Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A DOCTOR who helped set up Kerala’s first plasma bank has described how the move helped save the lives of 55 critical Covid-19 patients in the south Indian state.
Dr Shinas Babu is a nodal officer of the special Covid treatment centre at the Government Medical College Hospital (GMCH), Manjeri, in north Kerala. Since the start of the coronavirus pandemic, he has treated more than 14,000 Covid-19 patients and saved the lives of 500 patients who were in a critical condition.
He said, “The Covid-19 pandemic was a great learning experience for me.
“My first patients were two people who had returned from Saudi Arabia after performing Umrah. Initially, I was worried as it was a new disease and I relied on journals and the internet to know more about it. In the past few months, I have gained thorough knowledge about what to do with Covid patients and can predict which patient’s condition will become worse.”
He added, “If we are alert and give proper treatment and medication, we can save the patient’s life.”
Among treatments used by doctors is plasma therapy; however, the Indian Council of Medical Research (ICMR), the apex medical research body in the country, recently said it was not effective.
Dr Babu’s experience tells a different story.
He said, “We started the plasma therapy treatment on June 5. Of the 75 patients who received it, we saved the lives of 55; so, the success rate is 73 per cent.
“Of the 20 patients who lost their lives, four were negative for Covid-19 in their post-mortem sample test. We are now also doing a study regarding this.”
In his opinion, the ICMR study was conducted on patients whose condition had worsened. According to him, identifying the “correct” patients and providing plasma therapy at the right time is important if the treatment is to work.
“Besides, it is very cheap and has no systemic side effects,” he said.
“We could not save a patient through plasma therapy after his/her situation became worse. As per the guidelines by the state government, we should administer plasma therapy during the time of exhibiting cytokine storm features.”
A cytokine storm, also called hypercytokinemia, is a physiological reaction when the immune system causes an uncontrolled and excessive release of pro-inflammatory signalling molecules called cytokines.
So far, 181 people have donated plasma to the bank and Dr Babu’s team provides the therapy for patients who have Covid pneumonia and show cytokine storm features.
Kerala began its preparation when the first Covid-19 case was reported in Wuhan, China.
On January 24, the state government appointed nodal officers to all hospitals.
Dr Babu said, “We diagnose the disease before it becomes complicated. If we provide proper treatment at an early stage, it is unlikely the situation will become worse. The contact tracing mechanism in Kerala is really good. The state quickly hospitalises vulnerable patients and starts treatment as early as possible.”
He added, “It is very difficult to save a patient when the situation becomes worse; the oxygen level in the blood will reduce and there will be no symptoms. This is called ‘silent’ or ‘happy’ hypoxia. It is a condition in which patients have extremely low blood oxygen levels, yet do not show signs of breathlessness.”
According to him, around 85 per cent of Covid patients will have only minor symptoms or are asymptomatic
“About 40-45 per cent of patients will be asymptomatic. There will be minor symptoms for 40 per cent of patients. So, around 85 per cent of patients will have minor symptoms or are asymptomatic. The situation of only 15 per cent of patients is likely to become worse. As a result of local transmission, people of all ages are getting affected now,” Dr Babu said.
“Vulnerable people, including pregnant women, people with heart and kidney diseases needed intensive care.”
Asked if there is a chance the virus spreads through the air, Dr Babu said, “If it is airborne the number of patients would have been much higher. It is transmitted through droplets. The size of the virus is big. Hence it cannot sustain in the atmosphere for long.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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