U.S. President Biden will expedite India-specific CAATSA sanctions waiver because he has the political mileage: Ro Khanna
Authored and introduced by Indian-American Congressman Ro Khanna, the amendment urges the Biden administration to use the authority to provide India with a Countering America's Adversaries Through Sanctions Act (CAATSA) waiver to help deter aggressors like China.
The recent India-specific CAATSA sanctions waiver by the U.S. House of Representatives is the most consequential vote since the civilian nuclear deal, an influential Indian-American Democratic Congressman has said, asserting that U.S. President Joe Biden will expedite the waiver because he has the “political mileage” and the backing of 300 members of the Congress.
In July, the U.S. House of Representatives passed a legislative amendment that approves an India-specific waiver for punitive CAATSA sanctions for its purchase of the S-400 missile defence system from Russia.
Authored and introduced by Indian-American Congressman Ro Khanna, the amendment urges the Biden administration to use the authority to provide India with a Countering America’s Adversaries Through Sanctions Act (CAATSA) waiver to help deter aggressors like China.
“The U.S.-India relationship has never been more critical. When you see an expansionist China at an expansionist Russia, I believe this is going to be a defining relationship of the 21st century. And we needed to send a clear message to India that America values this relationship as very important,” Mr. Khanna told PTI in an interview.
The legislative amendment was passed last month by voice vote as part of an en bloc (all together as a single unit) amendment during floor consideration of the National Defence Authorisation Act (NDAA).
The legislation is yet to be passed by the United States Senate before it can be sent to President Biden to be signed into law.
“Having the threat of sanctions hanging over India undermines our ability to build that strong strategic relationship. It undermines the ability to strengthen the QUAD with Australia and Japan,” the 45-year-old Democrat said.
CAATSA is a stringent U.S. law that authorises the U.S. administration to impose sanctions on countries that purchase major defence hardware from Russia in response to Russia’s annexation of Crimea in 2014 and its alleged meddling in the 2016 U.S. Presidential elections.
The bipartisan vote, which had the support of 300 members of Congress, is the most consequential vote for the India-U.S. relationship, he noted.
“So, this amendment where you have 300 members of Congress telling President Biden to waive the sanctions is an enormous show of support for that relationship. It’s the most historic vote in the House, …since the India civilian nuclear deal. And it doesn’t so much matter whether it’s ultimately in the NDAA or in the Senate, because President Biden has the ultimate authority and this gives him the political mileage to waive off those sanctions,” Mr. Khanna said.
Mr. Khanna, who was part of the high-profile delegation led by U.S. House Speaker Nancy Pelosi that travelled to Taiwan recently, said that his legislative amendment passed by the House had the support of the Biden administration.
“It would never have passed the House if the White House had not indicated a positiveness. I mean, you would never have had the amendment ruled in order or have had a vote on it or had it gone, without the support of the House Foreign Affairs chair, Greg Meeks. We have been in touch with the National Security team with the state department and they appreciated it,” he explained.
When asked why Mr. Biden has not issued the national interest waiver to India so far, Mr. Khanna said the President has his hands full with a wide range of international and domestic challenges.
“He’s dealing with Ukraine. He’s dealing with China, and he probably wants to see the process play out in the Senate. But this was a strong step in that direction of him having the wave,” Mr. Khanna noted.
He said the administration understands the strategic importance and understands the need to strengthen the defence relationship with India.
“The administration understands there are times we will disagree and we want India to condemn the Ukraine invasion, but that we still have to forge ahead on building a strong relationship, understands the importance of human rights,” he said.
Mr. Khanna has also proposed India become the sixth nation in the NATO plus arrangement to bolster defence ties.
“Right now, you have NATO plus five. Basically, Australia, South Korea, New Zealand, Israel and Japan get expedited arms, as NATO does. And I’m working to add India to it. I had introduced that earlier, and this amendment builds momentum for that,” he added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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