SPIRITUAL art gallery Art-ma will bring the Mahabharata to life next week through a virtual exhibition of vivid, large-scale paintings by Italian artist Giampaolo Tomassetti.
Described as an “amalgamation of the east and west”, The Mahabharata Collection can be viewed in an interactive virtual gallery via the Art-ma website from Wednesday (12), marking the Hindu festival of Janmashtami, the birthday of Lord Krishna.
It promises to be visual treat with 24 monumental pieces and a world exclusive work that will depict scenes that lead up to the Kurukshetra war, the central theme of the Mahabharata.
Tomassetti believes the epic remains relevant even today, as it is “a true representation of human nature”. His works aim to increase awareness on Indian culture, and encourage people’s spiritual growth by inspiring them to “look inwards for the happiness that they seek”.
Born and raised in Italy, Tomassetti had developed “an early curiosity about spirituality” and that led him to form “a deep connection with Vedic culture”.
He frequently travelled to India, and delved into Vedic texts such as the Bhagavad Gita and the Srimad Bhagavatam.
Tomassetti lived as a monk for nine years within the International Society for Krishna Consciousness under the adopted name of Jnananjana Dasa, and also illustrated several books by spiritual guru Bhaktivedanta Swami Prabhupada.
Tomassetti began work on the Mahabharata series in 2008, and took five years to complete the project. As an artist who grew up admiring the Gothic, Renaissance and Baroque art forms, his treatment and style have a distinct European aesthetic.
Classical art form, he believed, was the best way to depict the Mahabharata.
“After reading ancient Vedic scriptures, practising renunciation and making several trips to India, I got close to the culture that produced great literature like the Mahabharata and the Ramayana,” he said.
“To me, the main teaching of the Mahabharata is that we can be inspired by it to change our life into a more advanced ethic, moral, ecological and happy society.”
Tomassetti added that he was “happy and proud” to associate with Art-ma, which promotes “human and spiritual values” through art.
“Art-ma represents the joining of art and spirituality together, and I want to encourage this, as I feel this will benefit humanity,” he said, noting that the gallery derived its name from the Sanskrit term ‘aatma’, which means the spirit-soul residing within each and every living entity.
Modelled on an art gallery in Tuscany, Italy, that houses the original artworks, Art-ma’s virtual gallery has been custom-built in collaboration with Sheffield Hallam University’s department of media, arts and communications.
Organisers said the exhibition, with a guided tour option, will also have embedded videos and text explaining the artworks as well as the story of the Mahabharata.
Reena Popat, co-founder of Art-ma, said the new gallery was created with “the sole purpose of sharing these extraordinary works of art” across the world.
“We want to share the lessons learnt from the Mahabharata that are relevant today across all races and generations,” she added.
The virtual exhibition will be on from August 12 to September 12.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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