TELEVISION STARS HINA KHAN AND HELLY SHAH SHINE BRIGHTLY AT FILM FESTIVAL
I HAD an interesting conversation with late actor Sushant Singh Rajput a few years before he passed away.
In the middle of an interview, he spoke eloquently about Indian TV actors being talented and how obstacles being put in their way prevented them from progressing smoothly into cinema. He told me: “There is a strong prejudice, and we actually get conditioned into thinking that maybe it’s true TV actors can’t make it in films.”
He also spoke about how much talent there was on Indian TV and that they needed to be respected for having more acting experience than most movie stars. What he explained about TV stars being held back from bigger Bollywood opportunities is true and why only a very few have made it into cinema, despite being far more experienced than newcomers being cast in films.
Like Shah Rukh Khan and Vidya Balan, Sushant Singh Rajput was one of the very few to make that leap from TV to films, but the floodgates have never opened despite their successes. This led to world-class performers on Indian television not getting bigger projects their hard work and talent deserve.
These popular TV stars having to fight an unfair tide of film prejudice is why my biggest two heroes from this year’s Cannes Film Festival were Hina Khan and Helly Shah. Instead of being deterred by an obviously unfair playing field, both shone brightly and broke ground for an entire fraternity.
The accomplished actresses showed they deserved to be on the same global platform as popular film stars like Aishwarya Rai Bachchan, Kamal Haasan, R Madhavan, Pooja Hegde, Nawazuddin Siddiqui, Tamannaah Bhatia and Deepika Padukone, who was on the judging jury.
Hina Khan followed up her unforgettable debut appearance in 2019 with a dazzling display on the red carpet and a series of fantastic photoshoots in the picturesque French Riviera town. She also unveiled the poster of her new Indo-English film, Country of Blind, which is based on a classic HG Wells short story.
The brave beauty admirably spoke up about not being invited to the opening Indian pavilion event at the festival, when other celebrities from her country were and highlighted an elitist system.
Hina Khan attends the screening of "Eo" during the 75th annual Cannes film festival at Palais des Festivals on May 19, 2022 in Cannes, France (Photo by Joe Maher/Getty Images)
She said in an interview: “There is an elitist system, this elitist game, which still exists. There was an opening ceremony, which happened in the Indian pavilion. There was everyone, all the talents, my contemporaries, and not just from Bollywood. We had singers and many well-known talents.
It’s not that I envy them, I am so proud of them. But at the same time, it is a bit disheartening that why was I not there? I could have been there, probably in the audience, at least, cheering for them when they were doing the Ghoomar (dance). I loved the video, I felt so proud of my country.”
Not having that support didn’t stop Hina from garnering a lot of attention. In fact, she generated more hype across social media than most of the established Indian film stars present. She was a great ambassador for her country, the TV fraternity and acting talent. The same was the case with young actress Helly Shah, who was making her Cannes debut.
The 26-year-old became the first Indian TV star to be a brand ambassador for beauty giant L’Oréal and looked stunning on the red carpet in a Ziad Nakad creation. She generated more heat on social media that day at the Top Gun premiere than most Hollywood stars present, which showed how popular small-screen stars are. Helly also met Aishwarya Rai Bachchan and gained a lot of international media attention.
Like Hina, she looked stunning in a series of phenomenal photoshoots and successfully unveiled the poster of her own movie, Kaya Palat. Helly hopes this will be the start of a brand-new journey for her and is open to acting in international films. She also wants to see more Indian TV talents in film and on the Cannes red carpet. “I never imagined I could make it here and it’s a big deal for me. So, if I can make it, anybody can make it. It’s just your hard work, patience, and persistence that matters. I would love to see a lot more people from my industry coming here, it will be great,” said Helly.
That will now happen because Hina and Helly have opened the door for other TV stars to walk through. They have also shown that there are opportunities in meaningful movies, even if there still seems to be obstacles put up by commercial Indian cinema. Both looked amazing, had real star presence, and left a lasting impression. They can be proud of their Cannes appearances, and that’s why they are heroes.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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