Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
AN Indian American economic advisor is playing a crucial role to impose punitive sanctions on Russia over its actions against Ukraine.
Daleep Singh, deputy national security advisor for international economics and deputy director of the national economic council, made his second appearance in the White House press room in a short span.
“Russia’s long previewed invasion of Ukraine has begun and so too has our response. The president (Joe Biden) responded swiftly and in lockstep with allies and partners. The speed and coordination were historic. It took weeks and months to mount a decisive response,” Singh told reporters in his opening remarks.
Singh said that after consultations overnight with Germany, Russia’s Nord Stream 2 natural gas pipeline will not become operational.
That is an $11 billion investment in a prized gas pipeline controlled by Russia that will now go to waste, and it sacrifices what would have been a cash cow for Russia’s coffers, he said.
Singh added: "We’ve demonstrated the potency of our financial sanctions and make no mistake, this is only the sharp edge of the pain we can inflict. In lockstep with our allies, we’re fully blocked from the global financial system, the fifth largest Russian financial institution, VEB, is a glorified piggy bank for the Kremlin that holds more than $50bn in assets.
"We’re also fully blocking Promsvyazbank, this is a bank that holds $35bn in assets that finances the activities of the Russian military."
According to Singh, a full block means these banks can no longer make any transactions with the US nor with Europe as Europe matched US actions, and their assets in America’s respective financial systems will be frozen.
Russian President Vladimir Putin this week signed decrees to recognise Ukraine’s regions of ‘Donetsk and Luhansk People’s Republics’ as ‘independent’. He also ordered Russian troops into eastern Ukraine in what the Kremlin called a “peacekeeping” mission in the Moscow-backed regions.
“Let me be totally clear, no Russian financial institution is safe if the invasion proceeds, we are ready to press a button to take action on the two largest Russian financial institutions, which collectively hold almost $750bn in assets for more than half of the total in the Russian banking system,” Singh asserted.
“Together with our allies, we’ve also cut off the Russian government, the Russian Central Bank and Russian Sovereign Wealth Funds from new financing from the US and Europe. The Kremlin can no longer raise money from the US or Europe and its new debt can no longer trade on the US, or European financial markets."
Singh added that the US has fully sanctioned a group of Russian elites and their family members. Other Russian elites and their family members are now on notice that additional actions could be taken on them as well, he said.
“I also want to take a minute to address a key part of the president’s speech on energy markets. We were deliberate to direct the pain of our sanctions towards the Russian economy, not ours. None of our measures are designed to disrupt the flow of energy to global markets and we are now executing a plan in coordination with major oil producers, and major oil consumers to secure the stability of global energy supplies,” the Indian American advisor said.
Singh said this was the beginning of an invasion and this was the beginning of the American response.
“The actions were only the first tranche. If Putin escalates further, we will escalate further using financial sanctions and export controls which we have yet to unveil, but which are fully prepared to implement with allies,” he added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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