ajit Doval.
The two sides are hoping that Xi and Modi - both powerful nationalist leaders - will build further their personal rapport established at the first such informal summit in the Chinese city of Wuhan last year.
"Since the Wuhan summit, we've seen some movement - the restoration of a number of dialogues (military, border, economic), China giving India a little more market access, India toning down its rhetoric," said Tanvi Madan, senior fellow at Brookings Institution.
"But we've also seen enough evidence that key differences remain," she said, referring to China's position on Kashmir.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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